Britten Opera excerpts and Folksongs
View record and artist detailsRecord and Artist Details
Composer or Director: Benjamin Britten
Genre:
Opera
Label: British Composers
Magazine Review Date: 2/1994
Media Format: CD or Download
Media Runtime: 144
Mastering:
Mono
ADD
Catalogue Number: 764727-2
Tracks:
Composition | Artist Credit |
---|---|
(The) Rape of Lucretia |
Benjamin Britten, Composer
Benjamin Britten, Composer Denis Dowling, Junius, Baritone English Opera Group Chamber Orchestra Flora Nielsen, Bianca, Mezzo soprano Frederick Sharp, Tarquinius, Baritone Joan Cross, Female Chorus, Mezzo soprano Margaret Ritchie, Lucia, Soprano Nancy Evans, Lucretia, Mezzo soprano Norman Lumsden, Collatinus, Bass Peter Pears, Male Chorus, Tenor Reginald Goodall, Conductor |
Peter Grimes, Movement: Let her among you without fault |
Benjamin Britten, Composer
BBC Theatre Chorus Benjamin Britten, Composer Bruni Falcon, Freia, Soprano Erich Witte, Loge, Tenor Gustav Neidlinger, Alberich, Bass Hans Hotter, Wotan, Alto Ira Malaniuk, Fricka, Mezzo soprano Ira Malaniuk, Waltraute, Mezzo soprano Joan Cross, Soprano Paul Kuen, Mime, Tenor Peter Pears, Tenor Regina Resnik, Third Norn, Soprano Reginald Goodall, Conductor Royal Opera House Orchestra, Covent Garden Tom Culbert, Tenor |
Peter Grimes, Movement: Now the Great Bear and Pleiades |
Benjamin Britten, Composer
Astrid Varnay, Brünnhilde, Soprano BBC Theatre Chorus Benjamin Britten, Composer Erika Zimmermann, Woglinde, Soprano Gisela Litz, Flosshilde, Mezzo soprano Hetty Plümacher, Wellgunde, Soprano Ira Malaniuk, Second Norn, Soprano Ira Malaniuk, Second Norn, Mezzo soprano Ira Malaniuk, Second Norn, Soprano Joan Cross, Soprano Josef Greindl, Hagen, Bass Maria von Ilosvay, First Norn, Contralto (Female alto) Peter Pears, Tenor Reginald Goodall, Conductor Royal Opera House Orchestra, Covent Garden Tom Culbert, Tenor Wolfgang Windgassen, Siegfried, Tenor |
Peter Grimes, Movement: Interlude (Sunday morning) |
Benjamin Britten, Composer
Astrid Varnay, Brünnhilde, Soprano Astrid Varnay, Brünnhilde, Soprano Astrid Varnay, Brünnhilde, Soprano BBC Theatre Chorus Benjamin Britten, Composer Gustav Neidlinger, Alberich, Bass Gustav Neidlinger, Alberich, Bass Gustav Neidlinger, Alberich, Bass Gustav Neidlinger, Alberich, Bass Gustav Neidlinger, Alberich, Bass Gustav Neidlinger, Alberich, Bass Hermann Uhde, Gunther, Tenor Joan Cross, Soprano Josef Greindl, Fafner, Bass Josef Greindl, Fafner, Bass Josef Greindl, Fafner, Bass Maria von Ilosvay, Erda, Mezzo soprano Maria von Ilosvay, Erda, Contralto (Female alto) Maria von Ilosvay, Erda, Mezzo soprano Natalie Hinsch-Gröndahl, Gutrune, Soprano Paul Kuen, Mime, Tenor Paul Kuen, Mime, Tenor Paul Kuen, Mime, Tenor Peter Pears, Tenor Reginald Goodall, Conductor Royal Opera House Orchestra, Covent Garden Tom Culbert, Tenor |
Peter Grimes, Movement: Glitter of waves |
Benjamin Britten, Composer
