Features
On the road with Rostropovich, by Steven Isserlis
He may be a star cellist, but Steven Isserlis is also a huge Rostropovich fan. So, when he went to San Francisco to play Britten under his hero’s baton in 2007, he kept a journal…
27th Feb 2017
Gramophone obituary: Mstislav Rostropovich
Tully Potter pays tribute to the great cellist, Gramophone, July 2007
24th Feb 2017
GALLERY
Introducing Gramophone's March 2017 issue
A decade after the death of Mstislav Rostropovich, this month’s Gramophone explores the legacy of the great cellist and conductor in terms of the pieces...
24th Feb 2017
Best new classical albums – March 2017
The finest recordings from this month's reviews, chosen by Martin Cullingford
24th Feb 2017
Video exclusive: Víkingur Ólafsson plays Philip Glass
Olafsson performs Glass's Etude No 14 from his DG debut album
22nd Feb 2017
Martinů on record
The story of a composer who always enjoyed a close relationship with the record industry
21st Feb 2017
Debate: When is film music ‘classical’?
Classical composers Philip Glass and John Corigliano have both had success scoring for the big screen. They debate that relationship with Jed Distler in New York
20th Feb 2017
Ennio Morricone – my inspiration, by Hans Zimmer
One of the world’s most successful film music composers, Hans Zimmer, reflects on what makes Ennio Morricone the greatest (Gramophone, April 2011)
20th Feb 2017
Reputations: Bernard Herrmann
Despite his struggle for acceptance in the concert-hall, Herrmann's triumphs on the cinema screen secure him a place in the composer's pantheon, argues Nick Shave
20th Feb 2017
John Williams interview: 'It's not hard work that makes success; it's sustained hard work that makes success'
Multi-Oscar-nominated composer of film scores for the likes of Star Wars and ET, John Williams still keeps a foot in the classical camp, as Timothy Mangan finds out (Gramophone, 2005)
20th Feb 2017
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