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Review of (A) Portrait of Herbert von Karajan

(A) Portrait of Herbert von Karajan

(John) Alldis Choir | Academy of St Martin in the Fields | Adrian Boult | Alberto Lysy | Alexander Cameron | Alfredo Campoli | Ambrosian Singers | André Navarra | André Previn | Angel Romero

Royal Classics

With its excellent transfers of vintage EMI recordings, almost every one of these doubles is worth its asking price of...

Reviewed by Ivan March in issue: 4/2000

Review of Berlioz Grande messe des morts

Berlioz Grande messe des morts

Elora Festival Orchestra | Michael Schade | Noel Edison | Toronto Mendelssohn Choir

Naxos

The outstanding element in this performance is the Toronto Mendelssohn Choir and Youth Choir, who have been admirably schooled by...

Reviewed by John Warrack in issue: 7/1999

Review of Bach Harpsichord Concertos, Vol. 1

Bach Harpsichord Concertos, Vol. 1

(Das) Neue Orchester | Alison Browner | Angela Kazimierczuk | Chorus Musicus | Christoph Spering | Claudio Rufa | Concerto Italiano | Fabio Biondi | Francesca Vicari | Franz-Josef Selig

Opus 111

For all its commitment to baroque music, Opus 111 has never featured Bach prominently in its catalogue, so there is...

Reviewed by Lindsay Kemp in issue: 8/2000

Review of Piano Trios

Piano Trios

Göbel Trio, Berlin

First Edition

The performers here are new to me, but this ensemble of three Berlin musicians led by the First Concertmaster of...

Reviewed by Christopher Headington in issue: 7/1988

Review of Bruch Violin Concerto No 1; Brahms Double Concerto

Bruch Violin Concerto No 1; Brahms Double Concerto

London Symphony Orchestra | Lydia Mordkovitch | Neeme Järvi | Raphael Wallfisch

Chandos

Mordkovitch and Wallfisch play with a good deal of spirit and poetry in the Double Concerto and the recording captures...

Reviewed in issue 6/1989

Review of BRUCH Die Loreley (Blunier)

BRUCH Die Loreley (Blunier)

Benedikt Eder | Danae Kontora | Jan-Hendrik Rootering | Magdalena Hinterdobler | Michaela Kaune | Munich Radio Orchestra | Prague Philharmonic Choir | Sebastian Campione | Stefan Blunier | Thomas Hamberger

CPO

Emanuel Geibel’s libretto to Die Loreley is based on an invented saga dating from 1800 which claims a huge rock...

Reviewed by Andrew Mellor in issue: 03/2019

Review of (The) Very Best of Janet Baker

(The) Very Best of Janet Baker

(John) Alldis Choir | Academy of St Martin in the Fields | Adrian Boult | Ambrosian Singers | André Previn | Cecil Aronowitz | Charles Mackerras | Daniel Barenboim | English Chamber Orchestra | Geoffrey Parsons

EMI Classics

Critic‚ reviewer‚ commentator‚ whatever: we’re all superfluous here. Programme‚ performance‚ recording‚ all are beyond praise. And certainly no word of...

Reviewed in issue 13/2002

Review of GOUNOD Symphonies Nos 1-3

GOUNOD Symphonies Nos 1-3

Oleg Caetani | Svizzera Italiana Orchestra

CPO

By no means mainstream repertoire, Gounod’s two completed symphonies nevertheless fully merit the finesse and joie de vivre that these...

Reviewed by Geoffrey Norris in issue: 01/2015

Review of Eileen Joyce: Complete Parlophone & Columbia Solo Recordings, 1933-45

Eileen Joyce: Complete Parlophone & Columbia Solo Recordings, 1933-45

Eileen Joyce

APR

Eileen Joyce (1912‑91) was an astonishing Australian child prodigy who was born in a tent, grew up in squalor and...

Reviewed by Jeremy Nicholas in issue:

Review of SCHUMANN Symphonies Nos 1 & 2 (de Vriend)

SCHUMANN Symphonies Nos 1 & 2 (de Vriend)

Jan Willem de Vriend | Stavanger Symphony Orchestra

Challenge Classics

Jan Willem de Vriend has been busy in recent years recording Romantic orchestral masterpieces for Challenge Classics: lots of Beethoven...

Reviewed by David Threasher in issue: 04/2024

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