Baroque Orchestral Works
View record and artist detailsRecord and Artist Details
Composer or Director: Luigi Boccherini, Johann Sebastian Bach, Roman Hoffstetter, Johann Pachelbel, Antonio Vivaldi, Wolfgang Amadeus Mozart, George Frideric Handel, Tomaso Giovanni Albinoni
Magazine Review Date: 1/1986
Media Format: Vinyl
Media Runtime: 0
Mastering:
DDD
Catalogue Number: UM6527
Tracks:
Composition | Artist Credit |
---|---|
Adagio |
Tomaso Giovanni Albinoni, Composer
François-Henri Houbart, Organ French Instrumental Ensemble Philip Bride, Violin Tomaso Giovanni Albinoni, Composer |
(7) Suites for Keyboard, Set II |
George Frideric Handel, Composer
George Frideric Handel, Composer |
Double Concerto for 2 Mandolins and Strings |
Antonio Vivaldi, Composer
Antonio Vivaldi, Composer |
Cantata No. 140, 'Wachet auf, ruft uns die Stimme' |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer |
Cantata No. 147, 'Herz und Mund und Tat und Leben', Movement: Choral: Jesu bleibet meine Freude (Jesu, joy of man's desiring) |
Johann Sebastian Bach, Composer
François-Henri Houbart, Organ French Instrumental Ensemble Guy Touvron, Trumpet Johann Sebastian Bach, Composer Philip Bride, Violin |
(4) Orchestral Suites, Movement: No. 2 in B minor, BWV1067 (flute & strings) |
Johann Sebastian Bach, Composer
French Instrumental Ensemble Johann Sebastian Bach, Composer Michel Guyot, Violin Philip Bride, Violin |
Canon and Gigue |
Johann Pachelbel, Composer
Johann Pachelbel, Composer |
(6) String Quartets, Movement: F |
Roman Hoffstetter, Composer
French Instrumental Ensemble Philip Bride, Violin Roman Hoffstetter, Composer |
Serenade No. 6, "Serenata notturna" |
Wolfgang Amadeus Mozart, Composer
Wolfgang Amadeus Mozart, Composer |
(6) String Quintets, Movement: No. 5 in E, G275 |
Luigi Boccherini, Composer
French Instrumental Ensemble Luigi Boccherini, Composer Philip Bride, Violin |
Composer or Director: Luigi Boccherini, Johann Sebastian Bach, Roman Hoffstetter, Johann Pachelbel, Antonio Vivaldi, Wolfgang Amadeus Mozart, George Frideric Handel, Tomaso Giovanni Albinoni
Magazine Review Date: 1/1986
Media Format: Cassette
Media Runtime: 0
Mastering:
DDD
Catalogue Number: UMK6527
Tracks:
Composition | Artist Credit |
---|---|
Adagio |
Tomaso Giovanni Albinoni, Composer
François-Henri Houbart, Organ French Instrumental Ensemble Philip Bride, Violin Tomaso Giovanni Albinoni, Composer |
(7) Suites for Keyboard, Set II |
George Frideric Handel, Composer
George Frideric Handel, Composer |
Double Concerto for 2 Mandolins and Strings |
Antonio Vivaldi, Composer
Antonio Vivaldi, Composer |
Cantata No. 140, 'Wachet auf, ruft uns die Stimme' |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer |
Cantata No. 147, 'Herz und Mund und Tat und Leben', Movement: Choral: Jesu bleibet meine Freude (Jesu, joy of man's desiring) |
Johann Sebastian Bach, Composer
François-Henri Houbart, Organ French Instrumental Ensemble Guy Touvron, Trumpet Johann Sebastian Bach, Composer Philip Bride, Violin |
(4) Orchestral Suites, Movement: No. 2 in B minor, BWV1067 (flute & strings) |
Johann Sebastian Bach, Composer
French Instrumental Ensemble Johann Sebastian Bach, Composer Michel Guyot, Violin Philip Bride, Violin |
Canon and Gigue |
Johann Pachelbel, Composer
Johann Pachelbel, Composer |
(6) String Quartets, Movement: F |
Roman Hoffstetter, Composer
French Instrumental Ensemble Philip Bride, Violin Roman Hoffstetter, Composer |
Serenade No. 6, "Serenata notturna" |
Wolfgang Amadeus Mozart, Composer
Wolfgang Amadeus Mozart, Composer |
(6) String Quintets, Movement: No. 5 in E, G275 |
Luigi Boccherini, Composer
French Instrumental Ensemble Luigi Boccherini, Composer Philip Bride, Violin |
Author: Nicholas Anderson
Of the two instrumental arrangements of movements from Bach cantatas the less said the better; in each instance the vocal part is usurped by an emotionally highly-charged trumpet, whilst in the case of No. 147 the felony is compounded by the heavy footfall of the bass line which provides an absurdly inept contrast with the melody. Excerpts from Bach's Suite in B minor for flute and strings fare better inasmuch as they are at least played by the instruments for which he wrote it. Mozart and Boccherini (his contribution is what we might justifiably call in this context 'Theme du Film de Ladykillers') are let off comparatively lightly but the ''beauty of the noble serenade'', from the Quartet in F, Op. 3 No. 5, is laid unequivocally on Haydn's doorstep without the slightest hint that Hofstetter or anyone else for that matter, might have had something to do with it. A tearjerking acoustic and a tasteful sleeve-design incorporating a recorder, a spinet, a lute, a globe, an ancient tome and a gourd of some description, put the finishing touches to this bewilderingly nonsensical issue. There's little to choose between the LP and CD except, of course, where price is concerned.'
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