BBC Theatre Chorus Benjamin Britten, Composer Erika Schubert, Rossweiße, Mezzo soprano Gisela Litz, Siegrune, Mezzo soprano Gisela Litz, Siegrune, Soprano Gisela Litz, Siegrune, Soprano Hans Hotter, Wanderer, Alto Hans Hotter, Wanderer, Alto Hans Hotter, Wanderer, Alto Ira Malaniuk, Fricka, Soprano Ira Malaniuk, Fricka, Mezzo soprano Ira Malaniuk, Fricka, Soprano Joan Cross, Soprano Maria von Ilosvay, Schwertleite, Contralto (Female alto) Maria von Ilosvay, Schwertleite, Mezzo soprano Maria von Ilosvay, Schwertleite, Mezzo soprano Peter Pears, Tenor Reginald Goodall, Conductor Rita Streich, Woodbird, Soprano Royal Opera House Orchestra, Covent Garden Sibylla Plate, Grimgerde, Mezzo soprano Tom Culbert, Tenor Wolfgang Windgassen, Siegfried, Tenor Wolfgang Windgassen, Siegfried, Tenor Wolfgang Windgassen, Siegfried, Tenor |
Peter Grimes, Movement: In dreams I've built myself some kindlier home |
Benjamin Britten, Composer
BBC Theatre Chorus Benjamin Britten, Composer Bruni Falcon, Ortlinde, Soprano Bruni Falcon, Ortlinde, Soprano Bruni Falcon, Ortlinde, Soprano Brünnhilde Friedland, Gerhilde, Soprano Gisela Litz, Flosshilde, Soprano Gisela Litz, Flosshilde, Soprano Gisela Litz, Flosshilde, Mezzo soprano Hetty Plümacher, Wellgunde, Soprano Hetty Plümacher, Wellgunde, Soprano Hetty Plümacher, Wellgunde, Soprano Joan Cross, Soprano Josef Greindl, Hunding, Bass Josef Greindl, Hunding, Bass Josef Greindl, Hunding, Bass Lieselotte Thomamüller, Helmwige, Soprano Lise Sorrell, Waltraute, Mezzo soprano Peter Pears, Tenor Ramon Vinay, Siegmund, Tenor Reginald Goodall, Conductor Royal Opera House Orchestra, Covent Garden Tom Culbert, Tenor |
Peter Grimes, Movement: Embroidery in childhood |
Benjamin Britten, Composer
Astrid Varnay, Brünnhilde, Soprano Astrid Varnay, Brünnhilde, Soprano Astrid Varnay, Brünnhilde, Soprano BBC Theatre Chorus Benjamin Britten, Composer Gerhard Stolze, Froh, Tenor Hans Hotter, Wotan, Alto Hans Hotter, Wotan, Alto Hans Hotter, Wotan, Alto Hermann Uhde, Donner, Tenor Hermann Uhde, Donner, Tenor Hermann Uhde, Donner, Tenor Joan Cross, Soprano Josef Greindl, Fafner, Bass Josef Greindl, Fafner, Bass Josef Greindl, Fafner, Bass Ludwig Weber, Fasolt, Baritone Maria von Ilosvay, Erda, Mezzo soprano Maria von Ilosvay, Erda, Mezzo soprano Maria von Ilosvay, Erda, Contralto (Female alto) Peter Pears, Tenor Regina Resnik, Sieglinde, Soprano Regina Resnik, Sieglinde, Soprano Regina Resnik, Sieglinde, Soprano Reginald Goodall, Conductor Royal Opera House Orchestra, Covent Garden Tom Culbert, Tenor |
Peter Grimes, Movement: Interlude |
Benjamin Britten, Composer
André Vessières, Don Fernand, Frère Jardinier, Baritone BBC Theatre Chorus Benjamin Britten, Composer Bernard Demigny, L'Esprit de la Terre, Baritone Erika Zimmermann, Woglinde, Soprano Erika Zimmermann, Woglinde, Soprano Erika Zimmermann, Woglinde, Soprano Jacqueline Brumaire, L'Ombre, L'Esprit du Ciel, Soprano Joan Cross, Soprano Joseph Peyron, Don Jaime, Réligieux II, Tenor Martha Angelici, Girolama, Soprano Paul Cabanel, Johannes Melendez, Baritone Peter Pears, Tenor Raoul Jobin, Miguel Mañara, Tenor Reginald Goodall, Conductor Royal Opera House Orchestra, Covent Garden Tom Culbert, Tenor |
