Third stage, first day
And there are still some surprises to come
No sooner had we received the Jury’s verdict late on Wednesday night, than the running order for the third stage was announced, with recitals kicking off yesterday at 10am. In the third stage, the repertoire gets even more concentrated. Yesterday the audience was treated to no fewer than six B minor Sonatas in a row, eight Polonaise-Fantaisies (a required work) and two B flat Sonatas. It would have been nice to have heard a C minor Sonata in all this, but we won’t this Competition. This is just the first day and I would not blame any audience members who were flagging towards the end. But on the contrary, for most people in the Warsaw Philharmonic Hall, attending competitions is clearly a pleasure and in some cases a sport – I’ve spotted quite a number of homemade spreadsheets dotted with scores and ticked-off names draped over people’s laps.
I attended two recitals today: Fei-Fei Dong, in an extraordinary pink and gold dress, who played with spirit and fire, despite a nasty slip at the end of her B minor Sonata, and the intense Claire Huangci, who performed both sonatas. I would have liked to have heard Evgeni Bozhanov again, but was at work in the office on the Chopin Express – my sources tell me he seems to have matured almost overnight, serving up a fully realised recital that took the breath away and proved that he is much more than a face-pulling showman. Isn’t it great when you have your prejudices overthrown and someone surprises and delights you?
Emma Baker is a freelance writer for Gramophone


Comments
I managed to hear Evgeni Bozhanov's programme yesterday and to my amateur ear it was an absolute treat. He played the compusory Polonaise-Fantasie Op 61 with a considerable amount of poetry and flair whilst the other performers I heard seemed to have difficulty in making it sound like an interesting work. Similarly, his Mazurkas were so special - normally quite a difficult set to bring off convincingly.
I feel quite sorry for the competitors when they have to sit and compose themselves in readiness for the next piece without being able to get up, stretch their legs, and go off-stage for a quick breather. It must be quite an ordeal to finish one of the sonatas, for example, and then launch straight into the next work without any applause and hence without any feeling for how your performance has gone down with the audience.
Tonight should be a treat with Ingolf Wunder and Marcin Koziak; the latter caused quite a stir with his stage II performance.
It's absolutely fantastic to be able to see and hear the whole competition on-line like this - if anyone has not yet tuned in - give it a try!!