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RIDDERSTOLPE Untold Tales
Anna Paradiso | Kristina Hammarström
Not even the Swedish duo of Kristina Hammarström and Anna Paradiso had heard of Caroline Ridderstolpe (1793-1878) until the latter...
Reviewed by Andrew Mellor in issue: 11/2024
Liszt Piano Works
Valerie Tryon’s generous ‘Liszt Odyssey’ mirrors both her genial nature and her dedication to the idea of music as a...
Reviewed by Bryce Morrison in issue: 1/2005
Hartmann, E Songs
Less well known than his father Johann Peter Emilius, Emil Hartmann (1836-98) was nevertheless a respected figure in 19th-century Denmark....
Reviewed by David Fanning in issue: 5/2011
Stähle & Dvorák Piano Quartets
Hugo Stahle was one of the most promising of his generation of composers, widely admired for the fluency and charm...
Reviewed by John Warrack in issue: 12/1989
ALBÉNIZ Piano Concerto No 1. Suite española
For Oliver Messiaen, Albéniz was ‘parmi les étoiles’, and it is easy to see the attraction of music blazing with...
Reviewed by Bryce Morrison in issue: 06/2016
Leonard Pennario: The Complete RCA Album Collection
The pianist Leonard Pennario has never been ranked with the all-time greats. He died in 2008 but never achieved the...
Reviewed by Jeremy Nicholas in issue: 05/2019
Fauré Piano Works, Vol. 5
This is the fifth and final volume of Paul Crossley's complete recording of Faure's solo-piano music; it makes a richly...
Reviewed by Michael Oliver in issue: 2/1988
Record of Singing, Volume 3
To recapitulate: 'The Record of Singing', the most exciting project of its kind ever devised and carried out, undertook to...
Reviewed by John Steane in issue: 3/2000
Gershwin; Ravel Piano Concertos. Stravinsky Capriccio
Ian Parker | London Symphony Orchestra | Michael Francis
A Ravel and Gershwin coupling is now as ubiquitous as a Grieg and Schumann. The Stravinsky, though, is a comparative...
Reviewed by Jeremy Nicholas in issue: 1/2011
Bruckner Symphonie in F Minor
Berlin Deutsches Symphony Orchestra | Vladimir Ashkenazy
Calling Bruckner’s Study Symphony in F minor ‘No. 00’ has always struck me as being both silly and cruel. It...
Reviewed by Richard Osborne in issue: 5/1999

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