Peter Grimes, Movement: Steady! There you are! |
Benjamin Britten, Composer
BBC Theatre Chorus Benjamin Britten, Composer Elisabeth Schwarzkopf, Fatime, Soprano Erich Witte, Abu Hassan, Tenor Henry Vermeil, Deux Esprits Joan Cross, Soprano Kati Bergman, Mother Michael Bohnen, Omar, Bass Peter Pears, Tenor Reginald Goodall, Conductor Royal Opera House Orchestra, Covent Garden Sini Rautavaara, Marjatta Tom Culbert, Tenor Ulla Sippola, Ruotus' WIfe Vuokko Hovatta, Maiden |
Folk Song Arrangements, Movement: Voici le printemps |
Benjamin Britten, Composer
Anita Välkki, Third Norn, Soprano Benjamin Britten, Composer Benjamin Britten, Piano Christa Ludwig, Waltraute, Soprano Christa Ludwig, Waltraute, Mezzo soprano Christa Ludwig, Waltraute, Soprano Claire Watson, Freia, Soprano Claire Watson, Freia, Soprano Claire Watson, Freia, Soprano Grace Hoffman, Second Norn, Mezzo soprano Gwyneth Jones, Wellgunde, Soprano Helen Watts, First Norn, Contralto (Female alto) Helen Watts, First Norn, Mezzo soprano Helen Watts, First Norn, Mezzo soprano Lucia Popp, Woglinde, Soprano Maureen Guy, Flosshilde, Mezzo soprano Sophie Wyss, Soprano |
Folk Song Arrangements, Movement: Fileuse |
Benjamin Britten, Composer
Benjamin Britten, Piano Benjamin Britten, Composer Birgit Nilsson, Brünnhilde, Soprano Birgit Nilsson, Brünnhilde, Soprano Birgit Nilsson, Brünnhilde, Soprano Birgit Nilsson, Brünnhilde, Soprano Birgit Nilsson, Brünnhilde, Soprano Birgit Nilsson, Brünnhilde, Soprano Claire Watson, Gutrune, Soprano Claire Watson, Gutrune, Soprano Claire Watson, Gutrune, Soprano Dietrich Fischer-Dieskau, Gunther, Baritone Gerhard Stolze, Mime, Tenor Gottlob Frick, Hagen, Bass Gottlob Frick, Hagen, Bass Gottlob Frick, Hagen, Bass Gustav Neidlinger, Alberich, Bass Gustav Neidlinger, Alberich, Bass Gustav Neidlinger, Alberich, Bass Sophie Wyss, Soprano Wolfgang Windgassen, Siegfried, Tenor Wolfgang Windgassen, Siegfried, Tenor Wolfgang Windgassen, Siegfried, Tenor |
Folk Song Arrangements, Movement: Le roi s'en va-t'en chasse (The King goes a-huntin |
Benjamin Britten, Composer
Benjamin Britten, Composer Benjamin Britten, Piano Claudia Hellmann, Rossweiße, Mezzo soprano Gustav Neidlinger, Alberich, Bass Gustav Neidlinger, Alberich, Bass Gustav Neidlinger, Alberich, Bass Helen Watts, Schwertleite, Mezzo soprano Helen Watts, Schwertleite, Contralto (Female alto) Helen Watts, Schwertleite, Mezzo soprano Joan Sutherland, Woodbird, Soprano Kurt Böhme, Fafner, Bass Kurt Böhme, Fafner, Baritone Kurt Böhme, Fafner, Baritone Marga Höffgen, Erda, Contralto (Female alto) Marilyn Tyler, Grimgerde, Mezzo soprano Sophie Wyss, Soprano Vera Little, Siegrune, Mezzo soprano |
Folk Song Arrangements, Movement: La belle est au jardin d'amour |
Benjamin Britten, Composer
