Glyndebourne announces programme for 2024 festival
- Monday, August 21, 2023
As the 2023 festival draws to a close, the company announces plans for 2024
As the 2023 festival draws to a close, the company announces plans for 2024
Cecilia Bartoli: a creative force of nature | Joana Mallwitz: ingenuity and instinct on the podium | UK festivals roundup: reviews from a glowing summer of opera
The opera company's collaboration with Pegasus Opera provides four singers with mentoring opportunieis
A grant of £24 million will provide interim support before the company's move out of the capital
The 25-year-old receives the Prix Yves Paternot for the musician of the Academy demonstrating the most promise
ENO Response invites applications from writers for its 2023/24 scheme
Jamie Barton: the raw and real mezzo | Ryan McKinny: an artistic conscience beyond the stage | The fascinating history of US opera
The Big Freelancer Survey reveals the main concerns facing freelancers working in theater
Gramophone's sister title explores today's evolving opera world
Greek National Opera: a company like no other | Brian Jagde: meeting Covent Garden's daring Don Carlos | Davóne Tines: the American tenor on Classical Pride
2023 Festival still to go ahead, but leaving an uncertain future for the charity
Speranza Scappucci will be the first in the post for over a quarter of a century
Following the cancellation of Die Meistersinger 13 singers are without work or compensation from the company
The announcement comes two years into an intended six year tenure
Pappano’s last new production will be Strauss’s Elektra in January 2024 with Nina Stemme in the title role, and Karita Mattila as the haunted queen Klytämnestra
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