Arnold, D Casino Royale - OST
Bond soundtrack takes a different tack
View record and artist detailsRecord and Artist Details
Composer or Director: David Arnold
Genre:
Orchestral
Label: Sony Classical
Magazine Review Date: 1/2007
Media Format: CD or Download
Media Runtime: 74
Mastering:
Stereo
DDD
Catalogue Number: 88697 02911-2

Tracks:
Composition | Artist Credit |
---|---|
Casino Royale, Movement: African Rundown |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: Nothing Sinister |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: Unauthorised Access |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: Blunt Instrument |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: CCTV |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: Solange |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: Trip Aces |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: Miami International |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: I'm the Money |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: Aston Montenegro |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: Dinner Jackets |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: The Tell |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: Stairwell Flight |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: Vesper |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: Bond Loses it all |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: Dirty Martini |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: Bond Wins it All |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: The End of an Aston Martin |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: The Bad Die Young |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: City of Lovers |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: The Switch |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: Fall of House in Venice |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: Death of Vesper |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: The Bitch is Dead |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Casino Royale, Movement: The Name's Bond...James Bond |
David Arnold, Composer
David Arnold, Composer Nicholas Dodd, Conductor Studio orchestra |
Author: Adrian Edwards
The absence of a title-song on this soundtrack CD of Casino Royale (though not in the film itself) had me pondering whether the producers had half in mind Dr No, the first Bond film, starring Sean Connery, which it's reported they wished to evoke by casting tough guy actor Daniel Craig as Ian Fleming's secret agent. Dr No didn't have a promotional song, though of course it launched Monty Norman's James Bond Theme (included here), which went on to become an integral part of the franchise.
David Arnold tantalises us with motifs from these earlier scores without, it has to be said, coming up with a tune that grips the listener in the way that some of his colleagues have managed. The long opening track, “African Rundown”, a virtuoso piece of scoring brilliantly played, is not untypical in that the parts are greater than the whole. However, Arnold has other varied musical skills to display. “The Switch” (tr 21) is an adroit piece of writing where the composer takes an imposing six-note figure on brass to build an extended cue of high drama. The atmospheric cues are discreetly and imaginatively scored. I liked the new bit of counterpoint Arnold adds to a familiar Bond motif at 1'19" in “Blunt Instrument”. He introduces a piano theme redolent of a night club in the cue “Dinner Jackets”, presumably to accompany the mixing of that ubiquitous dry martini cocktail. And it's another reflective cue at the heart of this soundtrack, “City of Lovers”, where the string-writing wrenches the senses with its melancholy refrain. This is a Bond score, then, that taps a different vein from before.
David Arnold tantalises us with motifs from these earlier scores without, it has to be said, coming up with a tune that grips the listener in the way that some of his colleagues have managed. The long opening track, “African Rundown”, a virtuoso piece of scoring brilliantly played, is not untypical in that the parts are greater than the whole. However, Arnold has other varied musical skills to display. “The Switch” (tr 21) is an adroit piece of writing where the composer takes an imposing six-note figure on brass to build an extended cue of high drama. The atmospheric cues are discreetly and imaginatively scored. I liked the new bit of counterpoint Arnold adds to a familiar Bond motif at 1'19" in “Blunt Instrument”. He introduces a piano theme redolent of a night club in the cue “Dinner Jackets”, presumably to accompany the mixing of that ubiquitous dry martini cocktail. And it's another reflective cue at the heart of this soundtrack, “City of Lovers”, where the string-writing wrenches the senses with its melancholy refrain. This is a Bond score, then, that taps a different vein from before.
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