Benjamin Britten, Composer Benjamin Britten, Piano Berit Lindholm, Helmwige, Soprano Brigitte Fassbaender, Waltraute, Mezzo soprano Christa Ludwig, Fricka, Soprano Christa Ludwig, Fricka, Mezzo soprano Christa Ludwig, Fricka, Soprano Gottlob Frick, Hunding, Bass Gottlob Frick, Hunding, Bass Gottlob Frick, Hunding, Bass Hans Hotter, Wanderer, Alto Hans Hotter, Wanderer, Alto Hans Hotter, Wanderer, Alto Helga Dernesch, Ortlinde, Soprano Sophie Wyss, Soprano Vera Schlosser, Gerhilde, Soprano Wolfgang Windgassen, Siegfried, Tenor Wolfgang Windgassen, Siegfried, Tenor Wolfgang Windgassen, Siegfried, Tenor |
Folk Song Arrangements, Movement: Quand j'étais chez mon père. VOLUME 3 BRITISH: |
Benjamin Britten, Composer
Benjamin Britten, Composer Benjamin Britten, Piano Birgit Nilsson, Brünnhilde, Soprano Birgit Nilsson, Brünnhilde, Soprano Birgit Nilsson, Brünnhilde, Soprano Eberhard Waechter, Donner, Tenor Hans Hotter, Wotan, Alto Hans Hotter, Wotan, Alto Hans Hotter, Wotan, Alto Hetty Plümacher, Wellgunde, Soprano Ira Malaniuk, Flosshilde, Mezzo soprano James King, Siegmund, Tenor Régine Crespin, Sieglinde, Soprano Sophie Wyss, Soprano Waldemar Kmentt, Froh, Tenor |
Folk Song Arrangements, Movement: The Bonny Earl o' Moray |
Benjamin Britten, Composer
Aldo Baldin, Filippo, Tenor Barbara Hendricks, Sandrina, Soprano Benjamin Britten, Composer Benjamin Britten, Piano Claes-Håkan Ahnsjö, Count Errico, Tenor Claes-Håkan Ahnsjö, Nencio, Tenor Claes-Håkan Ahnsjö, Count Errico, Tenor Claes-Håkan Ahnsjö, Nencio, Tenor Claes-Håkan Ahnsjö, Count Errico, Tenor Claes-Håkan Ahnsjö, Nencio, Tenor Edith Mathis, Vespina, Soprano Edith Mathis, Vespina, Soprano Edith Mathis, Vespina, Soprano Helen Donath, Lisetta, Soprano Jessye Norman, Rosina, Soprano Jessye Norman, Rosina, Soprano Jessye Norman, Rosina, Soprano Linda Zoghby, Silvia Peter Pears, Tenor |
Folk Song Arrangements, Movement: The ash grove |
Benjamin Britten, Composer
Anthony Rolfe Johnson, Cecco, Tenor Benjamin Britten, Composer Benjamin Britten, Piano Claes-Håkan Ahnsjö, Ali, Tenor Claes-Håkan Ahnsjö, Ali, Tenor Claes-Håkan Ahnsjö, Ali, Tenor Domenico Trimarchi, Buonafede, Baritone Domenico Trimarchi, Buonafede, Baritone Domenico Trimarchi, Buonafede, Baritone Edith Mathis, Clarice, Soprano Edith Mathis, Clarice, Soprano Edith Mathis, Clarice, Soprano James Hooper, Official; Dervish Lucia Valentini-Terrani, Ernesto, Soprano Michael Devlin, Nanni, Baritone Nicolas Scarpinati, Dervish Peter Pears, Tenor |
Folk Song Arrangements, Movement: Oliver Cromwell (also unison vv and piano). VOLUME(pub 1946): |
Benjamin Britten, Composer
Arleen Augér, Flaminia, Soprano Benjamin Britten, Composer Benjamin Britten, Piano Benjamin Luxon, Calandro, Tenor Della Jones, Dardane, Soprano Domenico Trimarchi, Osmin, Baritone Domenico Trimarchi, Osmin, Baritone Domenico Trimarchi, Osmin, Baritone Frederica von Stade, Lisetta, Mezzo soprano Linda Zoghby, Rezia Luigi Alva, Ecclitico, Tenor Margaret Marshall, Balkis, Soprano Peter Pears, Tenor |
Folk Song Arrangements, Movement: There's none to soothe |
Benjamin Britten, Composer
