The worst record covers ever
Well I have to say the Everest record of Ferruccio Tagliavini singing the Cherry duet and other Love duets Everest 3275. A lovely bunch of cherries!! Rgds.
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Excellent post, eventually, CraigM! Now, that the tone is at more civilised levels, I have to admit you did a rather thorough study of the Parla figure in this forum.
You focus on the lack of self-awareness and, based on the analysis (not the evidence necessarily), I try to find Parla's picture there. Thanks for the "honour" to go to such a detailed research.
Unfortunately, after what I have "suffered" from your posts, I don't intend to defend myself anymore. In this forum, with certain members, debate is vanitas vanitatum, omnia vanitas. What I mean is that we are far even from the point to "agree to disagree".
Regarding the "Erebus" word: The word with capital "E" means, in the Greek mythology, the ancient God (or deity) of the darkness. However, with the small "e" means, in ancient Greek, the...darkness. It's a synonym of the word "darkness". As English is not my native language, I thought I could use it with small "e" as a poetic synonym of "darkness".
Concerning your name, I am extremely sorry. I didn't notice it, since, normally, I have to respond in a hasty way due to my hectic schedule. Despite you may not believe it, since I have lived for years in US, you are the first Craig I come to an extensive debate. Again, my sincere apologies.
Finally, you did not have to go all this "way towards explaining why I get the reactions I do". I know very well, from the very beginning. It's not the lack of self-awareness that produces such reactions and makes me persist on defending the views I bring to this forum. But, enough about Parla. We have to go back to Music and, if possible, to Classical Music only.
However, since the tone might allow it, I want, first, to state that, if you and any other ally of yours want to believe that everything in Music is a matter of opinion and there is no objective way to identify a great composition from another, is fine with me as long as it is an opinion and not a fact. So, if I am allowed, may I kindly ask you: Is the above belief your opinion or a fact that I and anybody else, dealing with Music (and Art), should respect and accept it?
Respectfully,
Parla
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However, since the tone might allow it, I want, first, to state that, if you and any other ally of yours want to believe that everything in Music is a matter of opinion and there is no objective way to identify a great composition from another, is fine with me as long as it is an opinion and not a fact.
And for you to state otherwise would also be an opinion and not a fact.
So, if I am allowed, may I kindly ask you: Is the above belief your opinion or a fact that I and anybody else, dealing with Music (and Art), should respect and accept it?
Respect it? Yes. Accept it? No. People, for the most part, only go on the internet exchange and argue points of view. Nobody is twisting anybody’s arm, telling him what to believe in.
frostwalrus
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I welcome your interest, fw, in answering before the one the question is addressed to. I guess I cannot go to any further discussion on the substance but, after I receive the reply from Craig.
However, allow me to say that we do state either opinions or facts (depending on what we refer to, the nature and the sources of our statement). In quite a few cases in our real life (if not in most of them), we have to state facts.
For your second part, thank you for allowing a small room for something else ("for most part"). By the way, I never "twisted anybody's arm, telling him what to believe in". Maybe, it's the other way round...
Parla
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I will try to keep the tone respectful.
And I will try to answer your question by way of an analogy. Claiming that classical music is superior to any other form of music is rather like saying that the moon is inhabited by little green men. It’s self-evidently the case that both statements are false, because there is no evidence whatsoever to support them. So it would be wrong to say that I 'believe' or I am 'of the opinion' that the relative merits of different genres of music are purely a matter of taste – it’s an absolute fact, in the same way that it’s not my opinion that there are no little green men, but something which is self-evidently the case.
Of course, if someone makes an assertion that these little green men do actually exist, then the onus will be upon them to produce suitable evidence – photographic, perhaps, or hard data on their breeding patterns and social structures. If they fail to do so, then the only conclusion is that that person is mad, a wind-up merchant or simply a charlatan.
Likewise, someone who states that there is an objective basis for claiming that classical music is superior to any other form of music has the onus of producing evidence to support such a audacious claim. I have asked you directly a number of times to provide some of this evidence, but have consistently refused to do so – and I take this as confirmation that such evidence doesn’t exist.
Over to you.
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Three pages of posts, and only one reference to a cover.
Roll eyes and shrug.
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You are absolutely right, JAH, but some members like it that way. I simply respond to repeated questions on the same subject.
Craig, thanks for keeping the tone respectful. It's essential to reach, possibly, to some point of understanding.
Allow me to dismiss the "analogy" you used as at least irrelevant, inappropriate and even funny (our violist and cellist have a very good laugh). So, if I understand well, you claim that the statement "the relative merits of different genres of music are purely a matter of taste" (taste and opinion are related, are the same or different terms, by the way?) is "an absolute fact" on the basis of being something "self-evident". Is this what you mean?
Over to you, (unfortunately).
