This list of 10 outstanding recordings is, perhaps unsurprisingly, dominated by two great Berlioz conductors: Sir Colin Davis and John Nelson. Nelson's recording of Les Troyens was Gramophone's Recording of the Year in 2018, and Nelson's accounts of Benvenuto Cellini and Béatrice et Bénédict are also included here. Davis's live Berlioz recordings with the LSO set many new musical benchmarks, and Roméo et Juliette, La damnation de faust and Harold en Italie join this list.
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DiDonato, Spyres, Lemieux; Strasbourg Philharmonic Choir and Orchestra / John Nelson
"This is a peach of a recording, with the strongest cast across the board of any Troyens recording setting a thrilling new benchmark for this epic opera."
Régine Crespin sop Suisse Romande Orchestra / Ernest Ansermet
"Crespin's Nuits d'été has always been the interpretation by which others have been assessed and, listening to it again, I see and hear no reason to challenge the verdict."
Karen Cargill mez Scottish Chamber Orchestra / Robin Ticciati
"With the love scene from Roméo et Juliette played with a shrewd sense of unfolding drama and with a radiance of sonority, this is a disc that offers three contrasting facets of Berlioz’s output in performances of exhilarating stature."
Tabea Zimmermann va London Symphony Orchestra / Colin Davis
"Yet again Sir Colin Davis demonstrates his supreme mastery as a Berlioz interpreter in this live recording made at the Barbican"
Robert Murray ten Gabrieli Consort and Players, Wroclaw Philharmonic Choir & Orchestra, Chetham's School of Music Brass Ensemble / Paul McCreesh
"The concept of Berlioz’s Requiem Mass may embrace a certain element of grandiosity but, listening to this performance, it is impossible to forget that Berlioz was a supreme orchestrator and a composer with a broad dramatic talent."
Anima Eterna / Jos van Immerseel
"For its combination of unique orchestral size and recording quality, and overall Werktreu-ness, this new performance sits easily alongside, maybe even slightly ahead of, the other authentic contenders."
Kunde, Ciofi, DiDonato; Orchestre National De France; Choeur De Radio France / John Nelson
"The recording engineers have done extraordinarily well in conveying so much detail even when matters are hurtling full tilt in the Roman Carnival scene and in the final casting of the Perseus. John Nelson steers it all with a sure hand and total conviction, and with delight. Here indeed is the ‘verve and vitality’ Berlioz always believed he had found."
Sabbatini, Shkosa, Pertusi; London Symphony Chorus & Orchestra / Colin Davis
"Not just the LSO but the London Symphony Chorus, too, are in searing form, and the recording brings out the detail of Berlioz’s orchestration with ideal transparency."
Texier, Viala, McNair; Lyon Opera Orchestra and Chorus / John Nelson
"Perhaps in the matter of excitement Davis and Baker between them had a special way of making the blood dance, but (listen to the Overture, for instance) Nelson achieves a fine clarity of texture and, even more than Davis, he makes the phrases 'speak'."
Barcellona, Tarver, Anastassov; London Symphony Orchestra & Chorus / Colin Davis
"The refinement of the sound this time, with orchestra and chorus set at a slight distance, brings pianissimos of breathtaking delicacy, focused in fine detail."