The collectors' dilemma

106 replies [Last post]
troyen1
troyen1's picture
Offline
Joined: 9th Oct 2010
Posts: 716
RE: The collectors' dilemma

Some of you seriously think that your comments will induce women to join the site? You do do you not?

If I was one of the many great female musicians I would be tempted to hit you over the head with my instrument and not in the hope of knocking the sexism out of you, no chance of that as it appears to be genetic.

JAH
JAH's picture
Offline
Joined: 6th Feb 2012
Posts: 48
RE: The collectors' dilemma

kev wrote:

Mrs kev collects jewellery and plants although, completism doesn't seem to be an issue.  Different versions of the same plant, varying complexity of petals for example, are important, as are colours and the way the flowers hang.  A ring has to 'look right' on her finger.  She sometimes makes complementary comments about my music but she's not interested in any detail about it.  I showed here a new CD of mine the other day and she said why should you think I would be interested in that?  On the cover was a photo of an exotic plant.

 

Ahh, but how did the petals hang? Not quite right, I'll bet.

33lp
33lp's picture
Offline
Joined: 29th Apr 2010
Posts: 486
RE: The collectors' dilemma

parla wrote

So, 33lp don't compare the Pianist Magazine's editor or the Schumann biographer or an equipment reviewer. Do you know any ordinary female, who either stays as housewife or works in any other than the music or audio business profession and collects in the same way as some of their male counterparts do? That's the question.

Well firstly I don't actually know personally any men who collect recordings as do the respondents to this column, but I have read letters in Gramophone and HiFi World from one woman on music, attending concerts, collecting CDs and audio equipment. I admit not many write such letters which is why I remembered the name at the time. But then perhaps they're too busy doing the housework, gardening and looking after the kids whilst you salivate over your CDs.

I also,Parla, still have a copy of an audio magazine review from a decade ago of the 'speakers I still use in one system. It's by a woman. I would suggest that just because you haven't met a woman who is interested in hifi doesn't mean there aren't any. I remember on the now defunct BBC MM forum a woman in the USA asking for advice on buying audio equipment: should she get valve or transistor, quoting power output issues and asking if anyone had experience of one particular brand.

I'm with Troyen but you obviously consider female musicians and females who work in the music business or music journalism some kind of freaks, separate from "ordinary" females.

 

JAH
JAH's picture
Offline
Joined: 6th Feb 2012
Posts: 48
RE: The collectors' dilemma

troyen1 wrote:

Some of you seriously think that your comments will induce women to join the site? You do do you not?

If I was one of the many great female musicians I would be tempted to hit you over the head with my instrument and not in the hope of knocking the sexism out of you, no chance of that as it appears to be genetic.

Now, I have to think who would I like to be hit by, and with what?

I could take a poke with a piccolo from Anna Netrebko. Hilary Hahn's rhythm stick? Bond could do what they like.

 

troyen1
troyen1's picture
Offline
Joined: 9th Oct 2010
Posts: 716
RE: The collectors' dilemma

JAH wrote:

troyen1 wrote:

Some of you seriously think that your comments will induce women to join the site? You do do you not?

If I was one of the many great female musicians I would be tempted to hit you over the head with my instrument and not in the hope of knocking the sexism out of you, no chance of that as it appears to be genetic.

Now, I have to think who would I like to be hit by, and with what?

I could take a poke with a piccolo from Anna Netrebko. Hilary Hahn's rhythm stick? Bond could do what they like.

 

How about Martha Argerich's piano? Hard!

tagalie
tagalie's picture
Offline
Joined: 29th Mar 2010
Posts: 798
RE: The collectors' dilemma

troyen1 wrote:

Some of you seriously think that your comments will induce women to join the site? You do do you not?

If I was one of the many great female musicians I would be tempted to hit you over the head with my instrument and not in the hope of knocking the sexism out of you, no chance of that as it appears to be genetic.

Back in late January we had two new girls join in on the Hall of Fame thread. Seemed to have much to say and were posting regularly until our good friend started his Benoit-the-Roue act, at which they took cover.

I hope respect for women doesn't preclude us from laughing at the difference between the sexes, one of which causes Tagalia unaccountable merriment whenever I spend hours looking for anything (socks, cds, keys, stuff in the larder) that she can find inside ten seconds. 

parla
parla's picture
Online
Joined: 6th Aug 2011
Posts: 2092
RE: The collectors' dilemma

Vox clamantis in deserto, JAH. Women won't join in, because they are not here. We are in the wilderness of men, collecting avidly...and in vain...

I mentioned in a previous post of mine about the two "new girls" of late January. They were aspiring singers (one German and the other French), not collectors or any sort of this. They were interested in the thread of Hall of Fame because of DiDonato they love. As soon as the subject was covered, they had nothing else to say or they were not interested in anything else, apparently.

33lp, I don't have a problem at all, if women do not collect or do not deal with audiophile matters. On the contrary, I found them much more pragmatic, calculated and meticulous in family and home affairs. I believe we are the sort of freaks, but, probably, we can't help it.

However, the fact of life is that, even when I tried to "convert" any non-professional female to collect or simply to contemplate to build a kind of collection, so that she could follow the music she loved and could love, my endeavours were all in vain. Completely! On the contrary, with any serious effort, plenty of male young men converted to mini or maxi collectors and audiophile experts.

For some reasons, men and women are different and I can drink to that! (That's why I love my wife).

