Features

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‘A supreme melodist’ – the life and legacy of Richard Strauss

Richard Strauss was accused of being cold and unemotional, yet his music is anything but. Michael Kennedy – in his final Gramophone article – surveys the composer’s legacy

Gramophone Editor’s Choice recordings – February 2015
Feature

Gramophone Editor’s Choice recordings – February 2015

Editor Martin Cullingford introduces his 12 favourite recordings from the February issue

Feature

Playlists

Every month Gramophone's playlists explore particular themes and take you on a musical journey

Daniele Gatti at the Concertgebouw - the promise of things to come
Feature

Daniele Gatti at the Concertgebouw - the promise of things to come

It's all change at the top in the orchestral world, but Amsterdam have shown some imagination with their new musical boss-to-be, writes James Jolly

The art of the conductor
Feature

The art of the conductor

Geoffrey Norris talks to six leading maestros in his quest to discover what makes a conductor a true master of their art

Feature

Joby Talbot talks about his groundbreaking ballet score for The Winter's Tale

The composer reveals the challenges of fusing classical and world music in his most recent piece for the Royal Ballet

Mozart – the greatest composer of all?
Feature

Mozart – the greatest composer of all?

David Vickers talks to leading Mozartians – including Sir John Eliot Gardiner, Nikolaus Harnoncourt, Sir Neville Marriner, Sir Roger Norrington and Mitsuko Uchida – about Mozart's extraordinary musical legacy

Top 10 blunders by music critics
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Top 10 blunders by music critics

Great composers and established masterpieces have not always been recognised as such by music critics. Jeremy Nicholas chooses his favourite critical clangers

My Music: Hans Zimmer
Feature

My Music: Hans Zimmer

The musical passions of Hans Zimmer, whose score for Interstellar was nominated for an Oscar today

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