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Leschetizky Piano Works
Although pianists who studied with Theodor Leschetizky (1830-1915) were active well into the post-Second World War era, the eminent teacher...
Reviewed by James Methuen-Campbell in issue: 7/1994
Bowen, Y (The) Piano Sonatas
No better example of Hyperion’s founding principles could be imagined than this disc of three premiere recordings contributing to the...
Reviewed by Jeremy Nicholas in issue: 12/2009
HILLER Piano Quartet No 3. Piano Quintet Op 156
Minguet Quartet | Oliver Triendl
Ferdinand Hiller (1811 85) is one of those composers known more as a name in the biographies of others than...
Reviewed by David Threasher in issue: 08/2022
Brahms; Schumann Piano Quintets
Uneven coupling from a young all-Flemish partnership. They’re at their best in the less emotionally demanding Schumann, Komen especially confident...
Reviewed by mquinn in issue: 10/1998
Bruch, Mozart & Schumann: Chamber Works
Janet Hilton | Nobuko Imai | Roger Vignoles
This is a crisp, neat performance of Schumann's Marchenerzahlungen, but though it is pleasant, accomplished and intelligent in ample measure...
Reviewed by Christopher Headington in issue: 4/1991
Brahms & Schubert Lieder
The performance of the Schumann isn't really competitive. Hynninen and his partner adopt an ill-disciplined, unstable and subjective approach that...
Reviewed by Alan Blyth in issue: 10/1990
Brahms/Schumann Works for Clarinet
Franklin Cohen | Vladimir Ashkenazy
All music-lovers know well that inspiration for Brahms's two clarinet sonatas came from the playing of Richard Muhlfeld, principal clarinettist...
Reviewed by Joan Chissell in issue: 10/1993
Brahms/Schumann Piano Works
Asked – surely somewhat surprisingly in these European Union days – if it was not a ''little unusual'' for a...
Reviewed in issue 10/1995
Igor Oistrakh in Recital
These three discs form part of Capriccio's excellent contribution to last year's somewhat low-key celebration of the 250th anniversary of...
Reviewed by John Duarte in issue: 4/1994
Brahms & Schumann: String Quartets
C minor was scarcely less dramatic a key for Brahms than Beethoven. And how much better its challenges suit the...
Reviewed by Joan Chissell in issue: 4/1991
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