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Thomas Carroll, conductor of Orpheus Sinfonia and presenter of their new series Beneath The Score, discusses the importance of audience interaction
How carols can reach both to the heart - but to new audiences too
Why the Berkeley Ensemble have founded the New Cobbett Prize for composition
Each recording becomes part of an incredible and easily accessible library, more so than ever before
A small town in Finland has a serious new concert complex and a serious new music festival; the creativity of children is hard-wired into both
The good news is that there are a lot of composers out there. The bad news: much of their music will go unheard
Life, like music, isn't just about the beginning and the end, but the journey in between
Morton Feldman and 'Detours Which Have To Be Investigated'
Why dancing to a CD recording should never replace live accompaniment
Whether in Liverpool, Amsterdam or Vienna...

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