Features
Liz Dilnot Johnson: shifting perceptions
Addressing a political hot potato, Liz Dilnot Johnson's Requiem for refugees, commissioned by Ex...
Olivier Latry: the go-between
The energy and passion that organist Olivier Latry brings to his artistry is derived from the...
Full circle: Bernhardt Edskes and a 1960s Metzler organ
The enlargement of a 1960s Metzler organ in the Netherlands has bookended the career of the late...
Delphian Records: every step of the way
Now ranking as one of the most successful independent labels in the world, Edinburgh-based Delphian...
David Hill In conversation with…Masaaki Suzuki, Founder-director of Bach Collegium Japan
'It's a pity organists can so often seem isolated from the wider musical world'
Cydonie Banting - Introit for organ
Cydonie Banting talks to Matthew Power about her commission for solo organ, and how her composing...
Grandeur without bombast: designing a cathedral-size English organ in Connecticut
Risk-taking has paid off in the design of a cathedral-size English organ in Connecticut, writes...
David Hill in conversation with... Andrew Nethsingha
Incoming organist and master of the choristers, Westminster Abbey, Andrew Nethsingha
Kristina Arakelyan - Te Lucis Ante Terminum
Growing up in Armenia, Kristina Arakelyan lived side-by-side with Orthodox liturgy. She talks to...
The Choir of King's College London: capital assets
Though King's College London is not even 200 years old, its list of alumni reads like a Who's Who of...
David Hill in conversation with... Laurence Equilbey (founder-director of Accentus chamber choir)
'We are proud to be part of the rightful restoration of the place of female creators in musical...
David Hill In conversation with … Simon Halsey
'I really miss Gibbons and Byrd as my career has been made up of preparing works from Mozart's...
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