Parla
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Yes
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So it would be wrong to say that I 'believe' or I am 'of the opinion' that the relative merits of different genres of music are purely a matter of taste – it’s an absolute fact
I disagree here. Although I agree that Classical music is NOT superior to all other forms of music, I don’t find that to be an inarguable fact that can be stated without any required explanation. To be fair to Parla, I’d say that we are just as obligated to provide evidence for our claims as Parla is for his statements in opposition. In other words, evidence should be provided from both sides of the debate.
frostwalrus
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Oh, la, la! The defender of opinions, taste and personal choice comes with an "absolute fact" and much worse without the need of any evidence. It's self-evident!!! On which grounds is self-evident? It's a dogma, an axiom or what? Or it is widely accepted as the modern credo all over the world, in the form of faith? Having been for decades in quite a few places, in different continents, it's the first time I came across this...statement and, maybe, it might be the last that this statement is being defended as an "absolute fact". (Vic what do you have to say about this absolute truth, by the way?).
Sorry and with all due respect, Craig, but I need the same kind of evidence you asked for my "statement", since, for me, your claim it's an opinion or a view that you simply defend, espouse, etc., in the same way as I bring to this forum my experience from my involvement with musicians, professors, scholars and people of the Classical Music business (that I defend,etc.). Even your obvious ally, fw, came first to defend your statement as an opinion and I would love to see what the other allies of yours believe on your "absolute fact", on the basis of "self-evidence".
However, anyone, who is really fed up with this reopened issue, may speak out, so that we may stop the debate. I'm at the disposal of either side.
Parla
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Oh, la, la! The defender of opinions, taste and personal choice comes with an "absolute fact" and much worse without the need of any evidence. It's self-evident!!! On which grounds is self-evident? It's a dogma, an axiom or what? Or it is widely accepted as the modern credo all over the world, in the form of faith? Having been for decades in quite a few places, in different continents, it's the first time I came across this...statement and, maybe, it might be the last that this statement is being defended as an "absolute fact". (Vic what do you have to say about this absolute truth, by the way?).
Sorry and with all due respect, Craig, but I need the same kind of evidence you asked for my "statement", since, for me, your claim it's an opinion or a view that you simply defend, espouse, etc., in the same way as I bring to this forum my experience from my involvement with musicians, professors, scholars and people of the Classical Music business (that I defend,etc.). Even your obvious ally, fw, came first to defend your statement as an opinion and I would love to see what the other allies of yours believe on your "absolute fact", on the basis of "self-evidence".
However, anyone, who is really fed up with this reopened issue, may speak out, so that we may stop the debate. I'm at the disposal of either side.
Parla
With all your experience and acquaintances why is it you post so much tosh?
It is, surely, an absolute fact that, at the end of the day, at the final countdown, etc, etc, it all boils down to one's personal taste, even within the rarefied world of classical music. I can attest to that having very little taste for the Baroquerie that some on this board have so much praise for.
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The view coming from a neutral, and one who has no wish to squabble (no one can win an internet argument) is that these posts distract.
This is one of my favourite topics, and I have read every post, but I wasted time on much of the last three pages which appeared suddenly. Okay, it's no big deal, but it seems to me it's happening more and more in the forum. Where do you all find the time?
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It is, surely, an absolute fact that, at the end of the day, at the final countdown, etc, etc, it all boils down to one's personal taste
I find it interesting that the people who were once condemning Parla for passing his opinions off as facts are now committing that very same crime.
frostwalrus
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Parla
If nothing else, what is abundantly clear that you lack any self-awareness whatsoever, and respond with indignation whenever you are pressed to substantiate anything you say (or describe it as a personal attack, which amounts to the same thing). So let’s look at the facts here. (And I’m confining myself to this thread, but could equally well have referred to any other one in which you’ve contributed.)
This was a light-hearted (and entertaining) thread about bad record covers. You then intervene in your typically opaque way and say ‘in this thread we look for the branches, neglecting even the trees, let alone the wood’ - in other words (I think) no-one should be discussing record covers because you don’t ‘believe it has any productive, constructive or useful nature’, and that we all should confine ourselves to discussing music
Point for self-awareness 1: you have no right to dictate what people should or should not discuss on this board. Telling people that they can only discuss what you are interested in will only get their backs up (which is of course what you have done).
You then say that on debates on music, you have put forward ‘evidence based on the music-making process’ and that the conclusions which you have reached ‘do not represent [your] view’. I for one found this statement a fascinating one and asked you for an example of this sort of evidence. And this was your reply:
I am not alone in not having a clue what this means. Is this intended as an instance of the evidence that you referred to? Or is it a general statement to support your failure (or unwillingness) to produce any of that evidence? Whatever the case, I don’t have a clue what that means: you’re saying that, because art is a product of life, it therefore goes beyond personal opinion. What on earth does that mean? If nothing else, it’s a logical non sequitur – there’s no logical link between the two statements in that sentence.
Points for self awareness 2: if you are asked to expand on something that you have said previously, responding with a faintly hysterical and frankly incomprehensible manner only makes you look ridiculous.
You then denied being both pretentious and a intellectual snob with this splendid case of pretentious snobbery:
Points for self awareness 3: using obscure classical references is an odd way to deny intellectual pretension, but if you must do it, you should spell it properly. (The word is Erebus of course, nor erebus.)
And another thing, my name is Craig, and not (as you keep writing) Graig.
Point for self-awareness 4: getting somebody’s name consistently wrong is discourteous and is not endearing in the slightest.
Does that go any way towards explaining why you get the reactions you do?