The Listening Room: Episode 64 (29.03.19)
The Listening Room
Thursday, March 28, 2019
For Piano Day 2019 (March 29 – a date chosen perhaps to take our minds, some chance, off other events), I’ve made this week’s playlist particularly piano-rich. Alongside two Romantic piano concertos – Chopin’s Second played by the hugely impressive Canadian pianist Charles Richard-Hamelin and Liszt’s First from the Korean Jae-Hyuck Cho (Juilliard-trained and an organist as well as pianist) recorded with the Royal Scottish National Orchestra on fine form – I’ve Ellen’s songs by Schubert sung by the light-voiced Anna-Lucia Richter and a couple of Brahms songs in a historic recording from the 1965 Salzburg Festival sung with gorgeous, burnished tone by Grace Bumbry.
‘Piano plus one’ also embraces the Elgar Violin Sonata played by Thomas Albertus Irnberger, a young Austrian player whose recordings for Gramola have been attracting attention. And for the same combination of violin and piano, a pre-release track finds Renaud Capuçon venturing into Baroque territory – a Bach Sonata for Violin and Keyboard – though in the company of the pianist David Fray who has already proved himself an impressive Bach player in a host of recordings for Erato. (Capuçon also appears on a pre-release track of the violin concerto, Les horizons perdus, by Guillaume Connesson, a French composer with a very appealing musical voice; he’s currently the Composer-in-Residence with the RSNO.)
‘Piano plus four’ brings a muscular new recording of the Shostakovich Piano Quintet, a work that’s been particularly lucky on record. Elisabeth Leonskaja joins the Artemis Quartet for that. And for the piano on its own, a Schubert Impromptu played by Khatia Buniatishvili – it’s a recording that’s going to divide people enormously because of Buniatishvili’s very withdrawn approach: beautiful or unbearably droopy – take your pick …
A handful of tracks without piano – a Michael Nyman piece transcribed for the viols of Fretwork, a haunting Sephardic song played by the recorder-player Dorothee Oberlinger and a Schubert overture played by the Copenhagen PO conducted by Lawrence Foster, always a safe pair of hands and here an impressive Schubertian.
Listen on:
The tracks:
Chopin Piano Concerto No 2
Charles Richard-Hamelin; Montreal Symphony Orchestra / Kent Nagano (Analekta)
Anonymous Sephardic Song
Dorothee Oberlinger (DHM) PRE-RELEASE TRACK
Schubert Ellens Gesänge I, II & III
Anna Lucia Richter; Gerold Huber (Pentatone)
Nyman (arr Boothby) Balancing the Books
Fretwork (Signum)
Shostakovich Piano Quintet
Elisabeth Leonskaja; Artemis Quartet (Erato)
Brahms Von ewige Liebe
Grace Bumbry; Beaumont Glass (Orfeo)
Liszt Piano Concerto No 1
Jae-Hyuck Cho; Royal Scottish National Orchestra / Adrien Perruchon (Sony Classical)
Schubert Overture in D, 'In the Italian Style'
Copenhagen Philharmonic Orchestra / Lawrence Foster (Pentatone)
Brahms An eine Äolsharfe
Grace Bumbry; Beaumont Glass (Orfeo)
Elgar Violin Sonata
Thomas Albertus Irnberger; Michael Korstick (Gramola)
Connesson Les horizons perdu – IV. Shangri-La 2
Renaud Capuçon; Brussels Philharmonic Orchestra / Stéphane Denève (DG) PRE-RELEASE TRACK
Schubert Impromptu, D899 No 1
Khatia Buniatishvili (Sony Classical)
JS Bach Sonata for Violin and Keyboard No 5 – II. Allegro
Renaud Capuçon; David Fray (Erato) PRE-RELEASE TRACK