Est 1923
Nigel Kennedy's recording of Elgar's Violin Concerto with the LPO and Vernon Handley won the Recording of the Year in 1985, but it was a vintage year with other prizes for Jorge Bolet, Bernard Haitink, Elisabeth Söderström, Neeme Järvi and more
Karajan's live recording of Mahler's Ninth took to top prize – Recording of the Year – at the 1984 Gramophone Classical Music Awards
Among the winning recordings in 1983 were Tippett's Triple Concerto, Bach's Mass in B minor, Boulez's Pli selon pli, and 'A feather on the breath of God'
Prokofiev’s most popular concerto has inspired a range of interpretations since the composer’s own 1932 recording. David Gutman picks the finest from a burgeoning discography
Pierre-Laurent Aimard has recorded the largest selection yet from György Kurtág’s Játékok, and in the presence of the composer, who recently turned 99. Peter Quantrill attended the sessions in Budapest to discuss the project with the pianist
As the Takács Quartet marks 50 glorious years, Lindsay Kemp hears from its players about the group’s extraordinary transformation, about expanding the repertoire in an inclusive way and about what it takes to be a superior quartettist
Sheku Kanneh-Mason’s new album marks a return to Shostakovich, with his Second Cello Concerto alongside other works connected with Rostropovich. He chats with Andrew Farach-Colton
If you are searching for an inspirational new recording, look no further. All of these outstanding classical albums were Editor's Choices in Gramophone magazine and are highly recommended.
Edward Gardner wrestles with Strauss’s darkest opera in a gripping new Chandos recording – and finds unsettling revelations in every bar
From Proms sensation to forgotten gem, this once-popular orchestral work's revival on record offers new life – despite its absence from the concert stage
Peter Quantrill reflects on the path taken so far by this Ukrainian master whose music is known for its serenity and transcendence
With a milestone birthday on the horizon, James Jolly meets the pianist Michel Béroff to find out how this French musician forged a major reputation with a broad repertoire
Some can’t understand how anyone can listen to classical music – or indeed any kind of music – on anything other than an expensive, high-end audio system. Andrew Everard begs to differ
Tim Parry reflects on the life and pianism of one of the greatest of all Soviet pianists, whose stature is at last recognised beyond his own country
There are so many excellent audio products available, and most work perfectly well together – but getting the synergy right unlocks the real magic
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