The Schumann Violin concerto

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Bagis
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Anyone listening to the Schumann Violin concerto? I fell  in love with it through Joshua Bell´s recording. And I had the opportunity to tell him so when he signed records after a concert where he played the Barber concerto with Marin Alsop. His response was:Oh, not too many people say that.

So I know it is not well known, and it has not been so frequently recorded.

The Bell recording is wonderful and I also have a fine recording with Kremer and Muti. Am listening to it right now. Very good, but also very different from the Bell, which is much more classical in its approach. The Kremer is much more romantic.

Are there any other good recordings of this piece?

 

 

 

 

John Gardiner
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RE: The Schumann Violin concerto

Bagis, a couple of years ago Damian Thompson wrote an interesting piece on the Schumann Violin concerto:

http://blogs.telegraph.co.uk/culture/damianthompson/100008442/is-schuman...

Following his recommendation, I bought the Zehetmair, though I have to confess I've yet to engage with it properly. What is it you find so compelling about the work, might I ask?

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John

Bagis
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RE: The Schumann Violin concerto

John, thanks for the article, very interesting. And I agree with the writer that it is a miracle that Schumann was able to write such beautiful music despite his mental illness.

I have a great love for Schumann´s music, so that might explain why I love this piece. Just take the opening orchestral introduction. Echt Schumann in my opinion and maybe you can also feel a human being struggling for...well that is the question. But no doubt it is very moving music that hits me immediately.

I didn´t know that Kremer had recorded it with Harnoncourt as well. I shall also check out Zehetmayr and Kavakos. 

parla
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RE: The Schumann Violin concerto

Hi, Bagis. Schumann's Violin Concerto was his last orchestral work. His dedicatee, the great but at that time very young violinist Joachim, didn't collaborate with the composer. There, the problems started. The work is not violinistic. It's a hell of an unnecessary technical trouble for practically any violinist on account of all the unnecessary difficulties posed by the seriously ill and mentally unstable Schumann, at the very last years of his life. Joachim himself stated that the work is too "taxing both technically and musically". Particularly, the last movement is terribly difficult to the detriment of the music itself and the work as an entity. There are enormous demands in terms of sonority, technique and, eventually, interpretation.

The bad health and the lack of emotional stability of the composer is apparent in the work. Some musicologists of the time, like Kurt Pahlen, were extremely negative for the work, claiming that "with the exception of few very beautiful passages, the work contains nothing but study material for psychiatrists"!

The problematic situation of the work is obvious as for its first edition; it appeared only in 1937, as a result of the Nazi regime to replace the then discredited "Jewish" Violin Concerto by Mendelssohn with a very "Aryan" one, working as the bridge between the brilliant Beethoven's and the grandiose one by Brahms. The violin part has been edited again in 2009 by the great violinst Thomas Zehetmair, showing how the violinsts struggle with the work.

There are some recordings by some brave violinsts. Apart from the ones mentioned by John and yourself, please note:

The most recent is the Vol.13 from the series of the "Romantinc Violin Concertos" of Hyperion, scheduled to be released on Sept. 3, with the quite promising Anthony Marwood and the BBC Scottish S.O. under D. Boyd.

Another quite solid performance is by the serious German violinst Christian Tetzlaff and the Frankfurt R.S.O. under P. Jarvi, on Ondine.

A good, solid performance by the quite interesting violinst Philippe Graffin under C. Poppen, on Onyx is another very good recent alternative.

Finally, the most recent and best recorded (in SACD) by BIS is the performance with the quite impressive Ulf Wallin, a true and devoted advocate of Schumann's music (he has recorded all the Violin Sonatas by Schumann, on BIS too). He is accompanied by the Robert-Schumann-Philharmonie under their conductor Frank Beermnann. It's the only performance, where the original material from the composer's autographs has been used, as the basis of the recording!

Good exploration, hunting and eventual listening,

Parla

Bagis
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RE: The Schumann Violin concerto

Hi Parla!

Thank you very much for the very interesting information. I am very impressed with your knowledge of classical music and your desire to share it with others! A pity that not everyone on this board seem to appreciate it.

A friend of mine bought the Wallin and I listened to the first movement and it sounded great. I shall continue to explore this concerto but in the end I believe that the Bell will stay closest to my heart as it was the first love. This has happened to me before with other music, as I believe many have experienced. A possible new thread maybe.

Best regards

Bagis