Sibelius
Leif Segerstams recording of the complete Sibelius symphonies with the Danish National Symphony Orchestra on Brilliant is a real bargain.Wonderful,fresh performances.Highly recommended!
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Very nice that you mention Colin Davis when it comes to the Sibelius symphonies as I regard him as one of the best conductors of Sibelius. Colin Davis is a very "classic" conductor whereas Segerstam is more romantic.The Segerstam recordings are DDD.Colin Davis´recordings are the one you never tire of,just because they are so "classic".I have only listened to his Philips set with Boston,but will also buy at least one of his two sets with LSO.
I´ve been listening a lot to Bernsteins set of the symphonies with NYPO on Sony,and they are truly thrilling,very far from Colin Davis.You might say that Segerstam is somewhere in between those two,overall more romantic than Davis but not as subjective as Bernstein.
But don´t forget Maazel´s recordings with VPO on Decca,very good.And I also like Järvis recordings for BIS.There´s so much to choose from when it comes to recordings of Sibelis music!
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Segerstam's is early 90's digital licensed from Chandos. He has a later account with Ondine. Both sets are mostly ploddingly unimpressive (as is Davis's Philips and RCA), when compared to the likes of Karajan (EMI), Jansons (EMI), Vanska (BIS).
My preferred mix is a variety of Karajan's EMI six Sibelius symphonies (no No. 3, which he never recorded or performed to my knowledge). For 3, I like Jansons' EMI.
I like much about Vanska Sibelius, though it seems underpowered and under-recorded at times.
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I have some Vanska and Karajan recording Sibelius as well. I must listen more closely to their renditions as compared to Davis. I surmise that Karajan recorded the Sibelius symphonies several times on several labels including EMI and DG. Are there specific recordings of Karajan recording Sibelius that you recommend?
A music lover currently living in the middle of nowhere.
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For EMI Karajan starters, try Symphonies 2 & 5 with Philharmonia Orchestra (rec. 1960), and Symphonies 1, 4, 5, 6 with BPO (rec. 1976-81). Both single and double are available with very good ART remastering.
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Thank you!
A music lover currently living in the middle of nowhere.
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Vänskä, for my book, is unbeatable. For a start, the BIS recording, made in an all-wooden hall, is superlative for its warmth and depth. Vänskä gets some breathtaking 'pianissimi' from his orchestra (where appropriate) and I've never heard readings that are more evocative or more likely to convert a doubter to Sibelius. I'm hesitant about Colin Davis's 'LSO Live' series: I would like to get it but the acoustic of the barbican is so dry and boxy.
Adrian
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Karajan's BPO 4-7 took some getting used to when they first came out and consequently received mixed reviews, initially at least. Many negative reactions were later modified and certainly 4+5 are now considered classics. Orchestra, conductor and recording technicians at the top of their game although no cd version that I've heard quite matches the sound of the original lps. What were considered, at first, to be overly-plushy readings came to be acknowledged for their underlying power.
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I have just finished listening to the Sibelius 5th, EMI, with Karajan conducting the BPO and the same symphony, Philips, with Davis conducting the BSO. For some reason, the Davis rendition stands out the most vividly. Davis clearly brings out the melodic line carried by the brass and winds in the first movement. There is also plenty of tension in the strings. He also clearly brings out the pizzicato in the strings which carry the melodic line in the second movement. Lastly, the third and final movement is brought to a muscular and triumphiant end. The Karajan on the other hand sounds muddy in the brass and winds all throughout the recording. I am just not as enthusiastic about it as the Davis.
A music lover currently living in the middle of nowhere.
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I seem to be in a minority in finding Karajan's 2 and 5 painfully drawn out to the point of unlistenability. However, I think his other, later EMI recordings are excellent, much better than those on DG. The first symphony crushes like a velvet steamroller. I like to contrast it with the wickedly fast Collins recording, thus getting the best of both worlds. Collins is very reliable, but the sound is definitely old.
Of other cycles, I like Maazel, but think his 2 and 3 weak. Berglund on EMI is solidly good, especially in the early symphonies. Ashkenazy is somehow undone by his sound being TOO impressive, making it sound superficial. Barbirolli is rewarding, but you have to bear with some quirks in playing and recording.
'Art doesn't need philosophers. It just needs to communicate from soul to soul.' Alejandro Jodorowsky
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Interesting to wonder why Karajan never turned his attention to the 3rd symphony - can anyone throw any light on this strange omission? For such a noted Sibelian to record the whole symphony cycle but not the third seems strange. One can understand him not recording the Kullervo symphony as this work was very late receiving the attention it deserves.
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Yes it is very strange that he nerver recorded Sibelius 3.In an interview in Gramophone when he had his 75th birthday,Karajan said he was not so fond of Sibelius 1-3.But when he recorded 1 and 2 he could as well have recorded 3.There are other strange omissions in the Karajan discography as Elektra,Dvorak 7,Brahms Piano concerto 1for instance.And why did he never record Carmina Burana which he premiered or Schoenbergs Gurre-Lieder?
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HvK probably wasn't too fond of 7, either. Though 3 & 7 are lesser Sibelius symphonic works, he should've recorded 3 and an entire cycle for atleast one of his labels.
3 sure beats a lot of his choices. Most of his Mendelssohn symphonies wouldn't have been missed. Along with Rossini String Sonatas, most Baroque, and so many little diddies that I wouldn't describe as being much more than junk fillers.
HvK was so involved in mind and financial games and gains (pitting labels and orchestras against each other), and also recording several versions of many pieces, that it's understandable worthwhile things fell through the cracks.
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There are other strange omissions in the Karajan discography as Elektra,Dvorak 7,Brahms Piano concerto 1for instance.And why did he never record Carmina Burana which he premiered or Schoenbergs Gurre-Lieder?
Bagis,
there is a terrific "live" Elektra floating around on Orfeo, with Astrid Varnay and Martha Modl. Another recording omission of a work he certainly performed is Britten's "War Requiem"!
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NikolausVogel,thanks for mentioning that.
Looked in at Amazon and there it was.Didn´t know of that recording.Still a pity he never made a modern studio recording.After all he was one of the greatest Strauss conductors ever. Am listening to Sawallisch´recording right now.
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I would be interested to know how these performances compare to Colin Davis' rendition on Philips or other complete cycles? Are these performances remastered or were they originally recorded digitally? I myself am awaiting the release of the complete symphonies on BIS's Sibelius Edition.
A music lover currently living in the middle of nowhere.