As Sir Antonio Pappano steps down as music director of the Royal Opera House, Francis Muzzu takes a look back at a representative selection of his many great achievements with the company over the...
General director of English Touring Opera, Robin Norton-Hale discusses her sanguine drive to present ambitious performances in the current opera climate
Whether conducting the English National Opera, championing refugee musicians or supporting young composers, Russian-American Lidiya Yankovskaya is mindful of the profound connections to her heritage,...
The Monteverdi Festival blends tradition and innovation, celebrating Monteverdi, his operas, his extraordinary music and his legacy in the vibrant city of Cremona
Exploring life for tomorrow’s opera stars on the acclaimed Atelier Lyrique programme at the Verbier Festival
Damiano Michieletto’s new production of Carmen for the Royal Opera House brings a renewed focus on relationships and psychology to Bizet’s renowned score
The tenor reflects on a journey that has taken him from rural Wales to the Verbier festival
Meeting April Heade, the producer of Welsh National Opera’s successful wellness programme, which uses the power of singing to support individuals with chronic health conditions
Music enthusiast Ben Levy shares the journey to creating animated videos of iconic classical music stories, and now hitting over three million views on YouTube
For singers and guests, Europe’s most innovative opera studio – Fondazione Mascarade Opera – offers unforgettable experiences in the cradle of the Renaissance
The World Premiere of Ellen Reid's new opera 'The Shell Trial' at Dutch National Opera takes on questions and emotions surrounding climate responsibility
We caught up with conductor Jonathan Bloxham to discuss his new role at Luzerner Theater
The renowned Welsh soprano speaks about her current role in Welsh National Opera's production of Così fan tutte, as well as her work mentoring the next generation of young singers
Soprano Claire Booth presents her research into opera in the English language, asking whether it crosses the barrier to accessibility that companies have us believe
Ethel Smyth's opera 'Der Wald' (The Forest) enjoys a revival thanks to a new recording by the BBC Symphony Orchestra
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