Maria Cebotari (1910-49)
View record and artist detailsRecord and Artist Details
Composer or Director: Charles-François Gounod, Wolfgang Amadeus Mozart, Giacomo Puccini, Richard Strauss, Johann Strauss II, (Carl) Otto (Ehrenfried) Nicolai
Label: Preiser
Magazine Review Date: 12/1990
Media Format: CD or Download
Media Runtime: 54
Mastering:
Mono
ADD
Catalogue Number: 90034
Tracks:
Composition | Artist Credit |
---|---|
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: ~ |
Wolfgang Amadeus Mozart, Composer
Josef Krips, Conductor Maria Cebotari, Soprano Philharmonia Orchestra Wolfgang Amadeus Mozart, Composer |
Don Giovanni, Movement: ~ |
Wolfgang Amadeus Mozart, Composer
Herbert von Karajan, Conductor Maria Cebotari, Soprano Vienna Philharmonic Orchestra Wolfgang Amadeus Mozart, Composer |
(Die) Lustigen Weiber von Windsor, '(The) Merry Wives of Windsor', Movement: Nun eilt herbei |
(Carl) Otto (Ehrenfried) Nicolai, Composer
(Carl) Otto (Ehrenfried) Nicolai, Composer Felix Prohaska, Conductor Maria Cebotari, Soprano Vienna Philharmonic Orchestra |
(Der) Zigeunerbaron, '(The) Gipsy Baron', Movement: So elend und so treu |
Johann Strauss II, Composer
Herbert von Karajan, Conductor Johann Strauss II, Composer Maria Cebotari, Soprano Vienna Philharmonic Orchestra |
Faust, Movement: ~ |
Charles-François Gounod, Composer
Charles-François Gounod, Composer Felix Prohaska, Conductor Maria Cebotari, Soprano Vienna Philharmonic Orchestra |
(La) Bohème, 'Bohemian Life', Movement: Sì. Mi chiamano Mimì |
Giacomo Puccini, Composer
Berlin State Opera Orchestra Fritz Zweig, Conductor Giacomo Puccini, Composer Marcel Wittrisch, Tenor Maria Cebotari, Soprano |
(La) Bohème, 'Bohemian Life', Movement: O soave fanciulla |
Giacomo Puccini, Composer
Berlin State Opera Orchestra Fritz Zweig, Conductor Giacomo Puccini, Composer Marcel Wittrisch, Tenor Maria Cebotari, Soprano |
Madama Butterfly, Movement: Un bel dì vedremo |
Giacomo Puccini, Composer
Felix Prohaska, Conductor Giacomo Puccini, Composer Maria Cebotari, Soprano Vienna Philharmonic Orchestra |
Madama Butterfly, Movement: ~ |
Giacomo Puccini, Composer
Felix Prohaska, Conductor Giacomo Puccini, Composer Maria Cebotari, Soprano Vienna Philharmonic Orchestra |
Ariadne auf Naxos, Movement: ~ |
Richard Strauss, Composer
Herbert von Karajan, Conductor Maria Cebotari, Soprano Richard Strauss, Composer Vienna Philharmonic Orchestra |
Author: Alan Blyth
She recorded quite extensively for Electrola before the war, then for HMV after it. All but two of the titles here are from the later sessions, all of them taking place in Vienna. Never before issued here is a thrilling ''Or sai chi l'onore'', probably made at the same session as the admirable ''Non mi dir'', both conducted by Karajan. In these, and in ''Dove sono'', she reveals her Mozartian credentials in strongly limned, vibrant singing, not always technically perfect but always individual in utterance. The same can be said of her ebullient account of Frau Fluth's aria and Saffi's ''So elend und so treu''. Marguerite's waltz doesn't suit her. Butterfly certainly does; it was one of her most important roles and she encompasses all Cio-Cio-San's sad illusions in a moving ''Un bel di'' and her fatal desperation in ''Con onor muore''. But the best of her HMVs was undoubtedly her finely moulded, expressive and eventually soaring account of Ariadne's Monologue, sensuously accompanied by Karajan. The record first appeared a month after her death, a fitting memorial to an endearing artist, whose nearest counterpart today is her fellow Romanian, Julia Varady, who conveys the same sort of wholehearted conviction in a similar repertory.
The two La boheme items come from Cebotari's earliest sessions in 1932 and show the fresh charm of the voice; so does the duet with the ardent Wittrisch. As the disc runs for only 54 minutes room could easily have been found for other of her early records, for instance her splendid account of Violetta's scene and/or the love duet (with Ernst Groh) from Butterfly and some of her lovely records of song, such as Albaieff's The Nightingale and Arditi's Il bacio, but what we have is enough to confirm Cebotari's place among the immortals.'
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