The Brennan JB7
oh dear. It sounds as if it really should still be in development...at least for vinyl. But then, does it really matter if it does copy at 320 kbps? What are the implications?
Whether you can hear the difference between 192kbps, 320 kbps or "lossless" depends on the quality of the rest of your equipment, your ears, and the brain they're connected to. 192kbps works fine for me with a £800 Linn pre/amp and £900 Linn speakers/cables but then I'm listening to the music, not the equipment.
Surely there's really no such thing as "lossless" digital - any digital system works by taking samples. If you take samples, you haven't really got everything, have you?
---Richard
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hi not techy at all.
I had problems with mine and so I acted quickly and sent it back.
The company were very reasonable about it and I feel much better.
I'm still looking for a solution to having lots of cds.
I may have to spend more than I'd thought, not a problem
Try the Naim HDX at £4,500. Nope, I can't afford one either.
---Richard
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VicJayL - may I ask how you back-up your 24 bit downloads - MediaMonkey refuses to back-up to 4.7gb DVDs for me. Thanks.
'After silence, that which comes nearest to expressing the inexpressible is music'.
Aldous Huxley brainyquote.com
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I bought a JB7 320Gb in December. Initial thoughts: very nicely made, love the small, compact size, good sound quality (most compressed, some not - I can just hear the difference, especially classical piano music) through a pair of 33 year-old LEAK speakers and Bose headphones. Cheap and fiddly remote control, totally at odds with the elegant and well-executed design of the JB7unit - text too small, poor buttons.
Database is very hit-and-miss, it has music listed which I thought was quite obscure, and plenty of omissions of what is pretty well-known. Essentially I am referring to jazz, world and classical music, can't speak for a lot of pop and rock titles. The Gracenote database used by iTunes, while also lacking in some areas, seems to be better. Also the way some CDs are labelled after the ingesting process is a bit random. Often you'll get the performer first and not the album title without waiting for the scrolling display to reveal all - very annoying when looking for classical pieces for example. I'm not entirely convinced by the slow and laborious scrolling needed to find titles.
Loading MP3 files from an iTunes library is easy enough using the front USB port, though apparently some iTunes files need converting. I had no problems. Any memory stick devices need to be FAT32 formatted or the JB7 can't read them.
So as far as it being an all-round "CD & clutter reducing" tool is concerned, the jury is out. Nice as far as it goes, good sound, small and elegant, but possibly not quite as clever as it could be. On balance, my iPod Classic 160Gb hooked up to our Denon system would probably do the job just as well.
However, all this has been rendered meaningless since the left speaker connection packed up just before New Year. I did all the usual checks with other speakers. The headphone socket was fine. I suspect an assembly and/or component fault. I contacted their technical support by 'phone, was sent a software patch to load into the JB7, this has made no difference. I'm now waiting for them to collect the machine. I'll keep you posted as to how good they are in dealing with problems and faulty items. They have some favourable testimonials on their website, here's hoping they can live up to the praise.
RichO
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Surely there's really no such thing as "lossless" digital - any digital system works by taking samples. If you take samples, you haven't really got everything, have you?
I guess many people think this is the case, but actually thanks to Mr Nyquist and Mr Shannon you do not lose any information at all from the original up to half the sampling frequency (just over 22 kHz for a CD's sampling rate).
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I still don't know how to add. I search the page carefully but I can't find the ling "You are not watching this post, click to start watching"
Can you talk more about it? Thanks
R.
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I've spun my wheels quite a bit over the past couple of months pondering options that might eliminate the shelves and shelves of CDs (often lost and found and lost again) and (currently unplayed) vinyl in my home and office and allow me to transition to a new era of digital storage and streaming, rendering the silver platters and 33 1/3 rpm albums as obsolete as thick 78 rpm vinyl.
My goal? Simple. Get a good integrated amp (there are certainly many out there for 1000 to 2000 USD), a turntable of reasonable quality (like something mid-range from ProJect, Rega, ClearAudio, matched with a decent cartridge like an Ortofon Blue), a good set of speakers (B&W CM5 or CM8 perhaps?), and a 'music server' that will quickly allow me to transfer the music on CD and vinyl to the server, flip the power switch on the amp, adjust the volume control and listen to beautiful music. Back in the day of the 33 1/3 rpm record, the cassette tape and the CD, this was a simple matter of deciding how much you wanted to spend, doing a reasonably simple mix and match of components to your liking, plugging a few of those components together and... away you go.
My conclusion as to the digital music server era? Unless you're willing to spend oodles of money, and gather together an unruly array of turntables, cd players, preamps, amps, DAC boxes, wireless routers and music servers, as well as spend countless days and nights trying and hoping to make it all work; and more days and nights ripping your music from vinyl and cd to a storage device; you aren't going to make any headway on that Bridge to the 21st Century. This is all still Jetsons stuff, and the Jetsons are still just a Hanna-Barbera cartoon.
