A Renaissance Anthology
View record and artist detailsRecord and Artist Details
Composer or Director: Orlande de Lassus, Antonio Lotti, Antonio Caldara, Girolamo Frescobaldi, (Pietro) Francesco Cavalli, Giovanni Palestrina, Giovanni Gabrieli, Gregorio Allegri, Andrea Gabrieli, Claudio Monteverdi
Label: Classics
Magazine Review Date: 5/1993
Media Format: CD or Download
Media Runtime: 114
Mastering:
DDD
Catalogue Number: 7021-2
Tracks:
Composition | Artist Credit |
---|---|
Crucifixus a 8 |
Antonio Lotti, Composer
(The) Sixteen Antonio Lotti, Composer Harry Christophers, Conductor |
Miserere mei |
Gregorio Allegri, Composer
(The) Sixteen Gregorio Allegri, Composer Harry Christophers, Conductor |
Missa Papae Marcelli |
Giovanni Palestrina, Composer
(The) Sixteen Giovanni Palestrina, Composer Harry Christophers, Conductor |
Crucifixus |
Antonio Caldara, Composer
(The) Sixteen Antonio Caldara, Composer Harry Christophers, Conductor |
De profundis clamavi |
Andrea Gabrieli, Composer
(The) Sixteen Andrea Gabrieli, Composer Harry Christophers, Conductor |
Fiori musicali, Movement: ~ |
Girolamo Frescobaldi, Composer
Girolamo Frescobaldi, Composer Laurence Cummings, Organ |
Salve Regina |
(Pietro) Francesco Cavalli, Composer
(Pietro) Francesco Cavalli, Composer (The) Sixteen Harry Christophers, Conductor |
Domine, ne in furore |
Claudio Monteverdi, Composer
(The) Sixteen Claudio Monteverdi, Composer Harry Christophers, Conductor |
Symphoniae sacrae, liber secundus, Movement: Hodie completi sunt, 8vv |
Giovanni Gabrieli, Composer
(The) Sixteen Giovanni Gabrieli, Composer Harry Christophers, Conductor |
Tui sunt coeli |
Orlande de Lassus, Composer
(The) Sixteen Harry Christophers, Conductor Orlande de Lassus, Composer |
Missa 'Bell'Amfitrit'altera' |
Orlande de Lassus, Composer
(The) Sixteen Harry Christophers, Conductor Orlande de Lassus, Composer |
Author: Andrew Achenbach
Another Second Symphony comprises the remainder, the Elegiac of Lou Harrison. Some 33 years in gestation (according to the composer, initial sketches date from 1942), this is a fivemovement work of no mean stature. Fascinating influences abound: the piquant, often tintinnabulatory nature of Harrison's scoring reflects his lifelong preoccupation with Indonesian gamelan music (Harrison has written extensively for this exotic medium); the Ruggles of
Performances and recordings are consistently top-notch, and I surprised myself by enjoying this disc a great deal. Anyone caught up by the recent Gorecki / Tavener cult could well find themselves similarly entranced here.'
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