Recording Pavarotti in Otello meant balancing his very specific views with Sir Georg Solti’s often completely opposing ones, recalls producer Michael Haas – but the results were well worth it
Melting barriers between classical, jazz and Indian music, Matthew Barley brings a uniquely free spirit to all he does – and his Tavener recording is no exception, writes Charlotte Gardner
Following scintillating recordings of La mer and Daphnis et Chloé with his experimental Les Siècles, late last year conductor François-Xavier Roth released an all-Debussy disc featuring seminal works which, as he tells Mark Pullinger, marked a new era in music
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