• Rare colour footage of Sir Adrian Boult conducting Elgar revealed

    Rare colour footage of Sir Adrian Boult conducting Elgar revealed

  • Tenor Juan Diego Flórez is joining Sony Classical

    Tenor Juan Diego Flórez is joining Sony Classical

  • Gallery: inside the rehearsal studio for ENO's Jenůfa

  • A look inside the latest issue of Gramophone

  • Editor's Choice recordings – July 2016

    Editor's Choice recordings – July 2016

Features

A guide to Gérard Grisey's music

A guide to Gérard Grisey's music

Liam Cagney pays tribute to the pioneering spectralist composer

Editor's Choice recordings – July 2016

Editor's Choice recordings – July 2016

Martin Cullingford’s pick of the finest recordings from this month’s reviews

Hugo Shirley reflects on the lasting influence of Wagner’s Tristan und Isolde, 150 years after its premiere

The opera that changed music: Wagner's Tristan und Isolde

Hugo Shirley reflects on the lasting influence of Wagner’s Tristan und Isolde

Classics reconsidered: Heifetz's recording of Korngold's Violin Concerto

Classics reconsidered: Heifetz's recording of Korngold's Violin Concerto

Jeremy Nicholas and Rob Cowan discuss the premiere recording from 1953

Blogs

Grappling with the issues facing the industry

Streaming is changing the record business - and the labels are working out how to adjust

A life in music is a continuous process of discovery

One of Britain’s best-loved baritones, Sir Willard White, explains why he’s taken on the role of Guest Curator to help celebrate Harrogate International Festivals’ 50 year legacy

Being deaf in one ear made me the composer I am today

Aleah Morrison-Basu describes how the need to overcome her partial deafness has shaped her creative process

Period and modern instruments: the best of both worlds

Musicians today have little problem moving between period and modern performance styles

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