BOLCOM Piano Rags
View record and artist detailsRecord and Artist Details
Composer or Director: William (Elden) Bolcom
Genre:
Instrumental
Label: Steinway & Sons
Magazine Review Date: 07/2017
Media Format: CD or Download
Media Runtime: 72
Mastering:
DDD
Catalogue Number: STNS30041

Tracks:
Composition | Artist Credit |
---|---|
(3) Ghost Rags |
William (Elden) Bolcom, Composer
Spencer Myer William (Elden) Bolcom, Composer |
(3) Rags |
William (Elden) Bolcom, Composer
Spencer Myer William (Elden) Bolcom, Composer |
Raggin' Rudi |
William (Elden) Bolcom, Composer
William (Elden) Bolcom, Composer |
Fields of Flowers |
William (Elden) Bolcom, Composer
Spencer Myer William (Elden) Bolcom, Composer |
Epithalamium |
William (Elden) Bolcom, Composer
Spencer Myer William (Elden) Bolcom, Composer |
The Garden of Eden |
William (Elden) Bolcom, Composer
William (Elden) Bolcom, Composer |
Knockout: A Rag |
William (Elden) Bolcom, Composer
Spencer Myer William (Elden) Bolcom, Composer |
Estela: Rag Latino |
William (Elden) Bolcom, Composer
Spencer Myer William (Elden) Bolcom, Composer |
The Brooklyn Dodge |
William (Elden) Bolcom, Composer
William (Elden) Bolcom, Composer |
Author: Donald Rosenberg
Pianist Spencer Myer certainly sounds smitten with these disarming pieces. He plays Bolcom’s miniature brainstorms with equal doses of sass and sweetness, giving full voice to the drama, poetry and humour that overflow from the page. In Myer’s nimble hands, the music reveals the affectionate originality the composer lavished on a popular American art form that had languished for almost half a century until performers and scholars began championing it again in the late 1960s.
Bolcom can be heard paying tribute to ragtime greats, including Scott Joplin, while mixing in his own delicious harmonic and rhythmic flavours. Syncopated figures rub shoulders with haunting melodies as the 16 selections unfold on this disc, which contains three suites whose movements are interspersed with other rags.
The music evokes everything from ghostly apparitions and scenes in the Garden of Eden – including a naughty serpent whose kiss requires the pianist to literally knock on wood – to sundry manifestations of ragtime exuberance and lyricism. Bolcom infuses every piece with vivid character and Myers seizes the opportunity to illuminate these concise treasures, which deserve a place within recital programmes, and not merely as encore afterthoughts.
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