Today's Listening
My today's listening has no review reference (it is beyond the magazine's framework or range):
- Cramer's Pianoforte Sonata in E major (on Music and Arts), on a very fine 1813 Broadwood instrument.
- Beethoven's Cello/Piano Sonata in C major, op.102, no.1 with Tanya Tomkins and Eric Zivian (on Bridge).
- Pleyel's Piano Trio in C major, on CPO (with original instruments).
- Haydn's String Quartet in E flat, op.71, no.3 with Prazak Quartet, on Praga Digitals (too new to receive a review. It might follow later).
- Beethoven's String Quintet in C major, op. 29 with the Kuijken family members, on Challenge (I'm not sure whether it managed to make it through Gramophone's reviews).
Parla
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JKH, I've been playing with the Archive too and I was intrigued that you could not find the Heifetz, Feuermann, Rubinstein recording of the Tchaikovsky Trio. I tried very hard without success. I looked at every other review of performances of the work but did not see it listed anywhere as a comparative version. I wonder whether perhaps it was nevewr reviewed in Gramophone? Lovely performance anyway!
Chris
Chris A.Gnostic
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Chris, it was Heifetz, Piatigorsky and Rubinstein -and I agree, a lovely performance indeed. But I think you may still be right in saying it was never reviewed. I too couldn't find any comparative listing. It's the only review I've searched for, in addition to those I mention above, that I couldn't locate.
JKH
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Sorry JKH, of course it was Piatigorsky! In May 1951 the recording is discussed in Harold Schonberg's "Letter from America". My Heifetz discography doesn't show a UK LP number though. Phew!
Chris
PS: I'm still not sure I've found the best way to limit a search to selected years or decades.
Chris A.Gnostic
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No apology necessary! I'll look up the Schonberg.
I'm still currently overdosing on Desmond Shawe-Taylor's Quarterly Retrospects, with John Freestone's Collector's Corner and 30-odd years of John Steane to come!
What interesting by-ways it leads down, especially when Spotify's on tap to fill the gaps in the collection or get hold of the more obscure recordings. Rather like being in a good second-hand book shop, where you come out clutching a pile of books that hadn't even crossed your mind when going in.
JKH
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I wonder which hall it was. Perhaps even the huge cathedral on the hill. That acoustic would not be perfect for Bax's already congested scores, I would wager!
As for the Lloyd-Jones cycle, it is up there with his other superb Naxos recordings of British music so if you like them you will like the Bax.
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That work would be a masterpiece - if Respighi had kept only the finale.
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That work would be a masterpiece - if Respighi had kept only the finale.
So, Bazza, what have you been listening to recently? And others here?
Best, Petra
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Poor old Respighi! A bit like Aram Khachaturian, he just got a bit too carried away at times. Just yesterday I was listening to his The Birds suite which is subtly and delicately done, lovely music. I have never heard the Sinfonia Drammatica but must do so soon to see what you guys mean!
Graham
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Graham
I don't know that work, but I must admit from your description, it doesn't sound like one I should eagerly seek out! Too many other recs for me to try first me thinks. ;--)
Best wishes,
Petra
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Respighi was a great orchestrator above all. One has to listen to his orchestral works at least to admire this brilliant palette of colours he uses in so many and intriguing ways.
Two rather neglected but highly interesting orchestral works are the ballet La Boutique Fantasque and the Suite Rossiniana, both based on pieces by Rossini. Wonderful orchestration and creative reincarnation of otherwise indifferent pieces by Rossini. His orchestration of the monumental Passacaglia in c minor by Bach is worth investing.
His Chamber Music is also noteworthy: A beautiful Quintet for Piano and Strings, two interesting String Quartets and some wonderful pieces for Violin and Piano, including the very fine Violin Sonatas in d and b minor respectively. The latter is a true gem of the late 19th century.
Finally, for the vocal fans, his Songs and Operas are quite interesting and well crafted. The latest installment is the upcoming release (in UK it is to be released on Dec.3) of his Opera Marie Victoire by CPO (on 3CDs); an innovative and creative one from an Italian who, despite he wrote 10 Operas, he didn't make a name as an Opera composer. Pity!
Parla
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Shockingly traditional (in the sense of mainstream repetoire) fare today! I listened to Tchaikovsky 5 in a recording from Vladimir Jurowski and the LPO. Tchaikovsky often gets a sniffy response these days (overtly emotional, cheap thrills etc.) but I don't see that myself. It is just wonderful, tightly written music that wears a very large heart on its sleeve.
I have to say that after two listens I think this is a very fine performance. Jurowski presents a sharp edged reading which cuts through any possible hints of sentimentality, strutting along like Vronsky... if you get my drift. My only concern at present would be the final bars, where the strut slips - personally I prefer Mavrinsky, who just hits the end emphatically. But then again, Mavrinsky in this music really has no peers...
Naupilus
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Just been reading the lateset news on the closing of the SWR Sinfonieorchester Baden-Baden und Frieburg, which I cannot help feeling is the passing of a rather fine orchestra. Now the Salzburg festival has invited them along next year, in protest. Not sure it will do much good, but I think tonight I will listen to some Rihm and Mahler, with the very fine Michael Gielen conducting.
Naupilus
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That's quite sad news. I think I'll whip out my cd of Ferdinand Leitner conducting the orchestra in Bruckner's and Hartmann's 6th symphonies. Great performances! Leitner's Hartmann may be the best on record and his Bruckner 6 is among the best.
As for my present listening: it's Britten. Never been a big fan but I couldn't pass on that nice dirt cheap EMI 5 cd box with the War Requiem and a lot of other orchestral and vocal works, conducted by Simon Rattle.
Britten is a bit like Shostakovich to me (not surprisingly since they were friends and their styles - specially in their later works - is closely related) in that you have to look for the real gems in his oeuvre among the fluff. The fluff being pompous soviet-realism in Shostakovich' case, and quirky superficiality in Britten's.
In Britten's defense it needs to be said that he had good taste regarding his own music, and he didn't want to have most of the "quirky superficial" pieces on the cd's to be published. I wonder why Rattle found it necessary to record them, it's not like you're doing the composer a favour with it.
The real gem of the box is the recent (2005) cd with the 3 great song cycles (Illuminations, Serenade and Nocturne), recorded in Berlin with Ian Bostridge as soloist. Britten at his very best, and worth the price of the full box alone. I bought the box mainly for the War Requiem (Rattle's Birmingham performance is great and maybe only second to the composer's own recording), but the song cycle cd was a more than pleasant surprise.
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Encouraged by the fact it's belting down outside, I thought I'd combine this morning's listening with an exploration of the digital Gramophone archive, to which I subscribed this week and am still finding my way around. I tried to find the original reviews whilst listening and with one exception, I found them quite easily. I'll post on my initial impressions of the archive elsewhere, but here is the list of this morning's listening, including Gramophone review dates.
1. Siegfried Idyll, LPO/Downes - December 1978
2. Two arias by Nicolai Ghiaurov (Sadko and Eugene Onegin) LSO/Downes May1963
3. Tchaikovsky Piano Trio - Rubinstein/Heifetz/Piatigorsky (Failed to find review)
4. Three operatic trios (Alcina w Sutherland/Berganza/Sinclair-September 1962; Nabucco w Sutherland/Carra/Prevedi - May 1966; Rosenkavalier w Scech, Seefried,Streich - Bohm, November 1959)
5. Strauss Horn Concerto No 1. Dennis Brain/ Sawalisch - November 1957.
JKH