Pears as a singer of Britten, that’s one thing; Pears as a singer is another. His association with Britten – so close that his voice seems to be written into the music composed for it – gives him a unique position among all the singers of his time and ours. In as far as there can be a definitive performance of anything, his performances of the songs and in the operas and other large-scale works by Britten are what the composer wanted. There are other ways of singing Britten, but this is “his” voice, and it sounds infallibly right.
The coveted title of BBC Young Musician 2010 has been awarded to pianist Lara Ömeroğlu, a student at London’s specialist Purcell School. The 16-year-old triumphed...
“The arts tend to follow the fortunes of any city,” says Robert Lyall, New Orleans Opera’s general and artistic director, of his company’s storied history. “So at the height of its 19th century and even the first part of the 20th century, opera in New Orleans was a dominant force.” Through the shifts in popular culture and the economy, to say nothing of devastating changes brought on five years ago by Hurricane Katrina, New Orleans Opera is on a consistent upswing.
In most forms of creative media – from journalism to visual art – technology has broken down the traditional barriers that once delineated genres. Artists...
To mark the double-year anniversaries of Gustav Mahler (1860-1911), Michael McManus visited 11 of the world's leading conductors to talk Mahler. Each conductor focused on one of the symphonies, including the song-symphony, Das Lied von der Erde . We also offer a Gramophone recommendation for each symphony. SIR CHARLES MACKERRAS on Symphony No 1
In this year of multiple commemorations, there is a composer who deserves not to be overshadowed by more famous successors. For 2010 marks the tercentenary of one of the most interesting sons of famous composers. Indeed, the listing in the latest online edition of the New Grove Dictionary describes Wilhelm Friedemann Bach as "one of the major composers representing the period between Baroque and Classical composition". That’s quite a claim.
Early in 2008, Gramophone readers – hard-core music lovers to a person – were asked whether they downloaded music. Twice as many said yes when compared with those who replied to the same question two years earlier. That’s not an overwhelming constituency but it definitely marks a sizeable interest in the new format. The CD, though, isn’t going to disappear overnight but it will become just one of a number of formats on offer and already a vast number of recordings are available as downloads. But first, let’s dispel a few concerns.