The best new classical albums: February 2019

Friday, January 25, 2019

Editor Martin Cullingford’s pick of the finest recordings from this month’s reviews

Recording of the Month

Schumann ‘Frage’ 

Christian Gerhaher bar Gerold Huber pf 

(Sony Classical)

Christian Gerhaher’s gently but touchingly dramatic approach to these songs is entrancing and deeply moving throughout – a highly auspicious way to begin a Schumann series. 

Read the review | Download from Qobuz


Dutilleux. LutosŁawski Cello Concertos 

Johannes Moser vc Berlin RSO / Thomas Søndergård 


Johannes Moser offer us remarkably visceral and vivid playing in these two 20th-century cello works. 

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Shostakovich. Kabalevsky Cello Sonatas 

Steven Isserlis vc Olli Mustonen pf 


Stylish playing, bursting with character throughout – but then what else would one expect from cellist Steven Isserlis and pianist Olli Mustonen?  

Read the review 


‘Blues Dialogues’

Rachel Barton Pine vn Matthew Hagle pf 


Violinist Rachel Barton Pine brings a compelling and completely convincing power and soul – not to mention virtuosity – to this fascinating programme. 

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JS Bach Solo Violin Sonatas and Partitas 

Giuliano Carmignola vn 


What an extradinary master of his instrument violinist Giuliano Carmignola is – the range of colour, of imagination, and of emotion makes this a Bach solo set to savour.

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Chaminade Piano Works 

Mark Viner pf 

(Piano Classics) 

The music of French composer Cécile Chaminade, not least as performed by the excellent Mark Viner, possesses charm aplenty. Evocative of an era, it here receives warm and welcome advocacy.  

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Arseny Tarasevich-Nikolaev pf 


‘As outstanding a recent debut recording as I can recall’, writes Jeremy Nicholas of Arseny Tarasevich-Nikolaev’s album; certainly his sure and eloquent skill and touch is hugely impressive indeed. 

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Audio Editor Andrew Everard writes: One might wonder just what ‘hi-res’ audio can bring to something as simple as solo piano, but this recording shows just what can be achieved: not only is there a greater impression of the weight and size of the instrument, but the sense of the Potton Hall acoustic, and the presence of the performance in a very real space, is greatly enhanced. By comparison with the 96kHz/24bit files, the ‘CD-quality’ version, while still extremely impressive, sounds a little flat and ‘dry’.


Handel Serse 

Sols; Il Pomo d’Oro / Maxim Emelyanychev 


Fresh from last year’s Editor’s Choice-winning Handel album – and just as fresh-voiced – countertenor Franco Fagioli triumphantly leads the cast in a superb set of the composer’s opera Serse.

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Liszt Sardanapalo 

Sols; Weimar Staatskapelle / Kirill Karabits 


Rarely do musical discoveries come as significant and intriguing as an opera by Liszt; a tantalising hint of what might have been, had he fully embraced the genre.

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Purcell King Arthur 

Sols; Vox Luminis / Lionel Meunier 


2012’s Recording of the Year winners Lionel Meunier and Vox Luminis bring us highly enjoyable Purcell of, at times elegance and grace, at others a lively spirit, with joyful singing throughout. 

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Berg Wozzeck 

Sols; Netherlands Philharmonic Orchestra / Marc Albrecht 


Reviewer Peter Quantrill calls this Marc Albrecht-conducted Wozzeck ‘among the most beautifully played and sung accounts on record and film’, praising too the staging. 

Read the review


Borodin Prince Igor 

Sols; Belgrade National Opera Orch / Oskar Danon 

(Decca Eloquence) 

The pick of the operas from Belgrade brought to us this month from the ever enterprising Eloquence label.

Download from Qobuz

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