TALLIS Spem in alium

Record and Artist Details

Composer or Director: Thomas Tallis

Genre:

Vocal

Label: Hyperion

Media Format: CD or Download

Media Runtime: 76

Mastering:

DDD

Catalogue Number: CDA68156

CDA68156. TALLIS Spem in alium

Tracks:

Composition Artist Credit
In jejunio et fletu Thomas Tallis, Composer
(The) Cardinall's Musick
Andrew Carwood, Director
Thomas Tallis, Composer
Blessed are those that be undefiled Thomas Tallis, Composer
(The) Cardinall's Musick
Andrew Carwood, Director
Thomas Tallis, Composer
Purge me, O Lord Thomas Tallis, Composer
(The) Cardinall's Musick
Andrew Carwood, Director
Thomas Tallis, Composer
Spem in alium Thomas Tallis, Composer
(The) Cardinall's Musick
Andrew Carwood, Director
Thomas Tallis, Composer
God grant we grace Thomas Tallis, Composer
(The) Cardinall's Musick
Andrew Carwood, Director
Thomas Tallis, Composer
O Lord, open thou our lips Thomas Tallis, Composer
(The) Cardinall's Musick
Andrew Carwood, Director
Thomas Tallis, Composer
Wherewithal shall a young man cleanse his way? Thomas Tallis, Composer
(The) Cardinall's Musick
Andrew Carwood, Director
Thomas Tallis, Composer
O do well unto thy servant Thomas Tallis, Composer
(The) Cardinall's Musick
Andrew Carwood, Director
Thomas Tallis, Composer
My soul cleaveth to the dust Thomas Tallis, Composer
(The) Cardinall's Musick
Andrew Carwood, Director
Thomas Tallis, Composer
Short Service 'Dorian Service' Thomas Tallis, Composer
(The) Cardinall's Musick
Andrew Carwood, Director
Thomas Tallis, Composer
The Lord be with you Thomas Tallis, Composer
(The) Cardinall's Musick
Andrew Carwood, Director
Thomas Tallis, Composer
O sacrum convivium Thomas Tallis, Composer
(The) Cardinall's Musick
Andrew Carwood, Director
Thomas Tallis, Composer
Remember not, O Lord God Thomas Tallis, Composer
(The) Cardinall's Musick
Andrew Carwood, Director
Thomas Tallis, Composer
Hear the voice and prayer Thomas Tallis, Composer
(The) Cardinall's Musick
Andrew Carwood, Director
Thomas Tallis, Composer
Verily, verily say I unto you Thomas Tallis, Composer
(The) Cardinall's Musick
Andrew Carwood, Director
Thomas Tallis, Composer
O Lord, in thee is all my trust Thomas Tallis, Composer
(The) Cardinall's Musick
Andrew Carwood, Director
Thomas Tallis, Composer
Hodie nobis caelorum Rex Thomas Tallis, Composer
(The) Cardinall's Musick
Andrew Carwood, Director
Thomas Tallis, Composer
Sing and glorify heaven's high majesty Thomas Tallis, Composer
(The) Cardinall's Musick
Andrew Carwood, Director
Thomas Tallis, Composer
With Spem in alium (or, in its English guise, Sing and glorify), The Cardinall’s Musick conclude their Tallis explorations in style. The programming is on a par with the best instalments of the series: the placing of the lovely miniature God grant with grace just after the monumental Spem is very moving, and this In ieiunio is as fine an account of it as I can recall.

The rest of the recital alternates rarely heard selections (though I can do without the sets of Preces and Responses) and more familiar selections (O sacrum convivum, for instance), but naturally one’s interest gravitates toward Spem. As far as I’m aware, only one other recording (by I Fagiolini) has appeared since I surveyed its discography in the round in 2010, and this one also adds a new twist: the well-known contemporary report of its first performance, which suggests that it took place in a large hall rather than a church, sanctions the comparatively dry acoustic heard here. (If memory serves, the only other acoustic as dry as this is Michael Tippett’s with the Morley College Choir from 1948). Without the sonic ‘glue’ afforded them by lengthy reverberation, Carwood’s ensemble give the sense of an unfolding tapestry, and the sound recording holds detail and monumentality in fine balance (barring some strange ringing overtones at 2'32"). Some impetus is lost in the opening ‘Mexican wave’, but the first tutti grows organically out of what preceded, and the build-up preceding the pause at ‘in tribulatione’ is very nicely managed. But, apart from the awesome initial arrival on ‘Respice’, it’s a seamless rather than a dramatic view of Spem.

The only disappointment is that the English version, which concludes the disc, is not more contrasted in approach. Spem was revived for the inaugurations as Princes of Wales of both of James I’s sons early in the following century, but despite a slightly faster tempo, the celebratory overtones are not captured as thrillingly as on The Sixteen’s most recent account for Coro, which also gives both versions alongside each other.

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