Palazzetto Bru Zane was founded in 2006 for the research and development of neglected French scores. Now, as it prepares for a busy 2025 season, Stephen Pritchard explores the Venetian palazzetto from...
Performance anxiety tarnished Marina Costa-Jackson’s early career. But learning to live alongside it has transformed her experience on stage
Certain repertoire has the weight of history on its shoulders, but we should remember that previous singers were only interpreters
The male soprano Bruno de Sá reflects on the themes of identity, self-expression and emotional depth explored in his new album, Mille Affetti
Exploring the nuances of the character of Peter Grimes, tenor Issachah Savage suggests multiple parallels with our contemporary society and inner demons
For his debut album, baritone Huw Montague Rendall brings a new perspective to the roles that have helped him through challenging times in his life. Welcoming the full spectrum of emotion, the singer...
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An efficient and minimalist set underpins Oliver Mears's new productions of Leonard Bernstein’s rarely-performed operas
Theater Bonn's new production brings a highly comic account of Die Meistersinger, but with some disingenuous staging decisions
Music Director of the Academy of Ancient Music Laurence Cummings looks back on the history of French Baroque opera and considers why it is so neglected in the UK
The traditional operatic canon can still profoundly speak to us today
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