Benjamin Britten, Piano Benjamin Britten, Composer Elisabeth Glauser, Rossweiße, Mezzo soprano Gabriele Schnaut, Waltraute, Mezzo soprano Gwyneth Jones, Brünnhilde, Soprano Gwyneth Jones, Brünnhilde, Soprano Gwyneth Jones, Brünnhilde, Soprano Ilse Gramatzki, Grimgerde, Soprano Ilse Gramatzki, Grimgerde, Mezzo soprano Ilse Gramatzki, Grimgerde, Soprano Jeannine Altmeyer, Sieglinde, Soprano Karen Middleton, Ortlinde, Soprano Katie Clarke, Helmwige, Soprano Marga Schiml, Siegrune, Soprano Marga Schiml, Siegrune, Mezzo soprano Marga Schiml, Siegrune, Soprano Peter Pears, Tenor |
Folk Song Arrangements, Movement: Sweet Polly Oliver |
Benjamin Britten, Composer
Benjamin Britten, Composer Benjamin Britten, Piano Carmen Reppel, Gerhilde, Soprano Carmen Reppel, Gerhilde, Soprano Carmen Reppel, Gerhilde, Soprano Claude Heater, Melot, Tenor Donald McIntyre, Wotan, Bass-baritone Donald McIntyre, Wotan, Bass-baritone Donald McIntyre, Wotan, Bass-baritone Eberhard Waechter, Kurwenal, Tenor Eberhard Waechter, Kurwenal, Baritone Eberhard Waechter, Kurwenal, Tenor Erwin Wohlfahrt, Shepherd, Tenor Gerd Nienstedt, Steersman, Baritone Gerd Nienstedt, Steersman, Baritone Gerd Nienstedt, Steersman, Baritone Hanna Schwarz, Fricka, Soprano Hanna Schwarz, Fricka, Soprano Hanna Schwarz, Fricka, Mezzo soprano Matti Salminen, Hunding, Bass Matti Salminen, Hunding, Bass Matti Salminen, Hunding, Bass Peter Pears, Tenor |
Folk Song Arrangements, Movement: The Salley Gardens (also unison vv and piano) |
Benjamin Britten, Composer
Benjamin Britten, Composer Benjamin Britten, Piano Birgit Nilsson, Isolde, Soprano Christa Ludwig, Brangäne, Mezzo soprano Elsa-Margrete Gardelli, Shepherd, Soprano Gerd Nienstedt, Reinmar, Baritone Gerd Nienstedt, Reinmar, Baritone Gerd Nienstedt, Reinmar, Bass Martti Talvela, King Marke, Bass Peter Hofmann, Siegmund, Tenor Peter Pears, Tenor Peter Schreier, Young Sailor, Tenor Wolfgang Windgassen, Tristan, Tenor Wolfgang Windgassen, Tristan, Tenor Wolfgang Windgassen, Tristan, Tenor |
Folk Song Arrangements, Movement: Little Sir William |
Benjamin Britten, Composer
Benjamin Britten, Piano Benjamin Britten, Composer Eberhard Waechter, Wolfram, Tenor Eberhard Waechter, Wolfram, Tenor Eberhard Waechter, Wolfram, Baritone Franz Crass, Biterolf, Bass Georg Paskuda, Heinrich, Tenor Gerhard Stolze, Walther, Tenor Grace Bumbry, Venus, Soprano Hermann Becht, Alberich, Baritone Hermann Becht, Alberich, Baritone Hermann Becht, Alberich, Baritone Josef Greindl, Hermann, Bass Ortrun Wenkel, Erda, Mezzo soprano Ortrun Wenkel, Erda, Contralto (Female alto) Ortrun Wenkel, Erda, Mezzo soprano Peter Pears, Tenor |
Folk Song Arrangements, Movement: The plough boy |
Benjamin Britten, Composer
