Jan DeGaetani - Early Music Recital
View record and artist detailsRecord and Artist Details
Composer or Director: John Dowland, Anonymous, Luzzasco Luzzaschi, Oswald von Wolkenstein, Hayne van Ghizeghem, Giulio Caccini, Donatus de Florentia
Label: Bridge
Magazine Review Date: 7/1999
Media Format: CD or Download
Media Runtime: 50
Mastering:
ADD
Catalogue Number: BCD9087
Tracks:
Composition | Artist Credit |
---|---|
(The) First Book of Songs or Ayres, Movement: Who euer thinks or hopes of loue for loue |
John Dowland, Composer
Jan DeGaetani, Mezzo soprano John Dowland, Composer Judith Davidoff, Viola da gamba Paul O'Dette, Lute |
(The) First Book of Songs or Ayres, Movement: Can she excuse my wrongs with vertues cloake (= The Earl of Essex Galliard) |
John Dowland, Composer
Jan DeGaetani, Mezzo soprano John Dowland, Composer Judith Davidoff, Viola da gamba Paul O'Dette, Lute |
(The) First Book of Songs or Ayres, Movement: Deare if you change ile neuer chuse againe |
John Dowland, Composer
Jan DeGaetani, Mezzo soprano John Dowland, Composer Judith Davidoff, Viola da gamba Paul O'Dette, Lute |
(The) First Book of Songs or Ayres, Movement: All ye whom loue or fortune hath betraide |
John Dowland, Composer
Jan DeGaetani, Mezzo soprano John Dowland, Composer Judith Davidoff, Viola da gamba Paul O'Dette, Lute |
Consort Music, Movement: Sorrow stay |
John Dowland, Composer
Jan DeGaetani, Mezzo soprano John Dowland, Composer Paul O'Dette, Lute |
(The) Second Booke of Songs or Ayres, Movement: A Sheperd in a shade his plaining made |
John Dowland, Composer
Jan DeGaetani, Mezzo soprano John Dowland, Composer Paul O'Dette, Lute |
Sovran uccello se'fra tutti gli altri |
Donatus de Florentia, Composer
Donatus de Florentia, Composer Jan DeGaetani, Mezzo soprano Paul O'Dette, Lute |
De tous bien playne |
Hayne van Ghizeghem, Composer
Hayne van Ghizeghem, Composer Paul O'Dette, Lute |
Amors amors |
Hayne van Ghizeghem, Composer
Hayne van Ghizeghem, Composer Jan DeGaetani, Mezzo soprano Paul O'Dette, Lute |
Aura soave |
Luzzasco Luzzaschi, Composer
Jan DeGaetani, Mezzo soprano Luzzasco Luzzaschi, Composer Paul O'Dette, Lute |
Amarilli mia bella |
Giulio Caccini, Composer
Giulio Caccini, Composer Jan DeGaetani, Mezzo soprano Judith Davidoff, Viola da gamba Paul O'Dette, Lute |
Belle rose porpurine |
Giulio Caccini, Composer
Giulio Caccini, Composer Jan DeGaetani, Mezzo soprano Paul O'Dette, Lute |
Stand auf Maredel |
Oswald von Wolkenstein, Composer
Jan DeGaetani, Mezzo soprano Oswald von Wolkenstein, Composer Paul O'Dette, Lute |
(Der) Mai mit lieber Zal |
Oswald von Wolkenstein, Composer
Jan DeGaetani, Mezzo soprano Oswald von Wolkenstein, Composer Paul O'Dette, Lute |
Ach, senleiches leiden |
Oswald von Wolkenstein, Composer
Jan DeGaetani, Mezzo soprano Oswald von Wolkenstein, Composer Paul O'Dette, Lute |
Du, auserweltes schöns mein herz |
Oswald von Wolkenstein, Composer
Jan DeGaetani, Mezzo soprano Oswald von Wolkenstein, Composer Paul O'Dette, Lute |
Wer die augen wil verschüren |
Oswald von Wolkenstein, Composer
Jan DeGaetani, Mezzo soprano Oswald von Wolkenstein, Composer Paul O'Dette, Lute |
Fröleich geschrai so well wir machen |
Oswald von Wolkenstein, Composer
Jan DeGaetani, Mezzo soprano Oswald von Wolkenstein, Composer Paul O'Dette, Lute |
Filles a marier |
Anonymous, Composer
Anonymous, Composer Jan DeGaetani, Mezzo soprano Judith Davidoff, Viola da gamba Paul O'Dette, Lute Philip West, Shawm |
Author:
Dowland’s sorrow doth indeed stay, Amarilli’s beauty is portrayed most delicately, and Donatus’s bird flies with graceful freedom. The six songs of Oswald von Wolkenstein are in themselves worth the price of the disc: the mischievousness of
DeGaetani’s is a remarkable voice, served by sensitive control, adaptable to all the stylistic variety herein, sweetly floating or forthright with a nasal tang, as appropriate, with an agile tongue and excellent pronunciation of ‘foreign’ languages. The instrumentalists provide enhancing and splendidly executed changes of backcloth. Here is artistry with which I have fallen in love – and probably would have done even if it had not been so very well recorded. Only one slight niggle: translations of the texts, not least the archaic German ones, would have been welcome even to those who are not entirely linguistically challenged.
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