Introducing the Summer 2025 issue of International Piano, featuring Joseph Moog
Joseph Moog: returning to his roots with gems from the belle époque
News & Features
Festivals Guide | Summer 2025
Jonathon Brown peruses summer festival schedules and rummages through his sock drawer for his passport
Nuts and bolts of piano technique | Broken chords
A manual breaking down aspects of piano technique with practical advice and step-by-step guidance for players of all standards
Archive focus | Michel Béroff
Jonathan Dobson listens to the distinctive EMI legacy of the French pianist Michel Béroff, who turns 75 this year
Win a free copy of Pianoteq PRO worth £399
Enter our competition to win a copy of the award-winning virtual instrument for pianists, composers and recording studios
Repertoire guide | Rzewski’s The People United Will Never Be Defeated
Jed Distler works his way through the recorded versions of a 20th-century piano masterpiece, marking the 50th anniversary of its composition, and recommends his favourite versions
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Reviews
Shostakovich: The Piano Concertos; Solo Works
'Yuja Wang’s performances are of a wholly individual character and brilliance that discourages comparison'
Beethoven: Kavatine – Sonatas Op 109, Op 110, Op 111
'There’s no denying his clarity: fingerwork is immaculate (passagework, trills and tremolos are unfailingly neat) and textures are lucid'
Haochen Zhang plays Beethoven & Liszt
'Haochen Zhang's precision is stunning – the bounce he brings to the streams of notes in the finale of the Beethoven, the clarity he gives to the bel canto filigree in the Liszt, the assured voicing...
Bartók
'Her fifth album for Rubicon finds Sonya Bach as attuned to the music of Bartók as she was to that of Chopin, Rachmaninov and Mussorgsky on previous releases'
Medtner: Sonata-Ballade, Sonata-Idyll, Forgotten Melodies
'Emanuele Delucchi’s performances burn with conviction, affirming Medtner as a recondite genius beyond reductive labels'
Rachmaninov: Piano Sonatas Nos 1-2 & The Isle of the Dead
'Giltburg brings muscularity to Rachmaninov’s sonatas but sacrifices some of the music’s lyricism and rhythmic clarity, partly due to recording balance and interpretative choices'
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