Bryn Terfel - Tutto Mozart!
The many-faceted Bryn's Mozart-fest is certainly an enlivening experience
View record and artist detailsRecord and Artist Details
Composer or Director: Wolfgang Amadeus Mozart
Genre:
Opera
Label: Deutsche Grammophon
Magazine Review Date: 13/2006
Media Format: CD or Download
Media Runtime: 63
Mastering:
Stereo
DDD
Catalogue Number: 477 5886GH
Tracks:
Composition | Artist Credit |
---|---|
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: Non più andrai |
Wolfgang Amadeus Mozart, Composer
Bryn Terfel, Bass-baritone Charles Mackerras, Conductor Scottish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
Io ti lascio, o cara, addio |
Wolfgang Amadeus Mozart, Composer
Bryn Terfel, Bass-baritone Charles Mackerras, Conductor Scottish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
Così fan tutte, Movement: Soave sia il vento |
Wolfgang Amadeus Mozart, Composer
Bryn Terfel, Bass-baritone Charles Mackerras, Conductor Christine Rice, Mezzo soprano Miah Persson, Soprano Scottish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
Männer suchen stets zu naschen |
Wolfgang Amadeus Mozart, Composer
Bryn Terfel, Bass-baritone Charles Mackerras, Conductor Scottish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
Così dunque tradisci...Aspri rimorsi atroci |
Wolfgang Amadeus Mozart, Composer
Bryn Terfel, Bass-baritone Charles Mackerras, Conductor Scottish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
Così fan tutte, Movement: Il core vi dono |
Wolfgang Amadeus Mozart, Composer
Bryn Terfel, Bass-baritone Charles Mackerras, Conductor Christine Rice, Mezzo soprano Scottish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
(Un) Bacio di mano |
Wolfgang Amadeus Mozart, Composer
Bryn Terfel, Bass-baritone Charles Mackerras, Conductor Scottish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
Don Giovanni, Movement: Là ci darem la mano |
Wolfgang Amadeus Mozart, Composer
Bryn Terfel, Bass-baritone Charles Mackerras, Conductor Miah Persson, Soprano Scottish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
(Die) Zauberflöte, '(The) Magic Flute', Movement: Ein Mädchen oder Weibchen |
Wolfgang Amadeus Mozart, Composer
Bryn Terfel, Bass-baritone Charles Mackerras, Conductor Scottish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: ~ |
Wolfgang Amadeus Mozart, Composer
Bryn Terfel, Bass-baritone Charles Mackerras, Conductor Scottish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
Nun liebes Weibchen, ziehst mit mir |
Wolfgang Amadeus Mozart, Composer
Bryn Terfel, Bass-baritone Charles Mackerras, Conductor Miah Persson, Soprano Scottish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
(Die) Zauberflöte, '(The) Magic Flute', Movement: Der Vogelfänger bin ich ja |
Wolfgang Amadeus Mozart, Composer
Bryn Terfel, Bass-baritone Charles Mackerras, Conductor Scottish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: Crudel! perchè finora |
Wolfgang Amadeus Mozart, Composer
Bryn Terfel, Bass-baritone Charles Mackerras, Conductor Miah Persson, Soprano Scottish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
Don Giovanni, Movement: Deh! vieni alla finestra |
Wolfgang Amadeus Mozart, Composer
Bryn Terfel, Bass-baritone Charles Mackerras, Conductor Scottish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
Bastien und Bastienne, Movement: Diggi, daggi |
Wolfgang Amadeus Mozart, Composer
Bryn Terfel, Bass-baritone Charles Mackerras, Conductor Scottish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
(Die) Zauberflöte, '(The) Magic Flute', Movement: Pa-Pa-Pa-Papagena |
Wolfgang Amadeus Mozart, Composer
Bryn Terfel, Bass-baritone Charles Mackerras, Conductor Miah Persson, Soprano Scottish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
Don Giovanni, Movement: Madamina, il catalogo è questo |
Wolfgang Amadeus Mozart, Composer
Bryn Terfel, Bass-baritone Charles Mackerras, Conductor Scottish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
(Die) Zauberflöte, '(The) Magic Flute', Movement: Bei Männern |
Wolfgang Amadeus Mozart, Composer
Bryn Terfel, Bass-baritone Charles Mackerras, Conductor Miah Persson, Soprano Scottish Chamber Orchestra Wolfgang Amadeus Mozart, Composer |
Author: Alan Blyth
Unlike many showcase CDs for famous singers, this one has been carefully planned to demonstrate Terfel’s many-faceted gifts as a Mozartian, boxing the compass of roles and pieces for bass-baritone. Familiar items are interspersed with unfamiliar ones, and the singer, who writes how well Mozart wrote for his kind of voice, is heard in all the roles he has sung on stage (the exceptions include Papageno, for which his figure is unsuited, although in purely vocal terms he proves a lively and sympathetic bird-catcher). His Figaro, which begins and ends the programme, is nicely distinguished from his Count Almaviva, both brought before us by his pointed use of the Italian text. Similarly his suave, insinuating Giovanni is very different from his earthy Leporello, the timbre for each part cleverly differentiated. From Così fan tutte, he briefly undertakes Alfonso, another role he hasn’t assumed on stage, in the Farewell trio, then switches to Guglielmo for “Il core vi dono” where he woos the attractive Dorabella of Christine Rice.
Of the rarer operatic items and separate arias he gives a particularly dramatic account of “Così dunque tradisci” and finds the gentle Entführung-like humour of the incomplete “Männer suchen stets zu naschen” to his liking, with Miah Persson as partner to the inauthentic nonsense of “Nun liebest Weibchen”.
My only criticism of DG is that they have left Persson’s name off the front cover: as she appears with charm and distinction in six items, that seems unkind. The quality of the disc is confirmed by Sir Charles Mackerras’s authoritatively Mozartian direction and fine playing from the Scottish Chamber Orchestra. The recording has both space and presence.
Of the rarer operatic items and separate arias he gives a particularly dramatic account of “Così dunque tradisci” and finds the gentle Entführung-like humour of the incomplete “Männer suchen stets zu naschen” to his liking, with Miah Persson as partner to the inauthentic nonsense of “Nun liebest Weibchen”.
My only criticism of DG is that they have left Persson’s name off the front cover: as she appears with charm and distinction in six items, that seems unkind. The quality of the disc is confirmed by Sir Charles Mackerras’s authoritatively Mozartian direction and fine playing from the Scottish Chamber Orchestra. The recording has both space and presence.
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