Fleuranne Brockway wins 2025 Concours musical international de Montréal
The Australian mezzo-soprano receives the $75,000 prize
News & Features
Applications open for Barefoot Opera’s Summer course
The course will focus on aligning body, breath, movement and sound, refining and evolving the operatic tradition
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Opera Now presents the Semi-Finals and Finals of the Concours musical international de Montréal (CMIM)
The Voice 2025 edition brings together 24 exceptional singing artists for a unique musical and emotional adventure
'Whatever your background, music casts its spell' – Nicola Creed Interview
As she steps down as Executive Director of Garsington Opera, Nicola Creed looks across her multifaceted career and the successful evolution of the company
'Mental health, like physical health, is not a luxury, but a necessity' | Mental Health Awareness Month - Leandra Ramm
American mezzo-soprano Leandra Ramm shares how mindfulness and mental health practices help her stay fully present in both rehearsal and home life
'I think we can do better' | Mental Health Awareness Month - Samuel Mariño
The Venezuelan male soprano Samuel Mariño shares his personal experience with mental health and how the music industry should be supporting vulnerable artists
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Reviews
Mozart: Idomeneo at San Francisco Opera | Live Review
'Music director Eun Sun Kim showed solid Mozartian credentials as she revelled in the score’s fecund, almost kaleidoscopic invention'
Mozart: Marriage of Figaro at Volksoper Wien | Live Review
De Beer’s staging is overstuffed with ideas, most of which should have been scrapped at the drawing board stage of development
Opinion
Opera isn’t dead. It’s fighting back
I am simply floored, humbled and stupefied by opera’s power and the vision of those who deliver it, week-in week-out
Why are song recitals so difficult to sell?
Despite their emotional depth and artistic brilliance, song recitals struggle to attract audiences – it’s time to ask why
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