Top 10 Berlioz recordings

Gramophone Fri 15th March 2019

Ten great Berlioz recordings by Sir Colin Davis, John Nelson, Régine Crespin, Robin Ticciati and more

This list of 10 outstanding recordings is, perhaps unsurprisingly, dominated by two great Berlioz conductors: Sir Colin Davis and John Nelson. Nelson's recording of Les Troyens was Gramophone's Recording of the Year in 2018, and Nelson's accounts of Benvenuto Cellini and Béatrice et Bénédict are also included here. Davis's live Berlioz recordings with the LSO set many new musical benchmarks, and Roméo et Juliette, La damnation de faust and Harold en Italie join this list.

To read the greatest classical album reviews every month, subscribe to Gramophone magazine.

 

Berlioz Les Troyens

DiDonato, Spyres, Lemieux; Strasbourg Philharmonic Choir and Orchestra / John Nelson

(Erato)

"This is a peach of a recording, with the strongest cast across the board of any Troyens recording setting a thrilling new benchmark for this epic opera."

Read the review

 

Berlioz Les Nuits d'été

Régine Crespin sop Suisse Romande Orchestra / Ernest Ansermet

(Decca)

"Crespin's Nuits d'été has always been the interpretation by which others have been assessed and, listening to it again, I see and hear no reason to challenge the verdict."

Read the review

 

Berlioz Les Nuits d'été. Roméo et Juliette, Love scene. La Mort de Cléopâtre

Karen Cargill mez Scottish Chamber Orchestra / Robin Ticciati

(Linn Records)

"With the love scene from Roméo et Juliette played with a shrewd sense of unfolding drama and with a radiance of sonority, this is a disc that offers three contrasting facets of Berlioz’s output in performances of exhilarating stature."

Read the review

 

Berlioz Harold en Italie

Tabea Zimmermann va London Symphony Orchestra / Colin Davis

(LSO Live)

"Yet again Sir Colin Davis demonstrates his supreme mastery as a Berlioz interpreter in this live recording made at the Barbican"

Read the review

 

Berlioz Grande Messe des Morts

Robert Murray ten Gabrieli Consort and Players, Wroclaw Philharmonic Choir & Orchestra, Chetham's School of Music Brass Ensemble / Paul McCreesh

(Signum)

"The concept of Berlioz’s Requiem Mass may embrace a certain element of grandiosity but, listening to this performance, it is impossible to forget that Berlioz was a supreme orchestrator and a composer with a broad dramatic talent."

Read the review

 

Berlioz Symphonie fantastique

Anima Eterna / Jos van Immerseel

(Zig-Zag)

"For its combination of unique orchestral size and recording quality, and overall Werktreu-ness, this new performance sits easily alongside, maybe even slightly ahead of, the other authentic contenders."

Read the review

 

Berlioz Benvenuto Cellini

Kunde, Ciofi, DiDonato; Orchestre National De France; Choeur De Radio France / John Nelson

(Erato)

"The recording engineers have done extraordinarily well in conveying so much detail even when matters are hurtling full tilt in the Roman Carnival scene and in the final casting of the Perseus. John Nelson steers it all with a sure hand and total conviction, and with delight. Here indeed is the ‘verve and vitality’ Berlioz always believed he had found."

Read the review

 

Berlioz La damnation de faust

Sabbatini, Shkosa, Pertusi; London Symphony Chorus & Orchestra / Colin Davis

(LSO Live)

"Not just the LSO but the London Symphony Chorus, too, are in searing form, and the recording brings out the detail of Berlioz’s orchestration with ideal transparency."

Read the review

 

Berlioz Béatrice et Bénédict

Texier, Viala, McNair; Lyon Opera Orchestra and Chorus / John Nelson

(Warner Classics)

"Perhaps in the matter of excitement Davis and Baker between them had a special way of making the blood dance, but (listen to the Overture, for instance) Nelson achieves a fine clarity of texture and, even more than Davis, he makes the phrases 'speak'."

Read the review

 

Berlioz Roméo et Juliette

Barcellona, Tarver, Anastassov; London Symphony Orchestra & Chorus / Colin Davis

(LSO Live)

"The refinement of the sound this time, with orchestra and chorus set at a slight distance, brings pianissimos of breathtaking delicacy, focused in fine detail."

Read the review

 

Explore: 

Gramophone Subscriptions

From£67/year

Gramophone Print

Gramophone Print

no Digital Edition
no Digital Archive
no Reviews Database
no Events & Offers
From£67/year
Subscribe
From£67/year

Gramophone Reviews

Gramophone Reviews

no Print Edition
no Digital Edition
no Digital Archive
no Events & Offers
From£67/year
Subscribe
From£67/year

Gramophone Digital Edition

Gramophone Digital Edition

no Print Edition
no Reviews Database
no Events & Offers
From£67/year
Subscribe

If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.

© MA Business and Leisure Ltd. 2019