Johanna Gadski, Vol 1
View record and artist detailsRecord and Artist Details
Composer or Director: Richard Strauss, Robert Franz, Frank La Forge, Amy Marcy (Cheney) Beach, Robert Schumann, Richard Wagner, Franz Schubert, Arthur Foote, Gioachino Rossini, Pietro Mascagni, Giuseppe Verdi, Charles-François Gounod, Bedřich Smetana
Label: Marston
Magazine Review Date: 2/1998
Media Format: CD or Download
Media Runtime: 137
Mastering:
ADD
Catalogue Number: 52002-2
Tracks:
Composition | Artist Credit |
---|---|
Tannhäuser, Movement: Dich teure Halle (Elisabeth's Greeting) |
Richard Wagner, Composer
Anonymous Pianist(s), Piano Johanna Gadski, Soprano Richard Wagner, Composer |
(Der) Ring des Nibelungen: Part 2, '(Die) Walküre' |
Richard Wagner, Composer
Anonymous Pianist(s), Piano Johanna Gadski, Soprano Richard Wagner, Composer |
Aida |
Giuseppe Verdi, Composer
Anonymous Pianist(s), Piano Giuseppe Verdi, Composer Johanna Gadski, Soprano |
Du bist die Ruh |
Franz Schubert, Composer
Anonymous Pianist(s), Piano Franz Schubert, Composer Johanna Gadski, Soprano |
Lohengrin, Movement: Einsam in trüben Tagen (Elsa's Dream) |
Richard Wagner, Composer
Anonymous Pianist(s), Piano Johanna Gadski, Soprano Richard Wagner, Composer |
Myrthen, Movement: No. 3, Der Nussbaum (wds. Mosen) |
Robert Schumann, Composer
Anonymous Pianist(s), Piano Johanna Gadski, Soprano Robert Schumann, Composer |
(12) Lieder, Movement: Aus meinen grossen Schmerzen (wds. Heine) |
Robert Franz, Composer
Anonymous Pianist(s), Piano Johanna Gadski, Soprano Robert Franz, Composer |
(12) Lieder, Movement: Liebchen ist da (wds. Schröer) |
Robert Franz, Composer
Anonymous Pianist(s), Piano Johanna Gadski, Soprano Robert Franz, Composer |
Ave Maria |
Charles-François Gounod, Composer
Anonymous Pianist(s), Piano Charles-François Gounod, Composer Johanna Gadski, Soprano |
Erlkönig |
Franz Schubert, Composer
Frank la Forge, Piano Franz Schubert, Composer Johanna Gadski, Soprano |
Verborgene Wunden |
Frank La Forge, Composer
Frank la Forge, Piano Frank La Forge, Composer Johanna Gadski, Soprano |
Like the rose bud |
Frank La Forge, Composer
Frank la Forge, Piano Frank La Forge, Composer Johanna Gadski, Soprano |
Tannhäuser, Movement: Allmächt'ge Jungfrau (Elisabeth's Prayer) |
Richard Wagner, Composer
Johanna Gadski, Soprano Richard Wagner, Composer Victor Orchestra |
Tristan und Isolde, Movement: Mild und leise (Liebestod) |
Richard Wagner, Composer
Johanna Gadski, Soprano Richard Wagner, Composer Victor Orchestra |
Stabat mater, Movement: Inflammatus et accensus |
Gioachino Rossini, Composer
Gioachino Rossini, Composer Johanna Gadski, Soprano Victor Orchestra |
Myrthen, Movement: No. 1, Widmung (wds. Rückert) |
Robert Schumann, Composer
Frank la Forge, Piano Johanna Gadski, Soprano Robert Schumann, Composer |
(6) Lieder, Movement: No. 2, Ständchen |
Richard Strauss, Composer
Frank la Forge, Piano Johanna Gadski, Soprano Richard Strauss, Composer |
How much I love you |
Frank La Forge, Composer
Frank la Forge, Piano Frank La Forge, Composer Johanna Gadski, Soprano |
(3) Browning Songs, Movement: No. 1, The year's at the spring |
Amy Marcy (Cheney) Beach, Composer
Amy Marcy (Cheney) Beach, Composer Frank la Forge, Piano Johanna Gadski, Soprano |
Schwanengesang, 'Swan Song', Movement: No. 4, Ständchen |
Franz Schubert, Composer
Frank la Forge, Piano Franz Schubert, Composer Johanna Gadski, Soprano |
