James Rhodes: 5; Piano Man

Record and Artist Details

Composer or Director: Franz Liszt, Giovanni Sgambati, Fryderyk Chopin, Johann Sebastian Bach, Ludwig van Beethoven

Genre:

Instrumental

Label: Signum

Media Format: CD or Download

Media Runtime: 69

Mastering:

DDD

Catalogue Number: SIGCD371

SIGCD371. BACH Partita No 1 BEETHOVEN Piano Sonata No 15

Tracks:

Composition Artist Credit
(6) Partitas, Movement: No. 1 in B flat, BWV825 Johann Sebastian Bach, Composer
James Rhodes, Piano
Johann Sebastian Bach, Composer
Sonata for Piano No. 15, 'Pastoral' Ludwig van Beethoven, Composer
James Rhodes, Piano
Ludwig van Beethoven, Composer
Ballade No. 3 Fryderyk Chopin, Composer
Fryderyk Chopin, Composer
James Rhodes, Piano
(4) Scherzos, Movement: No. 2 in B flat minor, Op. 31 (1837) Fryderyk Chopin, Composer
Fryderyk Chopin, Composer
James Rhodes, Piano
Mélodie d'Orfeo de Gluck Giovanni Sgambati, Composer
Giovanni Sgambati, Composer
James Rhodes, Piano
Frühlingsnacht (Schumann) Franz Liszt, Composer
Franz Liszt, Composer
James Rhodes, Piano

Composer or Director: Edvard Grieg, Johann Sebastian Bach, Sergey Rachmaninov, Fryderyk Chopin, Ludwig van Beethoven, Felix (Mikhaylovich) Blumenfeld, Claude Debussy, Maurice Ravel, Moritz Moszkowski

Genre:

Instrumental

Label: Signum

Media Format: Digital Versatile Disc

Media Runtime: 201

Mastering:

DDD

Catalogue Number: SIGDVD010

SIGDVD010. James Rhodes: Piano Man

Tracks:

Composition Artist Credit
Sonata for Piano No. 21, 'Waldstein' Ludwig van Beethoven, Composer
James Rhodes, Piano
Ludwig van Beethoven, Composer
Etincelles Moritz Moszkowski, Composer
James Rhodes, Piano
Moritz Moszkowski, Composer
Etude for the left hand Felix (Mikhaylovich) Blumenfeld, Composer
Felix (Mikhaylovich) Blumenfeld, Composer
James Rhodes, Piano
Peer Gynt, Movement: In the Hall of the Mountain King Edvard Grieg, Composer
Edvard Grieg, Composer
James Rhodes, Piano
(27) Etudes, Movement: C minor, Op. 25/12 Fryderyk Chopin, Composer
Fryderyk Chopin, Composer
James Rhodes, Piano
(24) Preludes, Movement: No 4 Fryderyk Chopin, Composer
Fryderyk Chopin, Composer
James Rhodes, Piano
Fantasie Fryderyk Chopin, Composer
Fryderyk Chopin, Composer
James Rhodes, Piano
Prelude Sergey Rachmaninov, Composer
James Rhodes, Piano
Sergey Rachmaninov, Composer
(Le) Tombeau de Couperin, Movement: Toccata Maurice Ravel, Composer
James Rhodes, Piano
Maurice Ravel, Composer
Suite bergamasque, Movement: Clair de lune Claude Debussy, Composer
Claude Debussy, Composer
James Rhodes, Piano
Sonata for Piano No. 30 Ludwig van Beethoven, Composer
James Rhodes, Piano
Ludwig van Beethoven, Composer
(6) French Suites, Movement: No. 5 in G, BWV816 Johann Sebastian Bach, Composer
James Rhodes, Piano
Johann Sebastian Bach, Composer
Behind pianist James Rhodes’s punk-rock persona and harrowing back story lies a sincere, communicative and mindful musician. He always holds your attention, whether or not you agree with each interpretative notion.

Bach’s B flat Partita opens the first release on Rhodes’s new label with an unusually slow and languid Prelude that functions like a long, austere corridor leading into the relatively peppy Allemande. The Courante is a shade slapdash rhythmically; it concludes with a gentle upwards scale leading into an eloquent, highly rhetorical Sarabande. Like Glenn Gould, Rhodes takes the second Minuet repeats up the octave, and concludes with a brisk yet well-controlled Gigue. The Allegro first movement of Beethoven’s Op 28 resembles the DG Barenboim recording’s Andante, but with a little more ebb and flow, while, by contrast, Rhodes’s perky second movement trivialises the detached left-hand writing’s woodwind-like character. Following a wittily nuanced Scherzo, Rhodes’s graceful, singing Rondo turns appropriately audacious in the coda.

Rhodes challenges convention by exploring the contrapuntal trajectory in the second section of Chopin’s Third Ballade. Unusual voicings draw attention throughout the Second Scherzo, along with a few crowd-whipping accelerations. In contrast to Yuja Wang’s fleet and curvaceous Gluck/Sgambati Melody, Rhodes indulges in serious and sustained time-stretching, and finishes up with a noble, sensitive account of the Schumann/Liszt ‘Frühlingsnacht’.

The DVD offers new performances mostly of pieces familiar from the pianist’s earlier CDs, prefaced by casual yet vividly informative introductions. These touch upon the music in disarming detail, supplemented by Rhodes’s frank autobiographical reflections. We see Rhodes rehearsing at home, puttering in the kitchen, lighting up his umpteenth cigarette of the day and riding a Bakerloo line tube train. He leans into the piano as if he’s excavating under the notes, moving his arms in a way that suggests both high drama and the utmost in physical economy. Rhodes also enjoys talking about having to master difficult passages, such as the opening phrase of the Bach/Busoni C major Toccata. Rhodes’s fusion of instinct, mindfulness and individuality would make his talent stand out in any era.

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