(An) Eternal Harmony

A new work by James MacMillan is the main attraction on this mixed collection

Record and Artist Details

Composer or Director: William Cornysh, Robert Ramsey, Anonymous, James MacMillan, Robert Carver

Genre:

Vocal

Label: Coro

Media Format: CD or Download

Media Runtime: 67

Mastering:

Stereo
DDD

Catalogue Number: COR16010

Tracks:

Composition Artist Credit
When David heard Robert Ramsey, Composer
(The) Sixteen
Harry Christophers, Conductor
Robert Ramsey, Composer
In Monte Oliveti Robert Ramsey, Composer
(The) Sixteen
Harry Christophers, Conductor
Robert Ramsey, Composer
O vos omnes Robert Ramsey, Composer
(The) Sixteen
Harry Christophers, Conductor
Robert Ramsey, Composer
How are the mighty fallen Robert Ramsey, Composer
(The) Sixteen
Harry Christophers, Conductor
Robert Ramsey, Composer
Salve regina William Cornysh, Composer
(The) Sixteen
Harry Christophers, Conductor
William Cornysh, Composer
Ave Maria, mater Dei William Cornysh, Composer
(The) Sixteen
Harry Christophers, Conductor
William Cornysh, Composer
O bone Jesu Robert Carver, Composer
(The) Sixteen
Harry Christophers, Conductor
Robert Carver, Composer
Missa Dum sacrum mysterium, Movement: Credo Robert Carver, Composer
(The) Sixteen
Harry Christophers, Conductor
Robert Carver, Composer
Dum sacrum mysterium Anonymous, Composer
(The) Sixteen
Anonymous, Composer
Harry Christophers, Conductor
At the centre of this recording stand the large-scale choral works of Robert Carver, canon of Scone (d1546). His music attracted a good deal of interest in the early 1990s, when The Taverner Consort, The Sixteen and Cappella Nova all issued recordings independently within a very short period. (Cappella Nova actually recorded all his surviving music on a multiple CD set for ASV.) In the main, this new release is a compilation drawn from two discs previously released on Collins Classics, to which The Sixteen have added fresh material: the motets by Robert Ramsey and, most significantly, a newly commissioned work by James MacMillan in emulation of his countryman’s 19-voice O bone Jesu.

I suspect that this last feature will be the principal attraction, both to The Sixteen’s devoted following and to the admirers of Scotland’s most prominent living composer. The new work wears its allegiance to its model plainly enough – almost too plainly, one might say. Some gestures are rather perfunctory nods in the general direction of Carver’s idiom; others, like the ‘sighing’ glissandi after the 4'00" mark, seem strangely out of place, as though an ‘extended technique’ had been pressed into service to mark the piece out as contemporary. I must also admit that the work’s structure continues to elude me (the ending in particular) even after repeated listening. That said, MacMillan’s handling of choral writing is undeniably skilful, and The Sixteen clearly relish the ensemble and solo effects that he has contrived. It will probably become a mainstay of the choral repertoire, at least in the UK.

The performance of the new work is on a par with that of the earlier repertory. It is all most fluently handled, but in nearly every other instance there are rival readings that cut just that little bit deeper. But even if comparisons are not exactly in The Sixteen’s favour, the general level of musicianship is obviously very high and this disc has its ‘target audience’ well in its sights: not quite a bullseye for this reviewer, but a clear success for all that.

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