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Boris Giltburg spent all night playing Rachmaninov for a very special film, revealed here!
Christopher Purves introduces 'Finest Arias for Base Voice, Vol 2'
Alan Davey explains why BBC Radio 3 are pioneering new recording techniques for a very special broadcast
A recent trip to The Grange Festival saw opera audiences being challenged by dance – and enjoying it, writes Sarah Kirkup
How rethinking a performance can give audiences an extra evocative element
How wandering from the beaten track can lead to some remarkable musical discoveries
'The composers who break new choral ground are often those who are not so familiar with the medium'
Paweł Łukaszewski explores the 'renewed tonality' of his choral works
Gramophone's Editor introduces the June issue

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