Anthony Raffell, Gunther, Baritone Benjamin Britten, Piano Benjamin Britten, Composer Birgitta Svendén, Erda, Contralto (Female alto) Birgitta Svendén, Erda, Mezzo soprano Birgitta Svendén, Erda, Mezzo soprano Ekkehard Wlaschiha, Alberich, Baritone Ekkehard Wlaschiha, Alberich, Baritone Ekkehard Wlaschiha, Alberich, Baritone Ekkehard Wlaschiha, Alberich, Baritone Ekkehard Wlaschiha, Alberich, Baritone Ekkehard Wlaschiha, Alberich, Baritone Hanna Lisowska, Gutrune, Soprano Heinz Zednik, Mime, Tenor Heinz Zednik, Mime, Tenor Heinz Zednik, Mime, Tenor Hildegard Behrens, Brünnhilde, Soprano Hildegard Behrens, Brünnhilde, Soprano Hildegard Behrens, Brünnhilde, Soprano Matti Salminen, Hagen, Bass Matti Salminen, Hagen, Bass Matti Salminen, Hagen, Bass Peter Pears, Tenor |
Folk Song Arrangements, Movement: The foggy foggy dew |
Benjamin Britten, Composer
Benjamin Britten, Piano Benjamin Britten, Composer Dawn Upshaw, Woodbird, Soprano Diane Kesling, Siegrune, Mezzo soprano Diane Kesling, Siegrune, Soprano Diane Kesling, Siegrune, Soprano Jacalyn Bower, Rossweiße, Mezzo soprano James Morris, Wanderer, Baritone James Morris, Wanderer, Baritone James Morris, Wanderer, Baritone Matti Salminen, Fafner, Bass Matti Salminen, Fafner, Bass Matti Salminen, Fafner, Bass Peter Pears, Tenor Siegfried Jerusalem, Siegfried, Tenor Siegfried Jerusalem, Siegfried, Tenor Siegfried Jerusalem, Siegfried, Tenor Sondra Kelly, Schwertleite, Contralto (Female alto) Wendy Hillhouse, Grimgerde, Mezzo soprano |
Folk Song Arrangements, Movement: O waly waly |
Benjamin Britten, Composer
Benjamin Britten, Composer Benjamin Britten, Piano Christa Ludwig, Fricka, Soprano Christa Ludwig, Fricka, Mezzo soprano Christa Ludwig, Fricka, Soprano Diane Kesling, Wellgunde, Soprano Diane Kesling, Wellgunde, Soprano Diane Kesling, Wellgunde, Soprano Joyce Castle, Waltraute, Mezzo soprano Joyce Castle, Waltraute, Mezzo soprano Joyce Castle, Waltraute, Mezzo soprano Katarina Ikonomu, Helmwige, Soprano Kurt Moll, Hunding, Bass Martha Thigpen, Ortlinde, Soprano Meredith Parsons, Flosshilde, Mezzo soprano Meredith Parsons, Flosshilde, Mezzo soprano Meredith Parsons, Flosshilde, Mezzo soprano Peter Pears, Tenor Pyramid Sellers, Gerhilde, Soprano |
Folk Song Arrangements, Movement: Come you not from Newcastle? VOLUME 4 IRISH (pub |
Benjamin Britten, Composer
Alan Held, Donner, Baritone Benjamin Britten, Composer Benjamin Britten, Piano Birgitta Svendén, Erda, Mezzo soprano Birgitta Svendén, Erda, Mezzo soprano Birgitta Svendén, Erda, Contralto (Female alto) Gary Lakes, Siegmund, Tenor Hildegard Behrens, Brünnhilde, Soprano Hildegard Behrens, Brünnhilde, Soprano Hildegard Behrens, Brünnhilde, Soprano James Morris, Wotan, Baritone James Morris, Wotan, Baritone James Morris, Wotan, Baritone Jan-Hendrik Rootering, Fasolt, Bass Jessye Norman, Sieglinde, Soprano Mark Baker, Froh, Tenor Peter Pears, Tenor |
Author: Alan Blyth
