CHILCOTT Circlesong
View record and artist detailsRecord and Artist Details
Genre:
Vocal
Label: Signum Classics
Magazine Review Date: 02/2022
Media Format: CD or Download
Media Runtime: 56
Mastering:
DDD
Catalogue Number: SIGCD703
Tracks:
Composition | Artist Credit |
---|---|
Circlesong |
Robert Chilcott, Composer
Andrea Mut, Piano Houston Chamber Choir Jessica Myers, Piano Leonardo Soto, Percussion Mark Stein, Percussion Matt Richards, Percussion Richard Brown, Percussion Robert Simpson, Conductor Treble Choir of Houston |
All Things Pass |
Robert Chilcott, Composer
Andrea Mut, Piano Marianna Parnas-Simpson, Conductor Treble Choir of Houston |
Circles of Motion |
Robert Chilcott, Composer
Andrea Mut, Piano Marianna Parnas-Simpson, Conductor Treble Choir of Houston |
Like a Rainbow |
Robert Chilcott, Composer
Andrea Mut, Piano Marianna Parnas-Simpson, Conductor Treble Choir of Houston |
Walking the red road |
Robert Chilcott, Composer
Houston Chamber Choir Robert Simpson, Conductor |
Author: Malcolm Riley
Circlesong is an extended cantata for upper voices, mixed choir, two pianos and percussion, and is a revision dating from 2019 of an earlier work originally composed in 2003 for the Birmingham Festival Chorus and City of Birmingham Young Voices. This work is itself a development from his experience of writing three earlier songs for upper voices (Like a rainbow, Circles of motion and All things pass, all recorded here), taking texts from a variety of North American First Nation poets, moulded into what the composer terms a ‘life-cycle’ piece. Its 17 movements run as a sequence loosely modelled on the Seven Ages of Man: birth, childhood, lover, adulthood, middle age, old age and death.
As with much of Chilcott’s work, the writing for voices is exquisitely handled, equally satisfying for both singer and listener. The greatest technical challenges occur in the a cappella 11th movement, ‘In the house made of dawn’, a Navajo setting, with its shimmering hypnotising clusters in the upper voices – a moment of transcendent beauty. In the 10th movement, ‘O great spirit’, the Pärt-like opening stillness builds into a luscious arch shape, with long pedal notes gently rolling beneath two-against-three accompaniment patterns in the upper piano part. It should be noted that the writing for the two pianists is another highlight of this deeply impressive work. Equally breathtaking are infectious, fast-moving numbers such as the ‘Chinook songs’ (track 7) – a popular ‘hit’ if ever there was one – and ‘Summer song’ (track 9), where the percussion adds sparkle and pizzazz aplenty. Praise also to the young soprano Ella Theurer, whose short solos in two movements are affecting and unforced. Robert Simpson handles his well-drilled forces with aplomb, aided by superb support from his sextet of pianists and percussionists. To highlight the flawless choral blend, try track 3, the unaccompanied ‘Newborn’.
How I should love to hear these forces in Chilcott’s Songs and Cries of London Town, an 18-minute ‘capital cantata’, which would have made a perfect complement. There is room on the physical disc. Still, Circlesong makes for a stimulating and highly enjoyable hour’s music just as it is.
Discover the world's largest classical music catalogue with Presto Music.
Gramophone Digital Club
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £8.75 / month
SubscribeGramophone Full Club
- Print Edition
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £11.00 / month
Subscribe
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.