Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Franck was a very late developer who arguably only found his real voice when he was approaching 60 and had...
Reviewed by Christopher Headington in issue: 7/1991
A new recording was badly needed, and I'm afraid it still is. This is one of the masterpieces of classical...
Reviewed in issue 7/1984
I doubt whether anyone would dispute Haarlem's claim to possess one of the very finest organs in the world. It...
Reviewed by Marc Rochester in issue: 10/1992
A ‘secular oratorio’ was how Schumann, then 33, summarized Das Paradies und die Peri, his first major choral work, with...
Reviewed by Joan Chissell in issue: 13/1999
While not wishing in any way to mislead readers, I should start by saying, unequivocally, that “the less said about...
Reviewed in issue 9/1998
This is an effective, but slightly odd coupling of composers, since all the Howells is available from Margaret Fingerhut and...
Reviewed by Peter Dickinson in issue: 11/1996
Fans of Eric Coates and Sir Adrian Boult are in for a field-day as Lyrita at long last restores to...
Reviewed by Andrew Achenbach in issue: 5/2007
Ozawa's 1812 is certainly exciting and very well played. It has plenty of thrust, yet the Berlin Philharmonic strings obviously...
Reviewed by Ivan March in issue: 1/1986
Serge Nigg and Michel Philippot are French composers of the Boulez generation who, these recent string quartets suggest, are guilty...
Reviewed by Arnold Whittall in issue: 9/1989
An excellent idea to package together one each of the concertos Mozart wrote for the most likely wind soloists of...
Reviewed in issue 9/1985
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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