Richard Abram of EMI is to be congratulated on assembling this fascinating and historically essential document. Andrew Walter and Paul Baily are to be thanked for the loving care they have shown in transferring these performances by creator artists. They are obviously of the utmost importance. Then the booklet contains invaluable essays by Eric Crozier, Nancy Evans, John Lucas (Goodall's biographer) and Philip Reed (leading Britten archivist) on the genesis of the operas and recordings. We learn from Lucas that Walton, on the British Council committee which sponsored the Lucretia discs, wanted to record only four sides of the work, while Bliss thought about half the score should be recorded. In the event, about two-thirds was committed to disc. One side has remained unpublished until now; the others have long been unavailable (they were briefly reissued on an unsatisfactory Music for Pleasure LP—5/69, nla).
Ferrier and Evans shared the title-role in the first run of performances at Glyndebourne in 1946. Lucas now reveals that Goodall preferred Evans in the part. However that may be, the two singers—who Evans tells us here were boon companions, both being ''Lancashire lasses''—presented complementary interpretations (Ferrier's anguished performance has been intermittently available on 'off-the-air' discs). Evans is infinitely moving, both in the timbre of her lovely mezzo and in her verbal accents—the simplicity of her Orchid aria would melt the hardest heart. That sterling artist Frederick Sharp (I recall him as a superb Onegin at Sadler's Wells Opera) is a fiery, priapic Tarquinius. Maybe the refined vowels of Ritchie and Nielsen now sound anachronistic for servant roles, but both sing finely. Best of all are the Choruses of Cross and Pears, still unrivalled in their roles, revelling in the colourful imagery of Ronald Duncan's libretto. Pears is magnificent both in the Ride to Rome and the Sprechgesang of Tarquinius's stealthy approach to Lucretia's chamber.
The sad story of how the attempt to record the premiere of Grimes in 1945 was bungled is retold here by Lucas, but in 1948, after the first performances at Covent Garden, EMI made some amends by recording Pears and Cross in substantial portions of their original roles. Britten vetoed their issue at the time, for unknown reasons, but relented in 1972 to allow eight (of 11) sides to be included in HMV's three-LP ''Stars of the Old Vic and Sadler's Wells'' (a much-prized, long-deleted album).
Now the three unissued sides appear for the first time, allowing us to hear Cross in Ellen's ''Let her among you'' solo from the opera's opening scene, Pears in Grimes's ''Great Bear and Pleiades'' monologue of Act 1 scene 2 and the visionary solo from the hut scene in Act 2. Needless to say, these are revelatory additions to what we already have. Nobody, not even Pears in the complete 1958 Decca set (4/86), has sung these arias with such beauty of tone and such consummate mastery in welding voice to words, every accentuation subtly placed, to achieve a searingly truthful portrayal. It is wonderful to hear again, and now in much cleaner sound, the rest of the extracts, most of all the Ellen/Grimes confrontation in Act 2 and Grimes's mad scene in Act 3, both quite heart-rendingly done. As I wrote in 1972, these excerpts ''represent the work at white heat, straight off the stage''.