Olive is on the right track, although it is still too expensive and off the beaten path and from what I hear not necessarily reliable. Unless you buy the Olive 4 or 6, which means dumping 2500 USD or more, you get an Olive 3 for 999 USD, which is dreadfully limited in terms of connectivity and still a question mark as to reliability. Brennan has the affordability issue licked, but it sounds as though reliability, flexibility and functionality are lacking there too. And anything you buy today may wind up hopelessly obsolete a year or two from now -- not just old-fashioned but possibly useless with whatever the standard format to be adopted in the near future might be.
To get beyond the CD era, a mass market manufacturer like Sony or Samsung or LG needs to design, produce and market a one box solution that can be sold at the Best Buy or an online store for under $500 USD. It has to plug and play, just like a mass market CD or blu-ray player. It has to work 999 out of a 1000 times. It has to work with a wide variety of hardware -- speakers, amps, turntables, universal remotes, without a lot of outboard add-ons and a lot of tweaking. It has to be something that will sit comfortably and attractively on a bookshelf or desk. Once that has happened, the specialty manufacturers will surely follow with more refined equipment.
All of this should be technologically feasible right now. The problem is that Sony and the rest of the mass market electronics manufacturers are still busily trying to reckon how to make this next generation of music delivery systems as marketable and profitable as the CD once was. They're busy trying to figure out how to carve out a bigger chunk of the market than the next guy as well.
Until that is all sorted out, like the HD video player format wars were, then other than stuff like Brennan and Olive, which strike me as the Heathkit/Dynaco components of this New Age (sans the expected reliability and robustness), this whole digital server idea will remain the bailiwick of those early adopter/techno-geeks who are willing to buy very spendy equipment from Bel Canto or Meridian or Naim or Linn et al. and to devote an enormous amount of time, money and attention to making disparate bits and pieces of equipment come together to make music.
I'm not one of those folks. I want easy to use, mid-range 'audiophile' quality stuff that I can connect up in 30 minutes or appreciably less and be confident will work as advertised. Unless I'm sorely mistaken, we aren't close to being there yet.
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I've just caught up with the many posts that have now accumulated on this subject since March last year, and feel that my in initial hesitation has been justified. Meanwhile, I found a cheaper and space-saving solution to large collections: to buy the 'narrow' double CD boxes to re-house two individual CDs (halving the space required) and either correct or simply make new spine labels . So, my 10 volumes of Beethoven sonatas fit neatly into five double CD boxes.
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Just to add my two pence worth, I use a mix of analogue and digital sources. But for the simplicity of streaming music, I invested in a QNAP NAS drive, which is on my wireless network, has hot swappable drives, backs up in Raid 0,1 & 5, a 500mhz internal processor and memory. At present I have 1TB that is backed up (4x 500Gb hard disks. I stream music through a Roku Soundbridge which may be a bit old hat (5 years old now) which is put through my Linn Majik system. All the CDs I've ripped are at now less than 320K. The QNAP also allows me to store films which I can stream through my laptops and my Samsung LED TV.
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I've just joined the thread having read some really interesting stuff. I'm a mid-range audiophile I guess, like other contributors. I've got/had hi-fi bits from Goodmans, Marantz, Denon, Amstrad, JPW, but lost my decent deck a few months ago. I've bought a cheapie deck, just to be getting on with, and decided to invest in the Brennan instead, and go down the digital route.
It's not perfect - what is - but it does seem to do exactly what it says on the tin. I'm getting on, too - 57 - and can't be ars*d to learn lots of new techie stuff - and don't want the hassle or eyesore of bits of computer kit and wires cluttering up my living room, nor having to go to a PC screen, or tiny ipod, to fire up my music. But equally, I was getting fed up finding and sorting out CDs, vinyl, tapes - and trying to remember which music on what.
Most CDs are recognised and load up fine (in 3 minutes if that), and while the classical database/index is a bit of a bind, how could classical titles be anything other than long-winded? And it is dead easy to find things - it's like an "Edit-find" search facility in a Word or Excel file - type in a few letters, and it gives you the various options. The relatively few seconds it takes to scroll and choose between them is loads quicker than scrabbling around your shelves and boxes, etc - only to remember that you've lent that CD out, after all; and of course the reverse - you can also add all your mates/relatives music on to it, too - for free (allegedly).