Parla

troyen1
troyen1's picture
Offline
Joined: 9th Oct 2010
Posts: 716
RE: The collectors' dilemma

He's at it again.

He cannot see his patronising attitude for the trees.

Some men are, clearly, from Mars or out in orbit whilst women would treat them with the contempt they so thoroughly deserve.

No, women would see these people as beneath contempt.

Why Mrs Parla puts up with him is a mystery.

Perhaps she doesn't but derives hours of amusement at his expense which is beyond his ken lacking, as he does, a sense of humour and irony.

Alternatively, she could be locked in the attic suffering his taste in chamber music and barockery.

JAH
JAH's picture
Offline
Joined: 6th Feb 2012
Posts: 48
RE: The collectors' dilemma

Well, Parla, I regret that women aren't here, but so be it. Other forums I use have either equal numbers, or more females, but for some bizarre reason, classical music conversation doesn't do it for them.

It seems a contradiction considering women attend concerts and contribute to orchestras, choirs, etc. I don't know the ratio of men to women concert attendees, but from my own observations it is around equal numbers. I don't ever recall going to a male-only concert.

I would be interested to how the readership of Gramophone breaks down by gender. 

Bamig
Bamig's picture
Offline
Joined: 17th Oct 2010
Posts: 6
RE: The collectors' dilemma

JAH - I recently read Simon Garfield's book 'The Error World.' It's about stamps, but it addresses a lot of the issues in this thread. I enjoyed it, even though I know next to nothing about stamps.

 

parla
parla's picture
Online
Joined: 6th Aug 2011
Posts: 2092
our

JAH, there is no contradiction considering women attending concerts and contributing to orchestras, etc. They love music as we do; they don't and even refuse even to think to collect! And, possibly, they are right! After all these years of collecting, I tend to believe in the futility of collecting a kind of expendable products.

Regarding the readership of Gramophone, as far I can tell from the people I know (and they are not few at all), they are all male. Probably, because these magazines tend to lead their readers to collect or, at least, to purchase new products (CDs, SACDs, DVDs, etc.).

Mr. Troyen, Mrs. Parla is pretty happy with our differences. I make the money. She collects it (that's her favourite collection: collecting funds in various currencies, including the by now precious chinese youan) and we spend it. She definitely doesn't have your humour or irony and she respects my appreciation of Chamber Music and any other form of Classical Music, including Baroque (by the way, Bach is one of her soft spots. Not that surprising).

Finally, women never show me any contempt. On the contrary... You see, what counts is not what you think of them but how you treat them (we live in result-oriented societies).

Parla

kev
kev's picture
Offline
Joined: 23rd Sep 2010
Posts: 203
RE: The collectors' dilemma

troyen1 wrote:

Do those that have problems with opera like the Barockery?

Could you say more about the Barockery please troyen1.  A Google search is unhelpful and it's not mentioned in my rough guide to Opera.  Thanks.

__________________

'After silence, that which comes nearest to expressing the inexpressible is music'.  
Aldous Huxley  brainyquote.com

kev
kev's picture
Offline
Joined: 23rd Sep 2010
Posts: 203
RE: The collectors' dilemma

JAH wrote:

Ahh, but how did the petals hang? Not quite right, I'll bet.

:-D  I thought the plant in the photo was the same as one we have in the garden - no, the one in our garden has quite different petals.

__________________

'After silence, that which comes nearest to expressing the inexpressible is music'.  
Aldous Huxley  brainyquote.com

troyen1
troyen1's picture
Offline
Joined: 9th Oct 2010
Posts: 716
RE: our

parla wrote:

JAH, there is no contradiction considering women attending concerts and contributing to orchestras, etc. They love music as we do; they don't and even refuse even to think to collect! And, possibly, they are right! After all these years of collecting, I tend to believe in the futility of collecting a kind of expendable products.

Regarding the readership of Gramophone, as far I can tell from the people I know (and they are not few at all), they are all male. Probably, because these magazines tend to lead their readers to collect or, at least, to purchase new products (CDs, SACDs, DVDs, etc.).

Mr. Troyen, Mrs. Parla is pretty happy with our differences. I make the money. She collects it (that's her favourite collection: collecting funds in various currencies, including the by now precious chinese youan) and we spend it. She definitely doesn't have your humour or irony and she respects my appreciation of Chamber Music and any other form of Classical Music, including Baroque (by the way, Bach is one of her soft spots. Not that surprising).

Finally, women never show me any contempt. On the contrary... You see, what counts is not what you think of them but how you treat them (we live in result-oriented societies).

Parla

 

How do you know women never show you contempt? You are without either a sense of humour or irony. They could be happily taking the michael in the belief that you haven't a clue as to the true meaning of what they are saying.

troyen1
troyen1's picture
Offline
Joined: 9th Oct 2010
Posts: 716
RE: The collectors' dilemma

kev wrote:

troyen1 wrote:

Do those that have problems with opera like the Barockery?

Could you say more about the Barockery please troyen1.  A Google search is unhelpful and it's not mentioned in my rough guide to Opera.  Thanks.

Sorry, Kev, my little take on the word Baroque, an era in music that produced so many note-spinning nonentities.

Liked, I believe, by those that like their listening easy or think music is a background to other pursuits. In fact a lot of Barockery was composed for that very purpose.

These people, I think, struggle with the higher musical form that is opera.