Fauré Piano Works
View record and artist detailsRecord and Artist Details
Composer or Director: Gabriel Fauré
Label: Decca
Magazine Review Date: 5/1990
Media Format: Cassette
Media Runtime: 0
Mastering:
DDD
Catalogue Number: 425 606-4DH
Tracks:
Composition | Artist Credit |
---|---|
(5) Impromptus, Movement: No. 2 in F minor, Op. 31 (1883) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(5) Impromptus, Movement: No. 3 in A flat, Op. 34 (1883) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(13) Nocturnes, Movement: E flat minor, Op. 33:1 (c1875) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(13) Nocturnes, Movement: B, Op. 33:2 (c1880) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(13) Nocturnes, Movement: A flat, Op. 33:3 (?1882) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(13) Nocturnes, Movement: No. 4 in E flat, Op. 36 (1884) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(13) Nocturnes, Movement: B flat, Op. 37 (?1884) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(3) Romances sans paroles |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(13) Barcarolles, Movement: G, Op. 41 (1885) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(13) Barcarolles, Movement: A flat, Op. 44 (1886) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(13) Barcarolles, Movement: A minor, Op. 26 (c1880) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(4) Valses-caprices, Movement: A, Op. 30 (1882) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
Composer or Director: Gabriel Fauré
Label: Decca
Magazine Review Date: 5/1990
Media Format: CD or Download
Media Runtime: 72
Mastering:
DDD
Catalogue Number: 425 606-2DH
Tracks:
Composition | Artist Credit |
---|---|
(5) Impromptus, Movement: No. 2 in F minor, Op. 31 (1883) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(5) Impromptus, Movement: No. 3 in A flat, Op. 34 (1883) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(13) Nocturnes, Movement: E flat minor, Op. 33:1 (c1875) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(13) Nocturnes, Movement: B, Op. 33:2 (c1880) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(13) Nocturnes, Movement: A flat, Op. 33:3 (?1882) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(13) Nocturnes, Movement: No. 4 in E flat, Op. 36 (1884) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(13) Nocturnes, Movement: B flat, Op. 37 (?1884) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(3) Romances sans paroles |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(13) Barcarolles, Movement: G, Op. 41 (1885) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(13) Barcarolles, Movement: A flat, Op. 44 (1886) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(13) Barcarolles, Movement: A minor, Op. 26 (c1880) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
(4) Valses-caprices, Movement: A, Op. 30 (1882) |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Pascal Rogé, Piano |
Author: Lionel Salter
Roge's phrasing, nuanced part-playing and sensitive dynamics in general could rightly be termed elegant if that word were not beginning to be used pejoratively by demotic popularisers of serious music (no names, but if you're thinking of a certain young violinist I shan't contradict you...). The purity of the rapid runs and decorative passagework is delightful to hear, and only occasionally—as in the agitated central section of the Fifth Nocturne or in the popular tarantella-like Second Impromptu—do the treacherous acoustics of the Salle Wagram turn tonal warmth into over-resonance. Sample the First or Fourth Nocturne here, and I think you will share my pleasure in Faure's subtlety and Roge's artistry.'
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