As regards loading vinyl, this is always going to be longer than CDs - it has to be done in real time, unavoidably, and no database will recognise the recording for you automatically, so you'll have to label manually. But it seems fairly straightforward to do - although the aux-in connections do seem a bit sensitive to "tripping out". After trial and error, I've used the phono plugs line-out, with a jack plug combination lead, not the headphone out - and from the deck itself, NOT the amp outlet.
On sound quality - I've never heard MP3 files before, so compared only with my system quality, the normal 198 bit rate compression seems to me completely unnoticeable, other than on some quiet acoustic guitar, or string quartet pieces; but just different, not poor; every combination of system I've ever had sounds different.
The biggest bugbear is the Brennan is a great-looking piece of kit, and has a lovely clear screen telling you what's going on - just right for us "oldies" - but then has a miniscule remote - far smaller than a TV or hi-fi remote! (So you have to have your glasses to hand at a dinner party and even turn the lights up, if you want to find a set piece of music!) Bizarre juxtaposition of ergonomic/rubbish design. Other than that, so far I have no complaints, and its convenience/useability/quality/value for money is all that it's said to be, I reckon. Which is what I think the original contributors were asking about.
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I've had a JB7 since July 2010. It was a gift, not a personal purchase,
On the plus side, it has undoubtedly revolutionised the way we listen to music in the house. For several reasons 1. you do have everything you've chosen to load at your fingertips 2. the search facility is pretty effective at finding what you fancy quickly 3. or the playlist capability and random facility means you can, as it were, simply turn on a house radio. 4. it also interfaces well with personal players.
On the other hand, however:
a. I've always felt the design is a bit geeky - it doesn't really feel as if Mr Brennan is quite such a music lover as his adverts imply.
The CD recognition is very patchy.
There is no facility that I can see to tag music in any way (notably by genre, or your personal equivalent ) to provide a focussed random play (OK, you can do it through the playlists ).
Every disc that is loaded is assigned a number, and yet that number (which would be the simplest way to access a given CD) then seems to have no function or recognition in the use of the machine.
b. I've had a number of technical issues with my particular machine.
i. there is a periodic audio distortion which is clearly due neither to the actual digital record of a track, nor to the speakers or headphones. A new track suddenly comes on as if bubbling through water from a great distance. Stop/back/next always sorts it, but it shouldn't be there.
ii. the machine simply locks up at times, or, in a 'lower-case' version of the same, suddenly fails to start a new track.
iii. The remote is all but essential for any text editing, and convenient for most other functions. But it does seem to race through batteries.
And, again, mine is temperamental.
One morning you boot up, and it doesn't work, and then the next day it's OK, without any change of battery.
And again in parallel, sometimes replacing the battery with a new one from a sealed pack doesn't do the trick either.
iv. The essential core function has started to be temperamental on mine - i.e. the load facility. It is more likely to pronounce a CD 'bad' than load it straight of. You take the same CD straight to a conventional player, and it's fine.
c. And not least, the company don't seem to give a damn.
I've contacted them via their own website, and written to them 'properly',and had no response whatever.
I still use my JB7 all the time - the faults are not terminal, and there's always (thus far) a work round.
But if I were starting from scratch, I would be buying a Notebook computer to 'be' my personal Brennan.
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I'm looking forward to transferring treasured vinyl via a Linn Sondek; so these exchanges are very helpful.
I'm new to the JB7, however, and I'm in the middle of loading CDs. The options seem more suited to non-classical, since (unless I'm mistaken) they seem to be largely track-based. I'm thinking in particular of the setting up of playlists - where I had thought it would be done on an *album* basis. I'd be grateful if + experienced users could confirm that there is no way to do this ? And, if that is indeed the case, could someone explain - before I embark - how transferred tracks are then reassembled into albums ? [My fear is that a List will end up 'piped', track by track, from Albinoni through to Vivaldi!]
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Kev, sorry for the delay in replying. I don't have a Brennan so don't usually read this thread.
I don't know about MediaMonkey or 4.7gb DVDs so can't help there.
Hopefully someone else can - although it's been a long time since your
post so perhaps not.
I only rip (and download) in FLAC to a Network Attached Storage device (a Ripnas) and have an external disc drive attached to that which backs up automatically on a regular basis (my wife and technical advisor tells me). I think it scans every night and adds anything new it finds. We are advised to have another so we can keep one off site for added security. It's on order now.
And whilst I write, I struggle to see why one would compress music to mp3 when lossless FLAC is quite clearly better and just as convenient. It seems like burning bridges to me, but then perhaps I'm missing something.
Digital streaming of music stored via FLAC, in 16bit, let alone 24bit, is stunning to me, and competes on almost equal terms with the best that vinyl on my Sondek LP12 can deliver. But there you go. Each to his own.
Vic.
