SCHEIN Cymbalum Sionium
View record and artist detailsRecord and Artist Details
Composer or Director: Johann Hermann Schein
Genre:
Vocal
Label: Deutsche Harmonia Mundi
Magazine Review Date: 03/2016
Media Format: CD or Download
Media Runtime: 76
Mastering:
DDD
Catalogue Number: 88875 05144-2
Tracks:
Composition | Artist Credit |
---|---|
Cymbalium Sionium sive Cantiones sacrae |
Johann Hermann Schein, Composer
(La) Capella Ducale Johann Hermann Schein, Composer Musica Fiata Roland Wilson, Conductor |
Author: David Vickers
These range in scale from madrigalian six-part psalms up to grand Venetian-style polychoral motets, such as the thrilling 12-part Easter motet Quem quaeris Magdalena that concludes the programme. The Christmas motet Ehr sein Gott in der Höh’ allein uses high solo voices separated by a little distance (and accompanied by plucked instruments) to illustrate the angels singing to the shepherds, whereas the remarks of the worshippers below are reinforced rustically by low instruments. The most extensive psalm-setting here is the compelling Gott sei mir gnädig (essentially the German ‘Miserere, mei Deus’); almost every verse features a different combination of two or three solo voices before culminating in a solemn doxology for all six voices doubled by cornetts, viola and sackbuts. Some simpler vernacular motets have music that is more sparingly disposed yet harmonically inventive, akin to Schein’s more often-recorded collection Israelis Brünlein (1623).
From time to time uneven vocal tuning undermines the singers’ excellent articulation, phrasing, blend, rhythmical incisiveness and clarity of diction; fuzzy intonation from the upper voices during Quem vidistis, pastores is a distraction. On the other hand, the boldly overlapping polyphony at the climax of the eight-part Laetatus sum is spot-on, and anyone who admires Schütz’s Psalms of David (1619) will reap a rewarding harvest from Schein’s neglected counterpart.
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