Goodall shows his empathy with and command of both scores. The orchestral playing isn't always as exact as one might wish, but the spirit of the orchestral contribution is all it should be.
As a substantial bonus on these generously filled discs, we have all the folk-song arrangements that Pears and Britten recorded on 78s for both Decca and EMI, including three originally issued only in the USA, and three French songs made by Wyss and Britten in 1943 (previously unpublished—they are a delight). Some of these, such asThe Salley Gardens, There's none to soothe and The foggy foggy dew long ago became classics; so surely now will the infinitely moving account of The ash grove. As throughout this issue, Pears is in glorious voice and these performances surpass the repetitions set down for LP.
As I hope I have made clear, this is a 'must' for any lover of Britten's music, a reissue that shows as much care and dedication in preparation as is evinced by the performers themselves. An exhilarating, pioneering period in British music is here suitably chronicled.'
Ferrier and Evans shared the title-role in the first run of performances at Glyndebourne in 1946. Lucas now reveals that Goodall preferred Evans in the part. However that may be, the two singers—who Evans tells us here were boon companions, both being ''Lancashire lasses''—presented complementary interpretations (Ferrier's anguished performance has been intermittently available on 'off-the-air' discs). Evans is infinitely moving, both in the timbre of her lovely mezzo and in her verbal accents—the simplicity of her Orchid aria would melt the hardest heart. That sterling artist Frederick Sharp (I recall him as a superb Onegin at Sadler's Wells Opera) is a fiery, priapic Tarquinius. Maybe the refined vowels of Ritchie and Nielsen now sound anachronistic for servant roles, but both sing finely. Best of all are the Choruses of Cross and Pears, still unrivalled in their roles, revelling in the colourful imagery of Ronald Duncan's libretto. Pears is magnificent both in the Ride to Rome and the Sprechgesang of Tarquinius's stealthy approach to Lucretia's chamber.
The sad story of how the attempt to record the premiere of Grimes in 1945 was bungled is retold here by Lucas, but in 1948, after the first performances at Covent Garden, EMI made some amends by recording Pears and Cross in substantial portions of their original roles. Britten vetoed their issue at the time, for unknown reasons, but relented in 1972 to allow eight (of 11) sides to be included in HMV's three-LP ''Stars of the Old Vic and Sadler's Wells'' (a much-prized, long-deleted album).
Now the three unissued sides appear for the first time, allowing us to hear Cross in Ellen's ''Let her among you'' solo from the opera's opening scene, Pears in Grimes's ''Great Bear and Pleiades'' monologue of Act 1 scene 2 and the visionary solo from the hut scene in Act 2. Needless to say, these are revelatory additions to what we already have. Nobody, not even Pears in the complete 1958 Decca set (4/86), has sung these arias with such beauty of tone and such consummate mastery in welding voice to words, every accentuation subtly placed, to achieve a searingly truthful portrayal. It is wonderful to hear again, and now in much cleaner sound, the rest of the extracts, most of all the Ellen/Grimes confrontation in Act 2 and Grimes's mad scene in Act 3, both quite heart-rendingly done. As I wrote in 1972, these excerpts ''represent the work at white heat, straight off the stage''.
Goodall shows his empathy with and command of both scores. The orchestral playing isn't always as exact as one might wish, but the spirit of the orchestral contribution is all it should be.
As a substantial bonus on these generously filled discs, we have all the folk-song arrangements that Pears and Britten recorded on 78s for both Decca and EMI, including three originally issued only in the USA, and three French songs made by Wyss and Britten in 1943 (previously unpublished—they are a delight). Some of these, such as
As I hope I have made clear, this is a 'must' for any lover of Britten's music, a reissue that shows as much care and dedication in preparation as is evinced by the performers themselves. An exhilarating, pioneering period in British music is here suitably chronicled.'
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