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I'm fascinated how many people delight in detailing what the Brennan jb7 CAN'T do! It's like setting out to buy a car when your main requirement is that you want it to fly! I bought one in December 2009 with the intention of digitising a massive collection of vinyl and tapes, alongside some 120 cds. The cds were a doddle - the jb7 did exactly what I expected it to without any hassle at all. On the odd occasion that one wasn't recognised by the database I simply plugged in a keyboard via the usb connector and typed in the artist/title/tracklisting. No problem there, either.
The tapes and vinyl were much more labour intensive, however, and I do believe that some of Brennans marketing focus on this aspect glosses over the difficulties that users will encounter. The user manual is virtually useless in telling how to do it, and Brennan's website little better!
The transfer can only be conducted in real time - a C90 cassette will require 90 minutes ........ at least!
Unless you are happy to lose the search and find facilities for the tracks and artists etc., you will have to record each track seperately. That means stopping the recording at the end of track one and then starting again for track 2 etc. Your presence will be required therefore throughout the recording time, and the stopping and starting will add about 20 minutes to the 90....!
Then the album will have to be renamed, and each track will need to be retitled. Even using a keyboard this will take another 30 minutes in a straightforward case. For something like a compilation album when each track is also by a different artist, then add another 20 minutes, perhaps. Don't even think of doing it with the remote control via textspeak!
I estimated that each C90 tape took me about 2.5 hours to complete, while an vinyl album took around 90 minutes. My collection took me a year to complete, working in bursts. I am convinced that this is a cd storage system with the capacity to record tape and vinyl added as an afterthought, even though that was my main reason for buying it
Then it was wonderful! I could find any track or artist using the search facility which is simplicity itself to use, despite what earlier post say. I can browse through the album collection, or simply play things at random. I can compile up to seven playlists. If I don't want to listen to what is selected I simply press 'next' and away we go again. It will play on and on for hours at the press of a single button.
The sound quality is good using Brennan's speakers and their recommended external hard drive did all the backing up effectively, although it did take many, many hours.
One major listening problem has emerged. It appears that the volume of sound varies enormously between recordings, even modern ones on different cds or from mp3 downloads. So some tracks are almost inaudible and need the volume turned up, while the next track at that volume is overwhelming and requires a panicky reduction! Not a problem when listening to a complete album perhaps, when one adjustment suffices, but using 'random play' certainly keeps me on my toes and my finger busy on the remote!
However, the ease of use means that I've listened to far more of my music than ever before. I've discovered and enjoyed stuff which has been long forgotten and unheard. Now it is all digitised I can save to other devices easily for use in the car, my mp3 player or simply to take with me on a memory stick when I travel.
Two days ago an electrician threw the main power switch to the house and then switched it back on without warning us! (He has now been sacked) Even though the Brennan was not in use and simply in stand by mode, its 3 amp fuse in the mains plug blew, and further investigation discovered that the internal fuse in the transformer had also blown. Even though it is now out of guarantee, Brennan with a just a little prodding, decided to supply me with a new transformer free of charge, which I await. Only when it arrives will I discover if any further damage has been inflicted. Thank heaven I backed everything up! Now I'm pondering what is the difference between switching the electrical supply off and on at the mains board, or doing so at the socket? Since the Brennan has no on/off switch, just how else do I switch it on and off without blowing the fuses? This is a problem I've passed to Brennan and I await their answer! Seems to me I've discovered another design fault.
From my own experience and from other posts here, I believe that much more development work was required before rushing it to the market place. Using it and sometimes seeking help and advice from Brennan has made me feel somewhat like a pioneer testing the thing out. Nevertheless, after the labour of loading everything up, using it was so enjoyable that I'm currently missing its company, and looking forward to it being restored to full working order......... if that isn't too optimistic!
Watch this space
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Thanks for all the comment, but basically I am none the wiser as no-one seems to have used the JB7 for vinyl copying, far less using an Ion turntable. I need something I can plug-in-and-go. Can I just plug in the Ion using its USB connection?
I don't know if you can plug an Ion into the USB, but you can plug in anything to the aux in and make recordings.
I just tried my very old Linn turntable/cartiridge and Rotel amp, and got very good recordings - much better than my laptop's soundcard. You could probably use the resulting MP3 files directly, but if you dump them to a USB for editing on a PC using Audacity or similar (I used Magix Audio Cleaning Lab - old versions on A****n for a fiver) you can create individual tracks and if you want, remove rumble and clicks.
You will need to remember to plug your source into the Aux input in before you turn the unit on (the Brennan doesn't seem to like on-the-fly plug-in) and don't forget to set the timeout time to a number longer than your longest LP side. After recording I had to turn the unit off and on again to get the playback sound back.
---Richard