Gramophone Awards free iTunes tracks
The free tracks do not seem to be available outside the UK - at least not in Ireland. It seems this is a completely wasted marketing opportunity at the very least. It is also rather annoying, and not mentioned when the playlist is advertised.
He reminds me of a man driving the car with the handbrake on, but stubbornly refusing to stop, even though there is a strong smell of burning rubber.
-- Colin Wilson, Brandy of the Damned (1964) regarding Beethoven
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Well, several titles are on Spotify, including the winning disc - others must make their own way in the world.
My thoughts on the winner? Well if I wanted to listen to Schutz I guess I would listen to this... I don't see much significance in the interminable list of awards and categories - if you like an artist you will buy their recital/concerto/etc. disc, so what matters, I think is the orchestral category (Martinu, good choice) and contemporary (Rautavaara - soon get bored with it, not really much life in the pieces). In the other categories the one to consider is the Victoria - real genius. Outside that you heard it already or not depending on your interests. So the titles I recommend are all on Spotify. Gramophone - sorry to disturb a perishing giant, but still too many categories, still a magazine for nerdy (and vanishing) record collectors. Speak to the living!!
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Hello all,
Yes, the iTunes free track offer is, I'm afraid, just for the UK. I'm sorry it can't be for everyone, but this is to do with different arrangements in different countries.
And as for comments about the winning recording, and winners in general, all have emerged after a rigourous voting process lasting many months, and involving many experts. I hope all of that, as well as our advocacy here on the website and in the magazine, persuades you to listen to and buy some of them!
Martin
Editor, Gramophone
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Well, the process might have been rigorous but the 'experts' are still the Joyce Hatto Appreciation Society.
We can judge for ourselves on Spotify.
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I'm young, alive and not in any way nerdy. Also enjoy Gramophone hugely. The awards are a celebration of great recorded music so have a point, just like the Oscars have a point to film buffs.
I bought both the Rautavaara and Martinu (and Schumann) winners when they first appeared and don't regret it. The Rautavaara is not boring at all in my view and keeps growing on me. dmitri, I'll buy the Victoria (never heard his music before) on your recommendation and hope I agree with you on something!!
Martin, you're too polite!!
Cheers
Graham
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If you can compare the Gramophone Awards with the Oscars, Graham, I'm afraid you live in a very nice world of...a well organised delusion.
The "winners" are simply some good recordings, chosen by a very specific group of reviewers and that's all. It's a mere indication and guidance to some good CDs out of plenty out there, most of which will never reach the stardom of an "Award" here or in BBC Music magazine or elsewhere.
Parla
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I agree entirely, Parla. An artist or label has got to be pretty lucky (not just talented) to win an award and no doubt the extra sales are useful, but in the overall scheme of things it means not a lot.
However, to decry the whole idea of annual awards is harsh. "Pointless" they are not.
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Graham - I think the Victoria is not to be missed, and I am not a specialist in that period. More music there than a person can assimilate very quickly.
I do think there are some good picks in the list - well, they are probably all good - but I question the number of categories. In the past it was much worse, when over months in the magazine we had the long list published, then after secret elections the papal smoke went up and the short list emerged, which we then had drummed into us for a couple of months, before the winners in each category were revealed, each with a whole page shouting at us about why to buy it, plus further hype around the runners up. So it has been toned down and I am saying, slim it down further and shed a few categories - maybe get down to soloist, orchestral, singer, opera, choral, contemporary - regardless of period and regardless of medium. Maybe fewer.
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Well done Graham, some enthusiasm at last (and there's Uncle Parla on cue to dampen it down). As someone whose main area of interest is early music, I am delighted that the Schutz recording was picked as CD of the year, just two years after The Cardinall's Musick won for their Byrd CD which, at that time, was only the second occasion on which an early music recording had been chosen in the 34-years of the award. Now we have three in 36 years! It's wonderful too that the Ricercar label, which has produced so many recordings of little-known masterworks of baroque and early music, should get some recognition. Well done those critics!
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I suppose everyone will have a different idea of how many awards categories there should be but I feel Gramophone have it about right. You have to have a decent number of categories to make the awards worth having. It is the variety of categories that make it appeal to more people. My favourite areas will be different to someone else's. I am not really interested in Historic but I'm sure that will be of huge interest to older readers/listeners.
Early music has always been the area I've listened to least but by reading about the Victoria and Shutz recordings and seeing the achievement in the awards I'm spurred on to buying them and that will lead to further exploration.
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Graham, you might not be interested in 'historic' but how about 'special historic'? Meanwhile we 'extra special historic' enthusiasts are left out in the cold - until we get our own category of course!
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I'll keep my fingers crossed for you that that gets introduced next year. So long as we are not pre-historic, we're okay!
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Hello all,
Yes, the iTunes free track offer is, I'm afraid, just for the UK. I'm sorry it can't be for everyone, but this is to do with different arrangements in different countries.
And sadly only for people who can install iTunes on their PCs.
I am running Linux, and Apple don't offer any way of installing iTunes on my system. I don't really want iTunes at all, but to listen to the free award tracks I seem to have to have it ... unless you know differently?
Why can't you supply selected tracks on the Gramophone Player as well?
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You are really not missing very much!
But as you say - why did this have to be done through iTunes - whilst I use it many do not.
But then what would you expect from a magazine that endorses the Brennan JB7 as a quality audio product.
If anyone without iTunes is desperate for a copy of the free tracks then email me at marcardis@gmail.com - that probably breaks some iTunes copyright though!
Kind regards,
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You are really not missing very much!
But as you say - why did this have to be done through iTunes - whilst I use it many do not.
I spent more hours than I should have done attempting to install iTunes on my linux system under a Windows emulator. I got quite close to making it work, although I now have less hair than I did when I started. To cut a long story short, I got to the point where although I had an Apple Id I could not log in because I had not provided credit card details, including the 3 digit security code. I'm not sure that iTunes would have run satisfactorily in this mode even if I had done so, but that's not really the point.
The key issue for me is that Gramophone will only let me download 'free' tracks if I provide the richest and most rapacious company on Earth with my credit card details. Why on Earth would I want to do that?
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If it's any consolation, I can't find them either - and I'm in the UK.