Rachmaninov Complete Symphonies and Orchestral Works
A handsome memento of Ashkenazy’s acclaimed 2007 Rachmaninov Festival
View record and artist detailsRecord and Artist Details
Composer or Director: Sergey Rachmaninov
Genre:
Orchestral
Label: Exton
Magazine Review Date: 4/2009
Media Format: CD or Download
Media Runtime: 0
Mastering:
Stereo
DDD
Catalogue Number: EXCL00018
Tracks:
Composition | Artist Credit |
---|---|
Symphony No. 1 |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
Symphony, 'Youth' |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
Symphony No. 2 |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
Caprice bohémien (Capriccio on gypsy themes) |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
Symphony No. 3 |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
(The) Isle of the dead |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
Vocalise |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
Symphonic Dances (orch) |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
(The) Rock |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
Prince Rostislav |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
Aleko, Movement: Introduction |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
Aleko, Movement: Gipsy Girls' dance |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
Aleko, Movement: Men's dance |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
Aleko, Movement: Intermezzo |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
(9) Etudes-tableaux, Movement: No. 2 in A minor |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
(9) Etudes-tableaux, Movement: No. 7 in E flat |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
(9) Etudes-tableaux, Movement: No. 7 in C minor |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
(9) Etudes-tableaux, Movement: No. 6 in A minor |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
(9) Etudes-tableaux, Movement: No. 9 in D |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
Scherzo |
Sergey Rachmaninov, Composer
Sergey Rachmaninov, Composer Sydney Symphony Orchestra Vladimir Ashkenazy, Conductor |
Author: Andrew Achenbach
Some alarmingly audible platform noise early on in the First Symphony (the sole comparative misfire in the whole enterprise) does not bode well but mercifully proves an isolated disturbance. The audience is commendably (almost spookily) quiet throughout; applause has been excised. The Sydney Opera House acoustic is not, in all truthfulness, of the most accommodating in terms of breathing-space and enticing glow: balance is closer than one would ideally wish, there’s a want of airy bloom (string tone is the biggest casualty) and tuttis acquire a certain unflattering tubbiness. Nor, of course, can Ashkenazy’s band muster the fabulous composure, superfine blend and bombproof discipline of the incomparable Amsterdam Concertgebouw on his earlier Decca series (7/96), but there’s absolutely nothing slipshod about their contribution, and they respond with a bighearted honesty and commitment that count for a very great deal.
For me the set’s plum has to be the Second Symphony, which I found utterly engrossing in its natural ebb and flow (Ashkenazy’s control of rubato is as organic as it is shapely), tender vulnerability, unassuming cogency and sheer integrity – in which respects it (unexpectedly) put me in mind of Vernon Handley’s similarly lucid, eloquent and humane 1994 RPO recording (a little-known gem, all too briefly available on Tring International). In the Third the sparks don’t quite fly as they do on Ashkenazy’s own classic Decca account – to say nothing of the very fine Kogan and Vänskä versions that have recently come my way (1/09, 3/09) – but the generous spirit, wisdom and emotional candour on show are memorably affecting none the less.
Elsewhere, The Isle of the Dead enshrines another deeply compassionate conception, while the hugely involving traversal of the Symphonic Dances leaves the listener in no doubt of Ashkenazy’s comprehensive familiarity with, and rapt empathy for, this devastatingly powerful masterpiece. That the performance of the First Symphony only intermittently takes wing is all the more surprising, given how sympathetically Ashkenazy gauges the yearning lyricism and impulsive ardour of its seldom-played satellite creation, the Caprice bohémien. The remaining (mostly rare) extras benefit from Ashkenazy’s total identification with the idiom combined with the necessary sense of infectious discovery. I should also mention that Ashkenazy is a tasteful guide in matters of text: exposition repeats are observed (even in the prentice “Youth” Symphony – most welcome!), and you’ll encounter no unnecessary dollops of added percussion in the First Symphony.
So, a supremely enjoyable, if somewhat extravagant memento of what was clearly a rewarding retrospective; Rachmaninov/ Ashkenazy completists and diehards alike will find much to savour. Apparently Exton were also on hand to preserve this same team’s Elgar Festival last November, and after that we can expect further bumper helpings of Prokofiev and Mahler in 2009 and 2010.
Explore the world’s largest classical music catalogue on Apple Music Classical.
Included with an Apple Music subscription. Download now.
Gramophone Digital Club
- Digital Edition
- Digital Archive
- Reviews Database
- Events & Offers
From £9.20 / month
SubscribeGramophone Club
- Print Edition
- Digital Edition
- Digital Archive
- Reviews Database
- Events & Offers
From £11.45 / month
Subscribe
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.