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VicJayL
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RE: Review

Ted,

This might warrant another thread, but...

Have you had any further thoughts, or are there any developments that you are aware of on the 16bit/24bit question?  I ask because, as you know, following your advice I conducted a double-blind test with two tracks of the different bit rate - and was unable to detect a difference.  (The "debate" about it on the Linn Forum was near epic proportions, and of unsatsfactory outcome, to my perspective anyway.)

The new DS player has tempted me to repeat the exercise, because I believe I am detecting a difference now.  But then, I thought I detected a difference before - until I proved that I wasn't!

Any thoughts?

Vic.

c hris johnson
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RE: Review

"The new DS player has tempted me to repeat the exercise [16/24 bit double-blind test], because I believe I am detecting a difference now." 

Vic, that's exactly what I was suggesting in my 'unclear' post yesterday. Could be interesting. But also could be expensive. What will you do if you find you can hear a difference?

Chris

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JKH
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RE: Review

c hris johnson wrote:

Fine Vic,

Ive been away eating myself. 

Chris

 

Things can't be that bad, surely?

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c hris johnson
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RE: Review

As you can now see, I didn't eat that much, my fingers are still intact!

But be careful JKH, Vic and Parla don't approve of humour in the Forum.

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VicJayL
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RE: Review

c hris johnson wrote:

"The new DS player has tempted me to repeat the exercise [16/24 bit double-blind test], because I believe I am detecting a difference now." 

Vic, that's exactly what I was suggesting in my 'unclear' post yesterday. Could be interesting. But also could be expensive. What will you do if you find you can hear a difference?

Chris

Chris,

I did not see the connection between the above and what we were then discussing and I don't see it now.

But to your point: yes, it will be interesting, but not expensive either way.   If I did find that I was able to distinguish 24bit files from 16bit files in a double-blind test (and don't expect to, by the way) it will make no difference to future purchases because I am so happy with the amazing reproduction I am getting from 16bit files on my new Linn Akurate DS player that I have (obviously) no intention of paying twice the price for 24bit ones.

And as a suppliment: I find no significant difference between downloaded files and ripped CDs, so as I prefer to have the physical objects to hand (for selecting what to listen to somtimes) together with their information booklets, I shall stick to my present arrangements.

Well you did ask!

Vic.

c hris johnson
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RE: Review

Indeed, and thanks for the reply.

I was curious about the 16/24 bit because some years ago I aquired a s/h Meridian CD player and separate 20 bit DAC.  At the time Meridian offered an upgrade to 24 bit, but I decided against doing it (it was quite expensive). Your observations rather confirmed that I probably wouldn't notice any improvement (largely confirmed by other reports on the web). Of course there's also less difference between 20 & 24 than 16 & 24 bit.

Anyway, that was the main reason for my curiosity. I'm content with CD, and I don't think I could face the task of transferring them all (nearly 5,000) to a NAS either.

Chris

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socratesgwr
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RE: Review

I would like to thank Vic for his support that perhaps the DAC is the source of high quality conversion from digital sources to analogue listening.

I quote from a Linn document:

At Linn Products there is an on-going research project in which DAC chips are evaluated. For each candidate DAC chip a custom evaluation board is developed. These are subject to a suite of objective tests that we have developed for DAC assessment. The final arbitration for all these trial systems is the listening test.
On the basis of this research the Wolfson WM8741 has been selected for the Klimax DS

Linn regards the "listening test" as the final arbitrator in designing its range of DS. That says it all.

Perhaps we should now consider jitter and clocks. Some people feel the clock is vital in relation to the quality of the DAC chips.

Happy listening,

Barry

33lp
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RE: Review

Well the DAC could be a major player but if one takes into account Ted's valid comments, the DAC must have an analogue output and the differences you are hearing may not be due to a different conversion from noughts and ones but to differences in the design & components used in the analogue circuitry. This will vary more from one CD player or DAC to another as each manufacturer will have their own ideas whereas  the actual conversion will be limited to a relatively few proprietary chips common to many CD or DAC manufacturers. Linn will not be the only outfit using the above referenced Wolfson chip, it could well be used in much cheaper equipment as it will not be of significant cost in relation to the selling price of the completed gadget.

VicJayL
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RE: Review

c hris johnson wrote:

Indeed, and thanks for the reply.

I was curious about the 16/24 bit because some years ago I aquired a s/h Meridian CD player and separate 20 bit DAC.  At the time Meridian offered an upgrade to 24 bit, but I decided against doing it (it was quite expensive). Your observations rather confirmed that I probably wouldn't notice any improvement (largely confirmed by other reports on the web). Of course there's also less difference between 20 & 24 than 16 & 24 bit.

Anyway, that was the main reason for my curiosity. I'm content with CD, and I don't think I could face the task of transferring them all (nearly 5,000) to a NAS either.

Chris

 

Yes, Chris.  I see now.

However, what the difference would be for a DAC unit, is a complete mystery to me.  That is totally beyond my understanding, and will remain there.  Life's too short for some enquiries!

On your second point, I empathise completely.  When I got my first DS three years ago, I also bought, on dealer recommendation, a Ripnas which, as the name says, ripped and stored.  I set about the task of feeding the thing, expecting it to take months at a rate of ten or so at a time every now and again. 

