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Genre-hopping can enrich players and audiences alike
Composer Adrian Sutton explores the creative process of moving from theatre stage to concert hall
James Jolly's weekly playlist including Mahler's Sixth from Currentzis, Orlinski in Heinichen and Huw Watkins's ravishing Symphony
George Enescu’s Octet from Vilde Frang and friends, Parry’s Fourth Symphony conducted by Rumon Gamba as well as Bach from Víkingur Ólafsson, Beethoven from Alexandre Tharaud and new music by Raymond Yiu and Judith Bingham
Commissioning and premiering new piano concertos is a far from straight-forward process
Daniil Trifonov and Yannick Nézet-Séguin in Rachmaninov, Dvořák from Christian and Tanja Tetzlaff and Lars Vogt, John Harbison’s Requiem, Schumann from Igor Levit and Liszt from Till Fellner
The latest shift in format is just that – the latest. But streaming asks questions of record collectors that haven’t been asked since the first gramophone records were pressed
Harry Bicket on his unexpected journey to becoming the Artistic Director of The English Concert
In James Jolly’s weekly playlist, memories of Montserrat Caballé, violin concertos by Vivaldi and James Howard Newton, Beethoven’s Fourth Piano Concerto from Nicholas Angelich, Bach from Herreweghe, Kashkasian and Hahn, Rachmaninov from Trifonov
Why the composer deserves the in-depth treatment of a major new box-set

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