CAUSTON Millennium Scenes. Chamber Symphony
View record and artist detailsRecord and Artist Details
Composer or Director: Richard Causton, Ryan Wigglesworth
Genre:
Orchestral
Label: NMC
Magazine Review Date: 06/2014
Media Format: CD or Download
Media Runtime: 77
Mastering:
DDD
Catalogue Number: NMCD192
Tracks:
Composition | Artist Credit |
---|---|
Millennium Scenes |
Richard Causton, Composer
Hallé Orchestra Nicholas Collon, Conductor Richard Causton, Composer |
Notturno |
Richard Causton, Composer
Birmingham Contemporary Music Group Gerry Cornelius, Conductor Richard Causton, Composer |
As Kingfishers Catch Fire |
Richard Causton, Composer
Birmingham Contemporary Music Group Gerry Cornelius, Conductor Richard Causton, Composer |
The Persistence of Memory |
Richard Causton, Composer
Birmingham Contemporary Music Group Gerry Cornelius, Conductor Richard Causton, Composer |
Chamber Symphony |
Richard Causton, Composer
Birmingham Contemporary Music Group Richard Causton, Composer Ryan Wigglesworth, Composer |
Author: Jed Distler
Notturno’s spacious, introspective first two movements feature memorably evocative solo passages for piano and viola supported by billowy ensemble chording that shifts around to subtle effect. But don’t get too relaxed, for the third movement’s opening will wake you up with its busy low-register piano activity and percussive string rejoinders. As Kingfishers Catch Fire is scored for flute, clarinet, harp and string quartet, and its twisted, deconstructed faux-Renaissance evocations are underlined by intimate, close-up sound that brings the listener within licking distance of the instruments, adding intensity to note attacks during the energetic harp and pizzicato string interplay midway through the piece. By contrast, The Persistence of Memory’s sparse textures and delicate scoring will either hold the listener in rapt suspense or convey a static aura, depending on one’s listening mood.
Imagine the musical equivilant of TV channel-surfing where one changes stations every minute or so, and you’ll understand the alternating bold and gentle gestures that give the 24-minute Chamber Symphony a feeling of controlled discontinuity. The composer’s huge dynamic contrasts and complex rhythms obviously pose no problems in performances that stand out for their executional finesse, painstaking balances and commitment.
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