The ten finalists are chosen

Two hot favourites, but anything could happen

Emma Baker 1:17pm GMT 17th October 2010

Things are accelerating rapidly towards a conclusion. It seems that no sooner had the third-stage auditions begun than they were over, and yesterday the 10 finalists were announced. Among them are two who are generally considered to be the front runners: Ingolf Wunder and Evgeni Bozhanov, who seem to be getting better and better as the Competition unfolds. I was listening again to selections from their performances on the Competition website (available on CD free with the Chopin Express, if you happen to be in Warsaw); and it struck me that these two favourites are  chalk and cheese in their approach to Chopin. If Bozhanov can be a little hard in his playing style, he makes up for it with wonderfully crisp rhythms and a strong, unmistakeable musical personality; conversely, if Wunder can sometimes treat the music like a swoony Viennese waltz, rather than a sharp-heeled Slavic dance, he redeems himself with a gorgeous bel canto line and thoughtful, imaginative, lyrical approach. But I'm being hyper-critical: both pianists are exceptional young musicians.

As are the other eight competitiors, and anything could happen in the concerto finals, so it's not a done deal. Interestingly there are no finalists from Far Eastern countries this year, simply a field dominated by Europeans: five Russians, one Pole, a Bulgarian, two French pianists, and an Austrian. It also seems that 8 out of 10 pianists prefer the E minor Concerto. We should thank Paweł Wakarecy and Hélène Tysman for going against the grain and choosing F minor, but be warned, on Tuesday night it's three E minors in a row...
After a brief rest on Sunday, the finals begin on Monday 18th with Miroslav Kultyshev's performance at 6pm, Central European Time. Be there, either in person or online at http://konkurs.chopin.pl/en/edition/xvi/online/broadcasting to watch the drama unfold.

Emma Baker

Emma Baker is a freelance writer for Gramophone

Comments

Do the jury now have to choose a winner based solely on the concerto performance, or do they take into account the performers' overall showing over the many different types of Chopin's compositions in all stages of the competition?

The jury takes into account the overall performance throughout the stages of the Competition, I believe: the first two rounds are based on a yes/no vote but after that there's a scoring system in place that they refer back to in the finals. There's more about it in my 12 October blog 'Voting by numbers'.