I didn't (and don't now) have anywhere near your 5000, and as it turned out, I got through them quicker that I expected.  What I wished I had known at the time (and this I offer as advice to someone starting out on this path now) - what I wished I had done was to make any adjustment needed to the metadata that comes on-line with the disc at the same time as ripping them.  

Sometimes the metadata is so sparse that trying to find the disc it refers to is almost impossible if you are searching through hundreds.  At the time, not really understanding the nature of the streaming beast at all I got so frustrated I could have screamed!  And probably did.

Now, of course, I check the data straight after ripping, and to be truthful, nowadays the metadata seems to complete on most discs ripped.  The artwork comes with the data too, of course, so that selecting files from the iPad is easy and convenient.

I don't want to put people off, but if you were to rip your 5000 CDs you have a task-and-a-half on your hands!

On the positive side of that of course is the time saved when playing music from a NAS to a DS which would soon compensate for time invested now.

But, if you are happy with what you have now, why change?

Vic.

 

c hris johnson
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RE: Review

"That is totally beyond my understanding, and will remain there.  Life's too short for some enquiries!"  

Same here Vic!  I don't feel I need to understand everything - but it would have been nice to know that somebody somewhere does understand. I'm still not sure of that even!

Thanks for the NAS comments. I know myself unfortunately. I'd never complete the job!

Chris

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tagalie
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RE: Review

Being on a different time zone I'm having to catch up with this discussion and now find I'm two steps back from yesterday, when I thought I'd just about grasped it. 

If Ted's still there: yes, I was talking about ripping software yesterday and trying to get a handle on the question it was asking i.e. do I want the jitter correction removed or left. What I'm unclear on is this - is jitter built in to the original recording or applied by the cd player to correct discrepancies between what's on the disc and the way the laser is interpreting it? Or am I asking the wrong question?

33lp
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RE: Review

Well I finally picked up a copy of the current Gramophone yesterday & read Andrew Everard's review, not that I understood it all: terms like HDMI, Upnp etc mean nothing to me but then I have no interest in home cinema & possess no Apple, Android tablet devices or I'phones which also have no interest to me.

As I do not desire to go down Vic's route of transferring my CDs to a NAS but prefer to put them into a Cd player as far as I can see the only use I would have for the Linn or similar device would be to enable me to play high resolution files downloaded to a computer. I would need a lot of convincing of the superiority of such sounds to spend £5600 to do that. Equally of course I could seemingly spend £300 to achieve the same ends with the ARCAM DAC much praised in Gramophone's sister publication which apparently uses exactly the same Wolfson DAC chip chosen by Linn & referred to above. So what would the Linn give me for an additional £5300?

Whilst Mr Everard praises the high res sound of an old analogue recording I cannot believe that converting the analogue master to a digital format and then re-converting it to analogue can really give better sound than that obtained from properly playing an analogue source: an LP.

I did note that the Linn device has a phono stage but I doubt that will be superior to my own designed & made all valve phono stage (based largely on a circuit by Morgan Jones) but then of course I would say that. As to the £12000 Cd player referred to by Mr Everard I see that too uses valve analogue circuitry!

VicJayL
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RE: Review

33lp wrote:

Well I finally picked up a copy of the current Gramophone yesterday & read Andrew Everard's review,   ...

I could seemingly spend £300 to achieve the same ends ...

....So what would the Linn give me for an additional £5300?

 .... I cannot believe  ....

 ...but I doubt that will be superior to my own  ...

 

 

Listening would provide some proof one way or the other and might convince you, but you won't take the trouble to do that before you pronounce what is or is not possible with the technology.  The difference between your approach and Andrew Everard's is that he actually puts it to the test.  Is he making it up, for god's sake?

Vic.

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RE: Review

tagalie wrote:

If Ted's still there: yes, I was talking about ripping software yesterday and trying to get a handle on the question it was asking i.e. do I want the jitter correction removed or left. What I'm unclear on is this - is jitter built in to the original recording or applied by the cd player to correct discrepancies between what's on the disc and the way the laser is interpreting it? Or am I asking the wrong question?

Hi sorry not had internet access recently. There is no jitter built into the original recording. The jitter when you play back a CD occurs because of timing errors in the electronics of the CD player which affects the stream of data before the DAC stage. However as I said earlier I think the term jitter here is used to mean something slightly different by your software. The information on the CD is read in blocks. Sometimes older computer CD drives can have problems playing these blocks without blips between because of the way they seek. I think this jitter correction probably just sorts out these kind of problems if they occur. I would leave it switched on. Even if you have it switched on when you play back a burned disc on a CD player you will still get the first type of jitter produced by that player.    

Ted

 

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RE: Review

VicJayL wrote:

Have you had any further thoughts, or are there any developments that you are aware of on the 16bit/24bit question? 

Any thoughts?

Vic.

My advice would be not to worry! It is extremely difficult to conduct perfect comparison tests between audio gear. So if you're happy, which sounds like the case, it is best not to worry.   I'm still of the view that 24-bit recordings should be indistinguishable from 16 bit. However that said I still support their availability, which may seem a bit strange. Firstly I see no difference in buying (or desiring) a 24 bit recording over 16 bit to wanting the first edition of a book, or buying basic food items from Marks and Spencer, or any other luxury. Secondly (and perhaps more importantly) companies that release 24 bit recordings like Linn are generally ones who have a commitment to making superb recordings, and these 24-bit recordings are sort of part of the luxury culture necessary for them to survive.

Ted