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Edgaras Montvidas on the debut recording of the opera Les Barbares by Saint-Saëns
How do venues - like Paris's new hall - build bonds with audiences?
The opera director on bringing Mozart's masterpiece up to date for a new audience
When our freedoms are challenged music reminds us of our deepest essence
The Radio 4 programme can too often reveal how lacking otherwise great minds can be when it comes to musical ambition
The classical concert hall is inherently undemocratic and needs a rethink, says Tania Holland Williams
Whether LPs or box-sets, there's a renewed appreciation of physical releases
Thomas Carroll, conductor of Orpheus Sinfonia and presenter of their new series Beneath The Score, discusses the importance of audience interaction
How carols can reach both to the heart - but to new audiences too
Why the Berkeley Ensemble have founded the New Cobbett Prize for composition

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