Gretchen am Spinnrade |
Franz Schubert, Composer
Frank la Forge, Piano Franz Schubert, Composer Johanna Gadski, Soprano |
(Der) Fliegende Holländer, '(The) Flying Dutchman', Movement: Joho hoe! Traft ihr das Schiff |
Richard Wagner, Composer
Johanna Gadski, Soprano Richard Wagner, Composer Victor Orchestra |
(Die) Meistersinger von Nürnberg, '(The) Masters, Movement: Selig wie die Sonne (Quintet) |
Richard Wagner, Composer
Albert Reiss, Tenor Ellison Van Hoose, Tenor Johanna Gadski, Soprano Marcel Journet, Bass Marie Mattfied, Mezzo soprano Richard Wagner, Composer Victor Orchestra |
Cavalleria rusticana, Movement: Voi lo sapete |
Pietro Mascagni, Composer
Johanna Gadski, Soprano Pietro Mascagni, Composer Victor Orchestra |
Irish folk song |
Arthur Foote, Composer
Arthur Foote, Composer Johanna Gadski, Soprano Victor Orchestra |
(The) Bartered Bride, Movement: Are you really so stubborn? |
Bedřich Smetana, Composer
Anonymous Pianist(s), Piano Albert Reiss, Tenor Bedřich Smetana, Composer Johanna Gadski, Soprano |
(Der) Ring des Nibelungen: Part 2, '(Die) Walküre', Movement: Nicht sehre dich Sorgen |
Richard Wagner, Composer
Johanna Gadski, Soprano Richard Wagner, Composer Victor Orchestra |
(Der) Ring des Nibelungen: Part 2, '(Die) Walküre', Movement: War es so schmählich |
Richard Wagner, Composer
Johanna Gadski, Soprano Richard Wagner, Composer Victor Orchestra |
Tristan und Isolde, Movement: Prelude |
Richard Wagner, Composer
Johanna Gadski, Soprano Richard Wagner, Composer Victor Orchestra |
Salome |
Richard Strauss, Composer
Richard Strauss, Composer |
(Der) Ring des Nibelungen: Part 4, 'Götterdämmerung', Movement: Fliegt heim, ihr Raben! |
Richard Wagner, Composer
Johanna Gadski, Soprano Richard Wagner, Composer Victor Orchestra |
(Der) Ring des Nibelungen: Part 3, 'Siegfried', Movement: Ewig war ich, ewig bin ich |
Richard Wagner, Composer
Johanna Gadski, Soprano Richard Wagner, Composer Victor Orchestra |
Author:
Most impressive, I would say, are the Wagner solos recorded in 1909. Brunnhilde’s plea is wonderfully eloquent, the voice caught with its wealth of shadings, the emotion both generous and restrained. The earlier passage, “Fort denn eile”, with Sieglinde’s great phrases included, was unpublished in its time and shows the necessary incisiveness. The lyric passage (“Ewig war ich”) from Siegfried is sung with passion and sensitivity, the final pages of the Immolation (“Fliegt heim”) with tremendous command and assurance. Fine, too, is Isolde’s exultant solo (“Dein Werk?”) and perhaps even more remarkable the short solo (“Jokanaan, ich bin verliebt”) from Salome. She was a genuine actress with the voice, as her Aida records make clear; also a Lieder singer who could encompass a heartfelt intensity of expression in Gretchen am Spinnrade and an exquisite refinement of touch in Strauss’s Standchen.
This first volume, which goes to the end of 1909, contains the Aida duets with Caruso and Louise Homer (both magnificent) and the famous recording of the Quintet from Die Meistersinger in which the Hans Sachs (Marcel Journet) makes a mistake in timing and stays resolutely and disastrously out of step till the last chords. The delightful pay-off of this story is that they then made a second take where all went well – and the first was published! Transfers are excellent.'
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