Features

Pepe Romero's Concierto de Aranjuez
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Rodrigo’s Concierto de Aranjuez: which recording is best?

Joaquín Rodrigo’s Concierto de Aranjuez is arguably one of the most popular concertos of all time, thanks in no small measure to the extraordinary beauty...

Archpriest Kiril Popov conducts his work Come Ye, We'll Bow (photo: Vladimir Pos
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Reviving the Russian Orthodox choral tradition in St Petersburg

These are good times for Russian Orthodox choral music. Since the fall of the Soviet Union, the Orthodox Church has returned to a central position in the country's public life, and interest in its music and liturgical culture is stronger than ever.

Yevgeny Svetlanov in 1979 (photo: LSO)
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Remembering Yevgeny Svetlanov (1928-2002)

To mark the 10th anniversary of the death of Russian conductor and composer Yevgeny Svetlanov, we reprint Alan Blyth's classic interview from the March 1970 issue of Gramophone...

Daniel Barenboim
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The best and worst Gramophone debuts

As the old saying goes: it’s not where you start, it’s where you finish that counts. But even so, some of the most lauded classical artists of the 20th century have made spectacularly inauspicious debuts in the pages of Gramophone . How about this review from January 1967 – can you guess who the conductor of this new recording of Beethoven’s Seventh with the Vienna Philharmonic might be?

The Marriage of Figaro
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Mozart's The Marriage of Figaro – the best recording

(First published as the 'Gramophone Collection' in 2011 Awards issue.) The recommendations and discography can be found at the end of the article.

The cover image of the Ricordi score of Turandot (Photo: Alamy)
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Puccini's Turandot – a survey of recordings

On the anniversary of the premiere on April 25, 1926, John Steane looks at the recordings of Puccini's last opera (First published as the 'Gramophone Collection' in July 2008, by John Steane.) The recommendations and discography can be found at the end of the article.

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